cover
Contact Name
Arif Abadi
Contact Email
arifabadi15071978@gmail.com
Phone
+6289648003473
Journal Mail Official
-
Editorial Address
Jl. Buahbatu no. 212 Bandung 40265
Location
Kota bandung,
Jawa barat
INDONESIA
Pantun: Jurnal Ilmiah Seni Budaya
ISSN : 24077143     EISSN : 27157350     DOI : -
Core Subject : Humanities, Art,
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Articles 104 Documents
Subjek Pascakolonial dalam Pementasan Teater Shakespeare Carnivora Karya Benny Yohanes Anggara, Semi Ikra; Nalan, Arthur S.; Herdini, Heri
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Benny Yohanes (usually written as BenJon for his stage name) is known for his works that are oppositional towards the hegemony of realism in Bandung theater, especially the realism theater of Suyatna Anirun. BenJon’s works generally imply political themes, or at least as comments on political situations or ideological critics. However, he uses different approach, for example from the slogan of Rendra’s Theater Workshop. In some of Benjon’s performances, there is an impression that the stage is dominated by symbolic festivities. Excitement can be found in artistic furniture, props, hand props, costumes, musical furniture, and make up. This paper is aimed at examining one of BenJon’s works, namely Shakespeare Carnivora, which is considered by BenJon as a show that is carried out outside of the ethics of the process and its directing tradition. Not only tried to oppose the tendency of artistic excitement by using significant objects, Shakespeare Carnivora was also directed collaboratively with Irwan Jamal. They work with the actors who are members of the Oyag Forum. This research is specifically intended to discover and investigate the postcolonial conditions in the Shakespeare Carnivora performance. More specifically, through the concepts of appropriation and ambivalence, which intertextually combine William Shakespeare’s Hamlet text, the legend of Sangkuriang-Dayang Sumbi and the narrative of official Indonesian history.Keywords: Shakespeare Carnivora, BenJon, Critical Ideology, Appropriation, Mimicry, Postcolonial Condition
Budaya Populer sebagai Medium Perlawanan dan Penghindaran: Studi Kasus Situs Kaskus Adrianto, Aditya Eko
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (575.968 KB)

Abstract

The purpose of this study is to show how popular culture is formed and its influences ot he com-munity in the digital age. The data collected from Kaskus is analyzed to show how popular culture can become a medium of resistance and evasion against the dominant culture. Furthermore, throughout its development, Kaskus transformed from a social networking website into information/news website. Analyzed from kitsch standpoint, Kaskus is also actively using its potential to earn profit from its popularity in the community. Thus, using Cultural Capital and Field concepts popularized by Pierre Bourdieu, Kaskus, as a popular culture, can be analyzed thoroughly.?Keyword: Popular Culture, kaskus, kitsch, resistance, evasion.
Budaya Populer sebagai Medium Perlawanan dan Penghindaran: Studi Kasus Situs Kaskus Aditya Eko Adrianto
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.487 KB) | DOI: 10.26742/pantun.v1i1.1064

Abstract

The purpose of this study is to show how popular culture is formed and its influences ot he com-munity in the digital age. The data collected from Kaskus is analyzed to show how popular culture can become a medium of resistance and evasion against the dominant culture. Furthermore, throughout its development, Kaskus transformed from a social networking website into information/news website. Analyzed from kitsch standpoint, Kaskus is also actively using its potential to earn profit from its popularity in the community. Thus, using Cultural Capital and Field concepts popularized by Pierre Bourdieu, Kaskus, as a popular culture, can be analyzed thoroughly.Keyword: Popular Culture, kaskus, kitsch, resistance, evasion.
Relevansi Selera Musikal dengan Politik Golongan di Indonesia Era Soekarno Ali, Arhamuddin
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.738

Abstract

The aim of this study is to explain differences in musical tastes in upper social class. The study alsodescribes the relationship between musical tastes with the political groups in the community of Indonesia in Sukarno era. As a conceptual basis, we use the views of Bourdieu about habitus, arenas, andcultural capital. Also used a conceptual view of the Schuessler relationship of musical tastes and ages.This case study concludes that the old group closed with the development of new music tends to assumethe old music as the best. On the other side, the young man open to the development of new types ofmusic. Besides, the differences in musical tastes of young and old groups lead to a clash between them.Differences in their taste of music creates an identity as a differentiator between them, resulting in aprocess of political groups in it.Keywords: musical tastes, political group, age and identity
Relevansi Selera Musikal dengan Politik Golongan di Indonesia Era Soekarno Arhamuddin Ali
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.487 KB) | DOI: 10.26742/pantun.v1i1.739

Abstract

The aim of this study is to explain differences in musical tastes in upper social class. The study also describes the relationship between musical tastes with the political groups in the community of Indonesia in Sukarno era. As a conceptual basis, we use the views of Bourdieu about habitus, arenas, andcultural capital. Also used a conceptual view of the Schuessler relationship of musical tastes and ages.This case study concludes that the old group closed with the development of new music tends to assume the old music as the best. On the other side, the young man open to the development of new types of music. Besides, the differences in musical tastes of young and old groups lead to a clash between them. Differences in their taste of music creates an identity as a differentiator between them, resulting in a process of political groups in it.Keywords: musical tastes, political group, age and identity
Mitologi Lakon Wahyu Eka Bawana dalam Pandangan Masyarakat Sangiran Bimo Kuncoro; Sarwanto Sarwanto
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (205.848 KB) | DOI: 10.26742/pantun.v1i1.741

Abstract

Lakon Wahyu, which is a kind of Lakon Carangan, has been increasingly requested in the last two decades by penanggap wayang (those who summon wayang) in Sangiran region. The high request is predicted because of those who summon this Lakon hope for blessing. There is a belief for generations among Sangiran people that summoning Lakon Wahyu will make their life peaceful and prosperous. LakonWahyu Eka Bawana which tells about the trip of Puntadewa in ge!ing the divine revelation through meditation becomes the main choice of the Sangiran society. They believe that after summoning the Lakon, they will get good impact in their life. Keywords: mythology, lakon Carangan, belief, value, Wahyu Eka Bawana
Museum Sri Baduga dalam Paradigma New Museology Detty Fitriany
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (405.459 KB) | DOI: 10.26742/pantun.v1i1.742

Abstract

Museum experiences a paradigm shift from the traditional museum into a modern museum then post-modern museum which gave birth to the movement of the eco-museum. As a museum established in the modern era, Museum Sri Baduga needs to adjust to the new paradigm of museology. The focus of this study is to find the suitability of the museum Sri Baduga current principles with the principles of eco-museum both physical and managerial aspects of the museum and what changes should be madeto achieve the ideal eco-museum. Methods of data collection is done with literature study and field observation. Methods of data analysis is conducted qualitatively by using the Eco-museum guidance indicator of Corsane Gerard (2006. The presentation method of data analysis is done informally in the form of a narrative. The findings in this study are the strengths and opportunities that are owned by the museum Sri Baduga to meet the principles of eco-museum that cannot be completed at this time. Keywords: new museology, Museum Sri Baduga, eco-museum
Mengungkap Identitas Sosial Iklan Komersial Bank Panin Dan Iklan Religius Dompet Dhuafa Hendy Yuliansyah
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (529.475 KB) | DOI: 10.26742/pantun.v1i1.743

Abstract

Advertising as it faces a state of society, can be understood as an easy way to get to know in brief social identity. With a variety of a!ributes imposed in an ad, then the level of maturity, life style as well as the vision of a society can be portrayed. Commercial advertising Panin Bank offers ease in all types of banking transactions, which raises the need for new base. While advertisement designed by DompetDhuafa offers the easy way how to do the belief in Islam, and this is the ultimate key of all religious advertising of Dompet Dhuafa. So that the vision in all advertisement of Dompet Dhuafa is how to increase awareness of Moslem in Islamic teaching with zakat or shadaqah.Keywords: advertise, commercial, religious
Kuasa Kolase dalam Ekologi Estetika Postmodern Nandang Gumelar Wahyudi
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (954.27 KB) | DOI: 10.26742/pantun.v1i1.744

Abstract

Nowadays, in the field of art, talking about (art) collage is more than just a technical ma" er to attach various other elements - beyond the conventions of painting - on a piece of canvas. It is more than the project that Picasso and Braque have been started in the exploration of experimental cubism to havethe new visual images. Collage today is not merely an expression of rebellion as Kurt Schwi"ers, Raul Hausmann or Hannah Hoch did in the spirit of anti-art that developed in Dada. Nowadays, Collage even transcends the iconic composition prowess ad world of Richard Hamilton or Eduardo Paollozi in pop-art. Thus, Collage in the art map inside postmodern era could be some sort of perspective, a way of thinking and looking, spirit, or footing (“blue-print”)/concept, even the idea of itself. Collage is probably a vast stretch of landscape civilization that celebrates itself among history, knowledge, technology, gaming, market, hospital, war, television and popular culture fanfare. Collage today are the images that were lined-piled around us as a reality that is layered, that seemed real and visible in everyday life - and we’re in it as an inevitable part of the composition of the layers inside collage umpteenth great life.Keywords: art, collage, popular culture, postmodern
Tari Pabbitte Passapu pada Upacara Tradisi Perkawinan di Suku Kajang Dalam Ragil Tri Oktaviani
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (452.329 KB) | DOI: 10.26742/pantun.v1i1.745

Abstract

This article tries to reveal the existence of dance pabbitte passapu on pa’buntingang ceremony and dance forms of presentation. The existence of pabbitte passapu dance is believed to be a fertility rite and custom entertainment facilities. However, the presence of dance in the ceremony pa’buntingang pabbitte passapu is already secondary. In a sense, the dancers are not anymore considered as participants but ‘performers to be seen’. Meanwhile, the presentation of the dance, although in the form of a ‘response’, it does not change the structure of dance movement pa!erns pabbitte passapu. The focus of the analysis is the form of dance pabbitte passapu presentation in a traditional marriage ritual ceremony of Inner Kajang. The substance aims to reveal the analytical and descriptive of the subject matter associated with, the presence of dance pabbitte passapu in a traditional marriage ritual ceremony of Inner Kajang In; and the form presentation of pabbitte passapu dance. This article is expected to be contributive to the people of Inner Kajang to maintain the dance arts pabbitte passapu, as well as for the art people to add the inland art discourses in the archipelago.Keywords: Pabbitte Passapu Dance, Kajang Dalam tribe

Page 1 of 11 | Total Record : 104