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INDONESIA
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Published by Institut Seni Indonesia Surakarta
ISSN : 14122065     EISSN : 27146367     DOI : https://doi.org/10.33153/ktg
Core Subject : Art,
Arts
The journal is invited to the original article and has never been published in conjunction with another journal or conference. The publication of scientific articles is the result of research from both the external and internal academic communities of the Surakarta Indonesian Art Institute in the Karawitanologi discipline. The scope of distribution, Karawitan Education and Learning; Historical Study and Development of Karawitan; Study on Karawitan; Karawitan Organology Study; Karawitan Aesthetic Study; Karawitan Composition Study.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 7 Documents
 1 
Search results for , issue "Vol 20, No 1 (2020)" : 7 Documents clear
LANA GENDHING KETHUK 4 KEREP MINGGAH 8 KAJIAN GARAP GENDÈR Atmaja Dita Emhar; Hadi Boediono
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3546

Abstract

Skripsi karya seni berjudul Lana Gendhing kethuk 4 kerep minggah 8: Kajian Garap Gender ini disusun untuk menjelaskan kajian gendèran Gendhing Lana. Pada umumnya Gendhing Lana disajikan dalam laras sléndro pathet nem dengan garap inggah kendhang irama dadi. Dalam skripsi karya seni ini Gendhing Lana disajikan dengan berbagai inovasi garap dalam tradisi karawitan gaya Surakarta yang sudah ada, diantaranya adalah: alih laras, mandheg, garap ciblon irama wiled, dan rangkep.  Kajian dalam skripsi karya seni ini adalah analisis gendèran yang meliputi tafsir céngkok dan wiledan. Penelitian karya seni ini merupakan penelitian kualitatif.  Metode penelitian yang digunakan adalah studi pustaka, observasi, dan wawancara. Sementara menyajiannya penulis menggunakan beberapa konsep garap, alih laras, pathet, dan mandheg.            Hasil dari alih laras dalam sajian Gendhing Lana, gendhing kethuk 4 kerep minggah 8 merubah karakter dan rasa gending tersebut.  Dalam proses alih laras muncul beberapa penawaran garap baru diantaranya adalah garap ciblon wiled, rangkep, dan mandheg.  Dari eksperimen yang dilakukan, jika disajikan dalam laras sléndro pathet nem karakter dan rasa Gendhing Lana adalah regu, anteb, dan wibawa, sementara jika dialih laras ke laras pélog pathet nem karakter dan rasa berubah menjadi bérag, prenes, dan gagah.
REPRESENTASI LOCAL WISDOM DALAM KARAWITAN MELALUI LAGU GARUDA PANCASILA SEBAGAI UPAYA MEMPERKUAT IDENTITAS BANGSA DI KALANGAN PEMUDA-REMAJA Setya Rahdiyatmi Kurniajati Linuar
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3439

Abstract

The development of science and technology and the rapid flow of globalization have indirectly resulted in the degradation of values and the erosion of national identity, especially among youth. Youth become "easy targets" for HOAKS, intolerance, radicalism, SARA issues, negative gangs, crime, terrorism, and other negative views that increasingly erode Pancasila values as part of the national identity. These negative ideas are internalized either through association, social media, negative doctrine, tantalizing offers, mounts of interests of a group, changes in material and educational orientation, and so on. In this regard, karawitan as a cultural product full of local wisdom can be an alternative means of strengthening national identity. This study tries to represent local wisdom in musikals through the Garuda Pancasila song as a material for introducing and practicing gamelan in RW.04 Tukangan youth. The Garuda Pancasila song was chosen as the material for the song because it is one of the national songs; familiar; contains the aesthetic taste of Pancasila, the spirit of nationality, values, the foundation of the state and national identity. The objectives to be achieved from this research are 1) the creation of the Garuda Pancasila song arrangement using the laras slendro gamelan with the creative pop genre, and 2) the training process in the field is expected to encourage the development of a sense of joy playing the gamelan; activated creativity, innovation and expression; the emergence of togetherness, kinship, tolerance, tolerance, empathy, listening to one another, and others, which can strengthen the identity of the nation which is beginning to be eroded.
“PAMETHUK PARI” EKSPRESI MUSIKAL RITUAL PETHIK PARI DI DESA SUMBER ASRI KECAMATAN PURWOHARJO KABUPATEN BANYUWANGI JAWA TIMUR Yatimin Yatimin; Santosa Soewarlan
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3564

Abstract

Pamethuk Pari, a Musical Expression of the Pethik Pari Ritual, is a form of music based on the ethnic Banyuwangi music using Angklung Paglak as a performance art. Interest in the existence of this ritual is becoming unknown in society. The phenomenon that occurs in the Pethik Pari ritual is rarely done in Banyuwangi Regency. The concept of art used is a symbolic concept with an arrangement concept that emphasizes new music with Banyuwangi ethnic music media. The initial steps in the process of creating a musical work Pamethuk Pari include 1) observation to determine the possible limitations to be packaged in a musical piece. Observations were made by looking for information that reviewed the Pethik Pari ritual, 2) Search for materials looking for instruments whose sound characters could represent rural nuances, 3) Collection of Materials, 4) Methods and Stages of Material Processing so that the links between the musical instruments could complement one another 5) Technical arrangement of materials by means of instrument exploration. The philosophy of the musical Pamethuk Pari contains guidelines for community life that teach mutual respect, togetherness, and gratitude to God Almighty.
SKEMA MANDHÊG DALAM STRUKTUR GENDHING GAYA SURAKARTA Ananto Sabdo Aji
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3541

Abstract

This thesis reveals mandhêg as one of the local concepts of Javanese music, especially the Surakarta style. Several issues to be explored are related to the mandhêg scheme in each musical structure. The data collection was carried out by literature study, interviews, and also as a participant observer. The analysis is carried out by reinterpreting the thoughts and experience of the pêngrawit through pragmatic reality. The interpretation uses interpretation method and garap analysis. The explanation and getting conclusions are carried out by the inductive method. Each mandhêg structure has a different mandhêg location or position, there is a mandhêg location that has become an optional convention or standard, there is also a mandhêg gawan which must be presented, pengendang must be able to know the location of the mandhêg in each piece he is going to present. The main factor is the empirical factor of a controller to be able to determine the mandhêg position of each musical structure.
FUNGSI MUSIK DALAM RITUAL TIBAN DI DESA PURWOKERTO KECAMATAN NGADILUWIH KABUPATEN KEDIRI Viesta Agustina; Muhammad Nur Salim
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3563

Abstract

The article entitled "The Function of Music in Tiban Rituals in Purwokerto Village, Ngadiluwih District, Kediri Regency" focused on the issue of Tiban ritual forms, Tiban ritual music performance and the function of Tiban ritual music. The results showed that the Tiban ritual was held during the long dry season with the aim for asking for rain through whipping by the perpetrators or what is called petiban. The people believe that the Tiban ritual can bring rain by means of media of blood dripping on the ground. Tiban music has several motifs in the wasp structure that characterizes it. Tiban music has an important function in Tiban rituals. The functions of music include the function of emotional expression, aesthetics, communication, physical reaction, legalization of social institutions and religious ceremonies, cultural sustainability, and community integration.
TITIK TENGAH SEBAGAI DASAR SISTEM KLASIFIKASI CENGKOK GENDER Ethan Schwartz
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.2749

Abstract

Cengkok merupakan kosakata musikal dasar dari beberapa instrument dalam gamelan Jawa Tengah. Gender barung memiliki sistem cengkok yang mungkin paling kompleks. Dengan pengembangan pendidikan formal kesenian setelah Kemerdekaan Indonesia, terjadi dorongan ke arah kodifikasi dan klasifikasi cengkok-cengkok gender. Pekerjaan paling signifikan di bidang ini dilakukan oleh R.L. Martopangrawit pada awal tahun 1970-an. Sebagian besar, metode yang dikembangkan oleh Martopangrawit dan rekan-rekannya tetap digunakan untuk mengajar gender di konteks pendidikan formal. Namun, ada sejumlah cara di mana metode ini gagal dalam aplikasi praktis dan teoretis. Artikel ini menjelajahi potensi untuk membuat sistem klasifikasi cengkok gender baru, yang bersifat obyektif dan juga mudah untuk digunakan. Diharap bahwa sistem baru ini akan mempermudahkan komunikasi dalam komunitas karawitan yang semakin global.
KEHADIRAN GENDING MUGI RAHAYU DALAM KONTEKS SOSIAL Niken Setyani; Rusdiyantoro Rusdiyantoro
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3557

Abstract

Permasalahan yang ingin diurai dalam penelitian ini adalah terkait perkembangan fungsi Mugi Rahayu di masyarakat. Hal tersebut atas dasar popularitas gending, kehadiran, dan perkembangan garapnya yang beragam dalam memenuhi  beberapa fungsi dan keperluan di dalam masyarakat Jawa Tengah khususnya daerah Surakarta dan sekitarnya. Penelitian ini merupakan penelitian kualitatif yang menggunakan metode deskriptif analisis, yaitu memberikan penjelasan  tentang  keragaman  gending  Mugi  Rahayu  dalam  berbagai fungsi dengan menggunakan pendekatan pemikiran Supanggah mengenai teori garap. Hasil analisis yang telah dilakukan, dapat diketahui bahwa ragam garap yang terjadi pada gending Mugi Rahayu terlahir karena memenuhi fungsi yang ada dalam masyarakat Jawa dan menjadikan gending Mugi Rahayu tetap eksis dan sering dipilih sebagai pendukung sajian sosial maupun layanan seni.

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