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Texture : Art and Culture Journal
Published by Institut Seni Indonesia Surakarta
ISSN : 2655676     EISSN : 26556758     DOI : 10.33153
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Texture art and culture journal, memuat artikel hasil penelitian ilmiah dalam spektrum penciptaan dan pengkajian seni rupa dan budaya. Lokus seni rupa berfokus pada praktik artistik dalam beragam medium ungkap, baik dua dimensi, tiga dimensi, hingga ragam praktik seni intermedia. Budaya dilihat dalam konteks praksis, berikut ragam produk budaya visual yang tumbuh dan berkembang di masyarakat. Kajian terkait seni rupa dan budaya dalam jurnal ini menggunakan pendekatan kritis dalam perspektif keilmuan interdisipliner.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 10 Documents
 1 
Search results for , issue "Vol 6, No 1 (2023)" : 10 Documents clear
Perancangan Busana Panggung Anak dengan Sumber Ide Bunga Matahari Hesty Agustina; Ruth Ambarsari; Salim Salim
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5467

Abstract

This final project takes sunflowers as a source of ideas to be developed into designs and then realized in the form of children's clothing using tapestry, knitting, and pattern magic techniques, in order to explore techniques in developing sunflower motifs in 3D clothing. For the purpose of using the source of the idea of sunflowers because sunflowers themselves are a depiction of optimism and joy that are suitable for the concept of children's clothing. The method used in the process of creating this fashion work is through design exploration (concepts, determination of the chosen concept then design development from the concept, determination of the selected design, experimental techniques used, determination of the right technique from experiments), execution of works (pattern making, pattern cutting, etc.) making tapestry, laying patterns on fabrics, cutting fabrics, sewing processes, and finishing. The final product is three stage children's clothing with artsy style that uses a combination of tapestry and knitting techniques and the use of ATBM lurik fabrics as traditional fabrics. The choice of lurik cloth in this work is due to the appreciation and respect for traditional Indonesian fabrics and their motif were many variations. 
Estetika Macan Kurung sebagai Sumber Potensi Peningkatan Ekonomi Masyarakat dan Pelestarian Seni Ukir di Jepara Habib Hasan Abdi Masabdi
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.4597

Abstract

Regional culture is one of the things that become assets and is also used as an aspect of the identity of a community group that shows a form of manifestation of intellectual community. Art is one of the elements of culture that is the embodiment of the tastes of the nation's people related to beauty aspects or aesthetics. The city of Jepara is one of the cities in Central Java which is known to the world community as the City of Carving. Jepara’s carving art has developed over the centuries and this has positive impacts on the variety of creative designs and the quality of the sculptures. Jepara’s sculpture called "Macan Kurung" is one of the various types of carvings that are known by the wider community. The carving of the Macan Kurung statue has several elements that all create a coherent beauty. Macan Kurung can be studied through an aesthetic view and its meanings which are then analyzed for their relevance to the values of life in the present. The carving of the statue is not only used as an ornamental object that contains the values of life but can also be used as a source of income for the sculptor. Considering the production process of the sculpture has several complex stages and the carving technique is quite difficult and the quality is high, so it should be of added value for this sculpture carved product. With this added value, it is hoped that it will be able to improve the economy of the sculptor, which then becomes a separate motivation for the people of Jepara to develop their Carving Art. Although there is such great potential, on the other hand there are obstacles because the carving technique is quite difficult makes the regeneration of carving skills quite hampered. Coupled with the declining interest of the younger generation of Jepara in learning carving skills, this has an impact on the existence of the Art of Carving itself as the identity of the people of the Jepara city area. 
Penerapan Gaya Bohemian pada Interior La Luna Resort di Yogyakarta (Kajian Estetik) Rizky Hikmatul Maulidia; Ersnathan Budi Prasetya
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5410

Abstract

The La Luna is one of the resort hotels located on Jalan Palagan Tentara Pelajar No.km.8 Ngaglik District, Sleman Regency. La Luna applies a bohemian interior style and cottage inn concept. The bohemian style that is applied to La Luna is used as branding for this resort so that this place is known as a unique, aesthetic and instagrameable inn. The purpose of this study was to find out how the application of bohemian style and aesthetic value to the interior of La Luna Resort in Yogyakarta. This study uses a qualitative research method with a bohemian and semiotic interior approach to seek aesthetic value. Sources of data obtained from field observations and interviews. The results of the study show an analysis of the bohemian style at La Luna Resort with some literature on bohemian origin culture and examines the aesthetic values of the interior as well as the new finding that the bohemian interior that has been known to be a capitalized element. It is hoped that this analysis can appreciate the interior with a bohemian style along with the aesthetic value based on the bohemian cultural history contained therein.
Implementasi Konsep Editing Pop Culture pada Program Video On Demand Politichoose Narasi TV Sigit Rizal Hidayat; Citra Dewi Utami
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.4761

Abstract

Video on Demand is a term for presenting videos that can be accessed online by streaming or offline by downloading. Video on demand gives control to its users where they have the freedom to choose what they want to watch without being bound by a certain time and place and can repeat the show as long as they are still connected to the internet. One digital media company that produces a lot of video on demand programs is Narasi TV. This journal will discuss the concept of editing pop culture program video on demand Politichoose Narasi TV. The Pop Culture editing concept in general is an editing technique with a modern style, following trends, dynamic, and widely followed by other people so that it can attract a wider audience, especially the younger generation, who are the main target of the politicoose program. There are three episodes, including an episode discussing one of the majors, an episode discussing sexual violence in educational institutions and an episode discussing medical waste.  
Karakteristik Batu Apung sebagai Kreasi Bentuk Meja Tamu Qoirul Roziqin; Aries Budi Marwanto
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5411

Abstract

The creation of the final guest table work with the creation of the characteristics of this pumice stone was motivated to create a new variant for developing this type of guest table. The work created consists of three pieces using tamarind wood, gypsum, and resin. The creation methodology uses the theory SP. Gustami includes the stages: exploration, design, and realization. The aesthetic approach to the work refers to Monroe Beardsley's theory in Problems in the Philosophy of Criticism which explains 3 characteristics, unity, complexity, and intensity. The process of working on the work uses carpentry techniques (bench work), chiseling techniques (carving), drilling techniques using a mini grinder, and dot techniques using nails. The finishing of the table is done by applying a brush technique using chemicals, candy-tone paint, coating, and resin to produce attractive wood effects and colors. The final results of the guest table works are three pieces, one of which uses tamarind wood, and two works use a combination of tamarind wood and gypsum. This creation is oriented towards developing coffee table designs, to create products that have a novelty value and keep abreast of market developments.  
Monumen Keris Sebagai City Branding dalam Strategi Culture Knowledge di Kota Surakarta Haris Fajar Nugroho
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.4791

Abstract

The development of Surakarta (Solo–the spirit of Java) city construction has various forms of buildings that have the potential to support the city's identity through tourism and culture. One of them is the Keris monument. The Keris monument as a landmark or city marker strongly reflects the identity values of a city (attachment). This study examines the role and function of the Keris Monument as a landmark in cultural knowledge strategy for visiting tourists. This study is field research using qualitative research methods. The results of this research are not in measurement but in contextual descriptive values and meanings. The research approach is based on descriptive qualitative research methods using a naturalistic paradigm. The main focus of this research is to find out the role and function of the Keris monument as city branding in support of the cultural knowledge strategy in Surakarta. This research was conducted to review developments following the slogan of Surakarta, 'Solo, the Spirit of Java,' which is based on existing ethnic identity as a characteristic of a tourist and cultural city.
Eksistensi dan Karakteristik Batik Motif Warak Ngendog di Kampung Batik Semarang dalam Era Modern Alifah Rahmawati; Afrizal Afrizal
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5466

Abstract

The background of this research is to describe in depth the existence and characteristics of Warak Ngendog motif batik in Semarang batik village. Batik is one of Indonesia's cultural heritages which has been recognized by UNESCO as Masterpieces of the Oral and Intangible Heritage of Humanity. This research is a type of qualitative research with a descriptive interpretative presentation and uses an aesthetic approach, namely aesthetics according to A.A.M Djelantik's theory, used to describe the existence and characteristics of the Warak Ngendog batik motif in Semarang batik village. Therefore, this study aims to determine the existence and characteristics of the Warak Ngendog batik motif in Semarang batik village in the modern era. The results showed that the existence of the Warak Ngendog motif batik in Semarang batik village was still maintained, although there were several challenges that had to be faced. The characteristics of the Warak Ngendog batik motif in Semarang batik village consist of aspects of shape, color, and aesthetic value that are still maintained according to their origins. However, there are also adaptations to market demand that affect the choice of motifs and colors. 
Pengembangan Motorik Halus Anak Usia Dini melalui Permainan Pasir Kinetik di Kelompok B Pratama Widya Pasraman Gurukula I Gde Suryawan; Ni Wayan Kasriani
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5388

Abstract

Early childhood is experiencing a process of rapid growth and development. In this case,  stimulation is needed to develop aspects of child development. One of the child's development that needs to be developed is fine motor skills. Early childhood education is a means to develop children's fine motor skills through a variety of fun games. Kinetic sand play activities are activities that can develop children's fine motor skills. Kinetic sand is a learning medium in the form of sand that is flexible, easy to shape and liked by children. The purpose of this study was to determine motor development activities through playing kinetic sand in Group B Pratama Widya Pasraman Gurukula Bangli. This study uses qualitative methods to convey research results descriptively. Data collection techniques in this study are observation, interviews and documentation. The results of this study were that early childhood fine motor development activities in Group B Pratama Widya Pasraman Gurukula Bangli through kinetic sand games had a significant impact on children's fine motor development. By squeezing, holding, pressing and shaping kinetic sand, it can stimulate the muscles of the child's arms so that fine motor skills can develop properly.   
Kostum Tjokroaminoto dalam Mendukung Setting Ruang dan Waktu pada Film Guru Bangsa: Tjokroaminoto Syaifatul Ais Salam; Cito Yasuki Rahmad
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5079

Abstract

Costume design is an important part of artistic direction and plays a crucial role in supporting a film's setting and time period. This study focuses on the costumes worn by the main character, Tjokroaminoto. The film's setting ranges from Tjokroaminoto's teenage years to his adulthood, and the costumes used create an authentic atmosphere during that time period. The research method used is qualitative research, using primary and secondary data sources obtained from interviews, observations, and literature studies. After the data is collected, data analysis is carried out through the process of reduction, presentation, conclusion drawing, and verification. The results show that the film's historical setting, "Guru Bangsa: Tjokroaminoto," is effectively conveyed through the costumes worn by the characters, which help to express space, time, social status, and three-dimensional character. Tjokroaminoto's costume consists of several parts such as basic clothing, headwear, bodywear, footwear, and accessories. The costume worn by Tjokroaminoto portrays a priyayi who comes from the Javanese region with a division of the time period when the story takes place. 
Kupu sebagai Sumber Inspirasi Penciptaan Dhapur Keris Vinsha Arissadewa; Kuntadi Wasi Darmojo
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5403

Abstract

The unique life cycle of a butterfly is known as a perfect metamorphosis, seen through the aesthetic aspect of the transformation of shape into a butterfly, so that this insect is often used as a symbol of perfection by some people. The concept of metamorphosis is quite relevant to keris culture, considering that the development of contemporary keris culture leads to art objects that put forward the value of meaning and symbols. The purpose of the creation of this work is to realize the shape of the dhapur keris by visualizing the aesthetics of the life cycle of the butterfly (caterpillar and butterfly) as a symbol and hope. The creation of this final project uses a three-stage method, namely: the exploration stage, the design stage, and the embodiment stage. As for the analysis of the work produced with an aesthetic approach from the concept of thought of Haryono Haryoguritno, namely the external criteria consisting of: aspects of garap, iron, pamor, steel (waja), and wangun. The resulting works are two kris works, namely the dhapur wyalangga keris and the dhapur butterfly keris which refer to the shape of the Javanese kris, and each work contains a philosophical meaning about the cycle of life.  

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