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INDONESIA
Jurnal CMES
Published by Universitas Sebelas Maret
ISSN : 2085563X     EISSN : 25021044     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
The journal published in June and December has the following objectives: developing the scholarship and insights of academic community and researchers on the Middle Eastern regions from various perspectives, publishing the academic community’s research results and in general the researchers’ studies and scientific developments.
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Articles 6 Documents
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Search results for , issue "Vol 13, No 1 (2020)" : 6 Documents clear
KOSAKATA PADA KEMASAN DAN TEKNIK PENERJEMAHANNYA KE DALAM BAHASA ARAB Regi Fajar Subhan
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44561

Abstract

This paper analyzes various techniques of translation which is used in the text on the package of several snack products that is produced in Indonesia. The most important thing to be known by consumer from the snack package is its expiration date and the composition of the product. This study discusses the translation techniques used from Indonesian into Arabic. Based on these problems, study aims to find out the techniques which is used by translator according to the theory of Molina and Albir (2002) which proposed 18 different techniques. The method for this research is qualitative descriptive. The result, there are 11 kinds of techniques. Among them are as follows: amplification, borrowing, literal translation, decription, particularization, modulation, transposition, linguistic compression, calque, generalization, reduction. In addition to changing the structure, the vocabulary of the packaging text also changes in meaning.
KAIDAH PENAMAAN LEKSEM BENDA-BENDA KECIL (ISM TAṢGĪR) DALAM KAMUS AL-MUNAWWIR ARAB-INDONESIA (ANALISIS MORFOSEMANTIK) Muhammad Yunus Anis, Arifuddin
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44562

Abstract

This article will generally examine the naming convention of small objects lexemes (ism tagīr) in the Al-Munawwir Arabic-Indonesian dictionary. The approach used in this study is a linguistic approach, especially closely related to morphosemantics. In this case, the morphosemantic study involves the study of the structure and meaning of the lexeme in relation to small objects or what is commonly referred to in Arabic as ism taṣgīr. The research method consists of three important stages, such as: (1) the data collection and analysis using the observation method of linguistic units in the form of "words" in the al-Munawwir dictionary, (2) the data analysis used distributional methods in the form of techniques for direct elements and contrasting techniques, and (3) reports on results related to the rules for naming small objects in Arabic. The results of this study are expected to provide new insights on the relationship between morphological word formation in Arabic and naming rules in Semantic studies.
ESTETIKA SUFISTIK DAN ESTETIKA TAUHIDIK: PERSPEKTIF FILOSOFIS KOMPARATIF M, Muh Farkhan
Jurnal CMES Vol 13, No 1 (2020)
Publisher : Arabic Letters and Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44563

Abstract

This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believed and chosen as a basis in determining the direction and expression of art in the socio-cultural space. The method used in this study is descriptive qualitative analytic, with a religious philosophical approach to Islam, while data collection techniques are carried out through literature that is described qualitatively. The results show that aesthetics built on Sufistic conception and spiritual appreciation so distinctively in it’s paradigm. The Sufistic paradigm emphasize how art is able to strengthen one's psyche without debating legal status, while monotheistic aesthetics built on the basis of the legal text and dogmatism emphasize the exoteric level as legally considered by Islamic Islamic law. Thus the social responsibility and the selection of aesthetic views are sectarian in accordance with their religious beliefs.
حركة العودة إلى المسج د في الموسيقى التصويرية الأصلية لفيلم خمس زوايا المساجد Hidayah, Nur
Jurnal CMES Vol 13, No 1 (2020)
Publisher : Arabic Letters and Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44558

Abstract

This article discusses the concept of Islamic aesthetics, which is the view of art and beauty according to Ismail Raji Al Faruqi and Seyyed Hossein Nasr, the representation of the two intellectual figures is seen as representing a pattern of religious understanding, especially with regard to the perspective of art objects in Islam. The aim is to explain descriptively the comparative views of the two modern Islamic thinkers and examine how Muslims respond to their thoughts in the Islamic art world today. furthermore, the article explain conceptually how religious art thought is believed and chosen as a basis in determining the direction and expression of art in the socio-cultural space. The method used in this study is descriptive qualitative analytic, with a religious philosophical approach to Islam, while data collection techniques are carried out through qualitatively described literature. The results show that aesthetics built on Sufistic conception and spiritual appreciation so distinctively in it’s paradigm. The Sufistic paradigm emphasizes how art encourages one's psyche without debating legal status, while monotheistic aesthetics built on the basis of dogmatism and belief in the faith underlines the exoteric level, the foundations that are considered permissible or not may not legally Islamic law. Community social responses and the selection of aesthetic views are sectarian in accordance with their religious beliefs.
DIMENSI SOSIAL DALAM TEKS AL-MU’TAZILAH Eva Farhah
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44559

Abstract

Al-Mu'tazilah is a portrait of the Egyptian society which lived at some point in time. As described by Thaha Husain in order to show the disparity in the social life of people who need assistance and attention from the government or the authorities. Although the society lived in modern times at that time, not few other inhabitants still remained in underdeveloped education and social life. Through his work Al-Mu'tazilah, Thaha Husain highlights a range of social dimensions of society. This is the central issue to be addressed in this study. To reveal this social dimension, the sociology of literature theory is used, which focuses on the discussion of the sociology of both the author and the literary works. Primary data relevant to the topic were examined using a qualitative method in order to obtain an objective and scientific analysis. After all course, this study is of interest to the academic community in particular, and to other communities. The benefits are to mimic the social attitudes that can be enforced in today's life. In addition, people may refrain from doing things which might harm the social environment, such as isolating someone from another society.
EKSOTIKA INSKRIPSI ARAB PADA KERIS TANGGUH KAMARDIKAN Abdul Jawat Nur
Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 13, No 1 (2020)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.13.1.44560

Abstract

This study discusses the exotic Arabic inscriptions on kamardikan kris based on sociopragmatic studies. This research is interesting to do because not all kamardikan kris found Arabic inscriptions. The existence of Arabic inscriptions on the kamardikan kris is interesting to study from the type of Arabic script and also the intention of the owners to collect the kris. The method used in this study is the method of providing data, the method of analyzing data, and the method of presenting the results of data analysis. Based on an analysis of the types of Arabic script on the kamardikan keris it is concluded that Arabic writings on the kamardikan kris use one type of writing, namely naskhī writing and diwānī writing and some use a combination of several types of writing, namely (a) naskhi and diwāni writing, (b) Naskhī, Țugrā, and Śuluśi writing, (c) Naskhī, Țugrā, and Raihanī writing, (d) naskhī and Diwanī Jalī writing, and (e) writing the tattoo. Based on sociopragmatic studies, the Arabic inscriptions on the kamardikan kris have (a) aesthetic, (b) symbolic, (c) safety, and (d) success functions.

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