cover
Contact Name
Riyana Rizki Yuliatin
Contact Email
riyanarizki.y@gami.com
Phone
+6281803736337
Journal Mail Official
riyanarizki.y@gami.com
Editorial Address
Jln. TGKH. M. Zainuddin Abdul Madjid No. 132 Pancor Selong, Lombok Timur, NTB, 83611, Telp. (0376) 21394, 22953, Fax. (0376) 22953
Location
Kab. lombok timur,
Nusa tenggara barat
INDONESIA
Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Articles 10 Documents
Search results for , issue "Vol 2, No 1 (2019)" : 10 Documents clear
FUNGSI SENI TEATER SEBAGAI MEDIA KRITIK SOSIAL DALAM CERITA RAKYAT “PUTRI MANDALIKA” Desnayanti, Rosita; Kailani, Ashwan
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (810.737 KB)

Abstract

Penelitian ini bertujuan untuk mengetahui bentuk penyajian teater Putri Mandalika dan fungsi teater Putri Mandalika sebagai media kritik sosial. Teori kritik sosial sebagai alat membedah hubungan sosial yang terjadi karena adanya bentuk dan aturan hidup yang disebabkan oleh manusia. Metode penelitian yang digunakan adalah penelitian deskriptif kualitatif. Penelitian telah dilaksanakan di Desa Seriwe, Kecamatan Jerowaru, serta diadakannya penyajian teater Putri Mandalika. Teknik pengumpulan data yang digunakan peneliti adalah observasi, wawancara, dan dokumentasi. Teknik analisis data yang digunakan yaitu reduksi data, penyajian data, dan penarikan kesimpulan (verifikasi). Setelah melakukan analisis data, maka dapat disimpulkan bahwa: a) bentuk penyajian teater Putri Mandalika menggunakan konsep berbeda yang telah dimodifikasi. b) teater Putri Mandalika dapat dijadikan sebagai media kritik sosial.
EKSISTENSI GAMELAN AMAK ABER DI DESA MENDANE RAYA KECAMATAN KERUAK KABUPATEN LOMBOK TIMUR Azizah, Naila Yusri
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (799.223 KB)

Abstract

This study aims to describe the existence of Gamelan AmakAber at Mendae Raya Village, KeruakSub-district, and EastLombok Regency. This art has the important role to play, this study focused on the existence and function of Gamelan AmakAber. This study used a qualitative descriptive method. The subject of this study was Gamelan AberAber. The data collection technique used in this study was interview, observation and documentation. The validity check of the data in this study used source triangulation. The data analysis technique used consist of four stages, namely, data collection (data collection), reduction (data reduction), display data (data presentation), and conclusions drawing / verification (conclusion examiner and verification). The result of this study included the existence of AmakAber gamelan in detail. The art of Gamelan AberAmak was first brought to Mendane Raya in 1920 by DatukDaiman. Gamelan AmakAber art that does not allow woman to play in this art is very sacred. The preservation of Gamelan AmakAber art is carried out by always maintaining the authenticity of the art and recruiting young player or friend. This art function is entertainment, nyongkolan, khitanan, village peririk and source of livelihood.
BENTUK PENYAJIAN GENDANG BELEQ GUNTUR TLU DESA SONGAK KECAMATAN SAKRA LOMBOK TIMUR NTB Rohin, Wiwin Familia
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (890.857 KB)

Abstract

            This study aims to describe the form of serving gendang beleq guntur tlu Songak village, Sakra Lotim district, NTB. This research was also conducted because this music is a traditional art that is in Songak village which must be preserved,one of the ways is to do this research.             The approach used in this research is descriptive qualitative. The object in this study is gendang beleq guntur tlu which includes the presentation form. The subjects in this study were supporters of gendang beleq guntur tlu itself. The study focused on the form of gendang beleq gutur tlu. Data collection by(1) Observation, (2) interviews and (3) documentation. Data is done by (1) data reduction, (2) data presentation, (3) conclusion. To check the validity of the data, the data validity technique is used by triangulation technique.            From the results of the study, it has been found about: (1) The form of the presentation gendang beleq guntur tlu is a form of dance orchestra music using various traditional musical instruments and covers. Gendang Beleq Guntur Tlu itself. b. Performance (performance) c. Performance procedures d. floor pattern.   e. dance f. place of show g. cosmetology h. fashion and i. music. (3) Musical instruments used by gendang beleq, petuk, cemprang / ceng-ceng, reong, gong,oncer.
KOMPOSISI DAN TEKNIK PERMAINAN ALAT MUSIK MARAWIS PADA LAGU “SUFNA YUNA” DI PONDOK AL-MUAWWANAHYUNA DI PONDOK AL-MUAWWANAH Efrianti, Baiq Ririn Ety
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1212.869 KB)

Abstract

This study aimed to describe the composition and technique of Marawis musical instrument play on the song ?Sufna Yuna? in Pondok Al-Muawwanah, Johar Baru, Penujak Village, Central Lombok Regency. The research was conducted in Johar Baru, Penujak Village. The approach used in this study was descriptive qualitative. The object of this research was the marawis music of Al-Muawwanah boarding school which includes the composition and technique of playing musical instruments marawis on yuna sufna songs. Data collections were done by 1) observation, 2) interviews, and 3) documentation. Data analysis was carried out by 1) data reduction, 2) data presentation, and 3) conclusions. To check the validity of the data, the data validity technique is Credibility. From the results of the study found about: 1) the composition of musical instruments marawis on yuna sufna songs include rhythm / rhythm, tempo, dynamics, poetry, and instruments. 2) the technique of playing musical instruments marawis on yuna Sufna songs consists of the technique of playing or technique, and the sound of each musical instrument.
KEANEKARAGAMAN PENGERTIAN YANG MELIPUTI ILMU DAN SENI Indiana, Jaduk
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (836.201 KB)

Abstract

In this journal there is the essence of diversity of notions that include science and art is a qualitative research. It is a study of a view in the field of the understanding of science and art, which has meaning and usefulness in the form of science. Understanding of science can improve understanding and functions that are systematic, orderly, organized and methodical. These problems are characterized as: 1). Presentation of understanding of knowledge that contains extensive knowledge. 2). About the difference in understanding of science and understanding of art. 3). Factors of understanding science and art towards knowledge of concepts. 4). About the number of basic understandings of art such as technical, artistic, artistic forms, and skills to make it happen, as well as content knowledge that adheres to a technical reality and artistic form. 5). About the development of art that can be done by the creation of art in order to know the form of science in the form of art. If the main problem is formulated regarding the various meanings of the form of science and the form of art includes 2 things, namely: (1). What Is the Difference of Understanding of Science and Art. And (2). What is the connection between the definition of science and art in the concept. Whereas the purpose of this research is to know clearly the background of Wujug art and art form which contains the diversity of understanding and knowledge. This research was carried out using a oriented approach from the ethnographic workings of describing diversity based on three aspects: understanding, form of art and form of art. Based on the results of this study it can be concluded that the notion of science is a method. Considering the above, it is emphasized that in art works have similarities to existence with science. Thus the essence of the work of art is also a manifestation of symbolic expressions initiated, worked on and realized using methods.
Bentuk Penyajian Gendang Beleq Guntur Tlu Desa Songak Kecamatan Sakra Lombok Timur NTB Rohin, Wiwin Familia
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1632

Abstract

This study aims to describe the form of serving Gendang Beleq Guntur Tlu Songak village, Sakra Lotim district, NTB. The approach used in this research is descriptive qualitative. The object in this study is Gendang Beleq Guntur Tluwhich includes the performance. The subjects in this study were supporters of Gendang Beleq Guntur Tlu itself. The study focused on the form of gendang beleq gutur tlu. Data collection by observation, interviews and documentation. Data is done bydata reduction, data presentation, conclusion. To check the validity of the data, the data validity technique is used by triangulation technique. From the results of the study, it has been found about: (1) The form of the presentation Gendang Beleq Guntur Tlu is a form of dance orchestra music using various traditional musical instruments and covers Gendang Beleq Guntur Tlu itself, performance, performance procedures, floor pattern, dance, place of show, cosmetology, fashion, and music; (2) musical instruments used by gendang beleq, petuk, cemprang / ceng-ceng, reong, gong, oncer.
Komposisi dan Teknik Permainan Alat Musik Marawis Pada Lagu “Sufna Yuna” di Pondok Al-Muawwanahyuna di Pondok Al-Muawwanah Efrianti, Baiq Ririn Ety
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1629

Abstract

This study aimed to describe the composition and technique of Marawis musical instrument play on the song “Sufna Yuna” in Pondok Al-Muawwanah, Johar Baru, Penujak Village, Central Lombok Regency. The research was conducted in Johar Baru, Penujak Village. The approach used in this study was descriptive qualitative. The object of this research was the marawis music of Al-Muawwanah boarding school which includes the composition and technique of playing musical instruments marawis on yuna sufna songs. Data collections were done by 1) observation, 2) interviews, and 3) documentation. Data analysis was carried out by 1) data reduction, 2) data presentation, and 3) conclusions. To check the validity of the data, the data validity technique is Credibility. From the results of the study found about: 1) the composition of musical instruments marawis on yuna sufna songs include rhythm / rhythm, tempo, dynamics, poetry, and instruments. 2) the technique of playing musical instruments marawis on yuna Sufna songs consists of the technique of playing or technique, and the sound of each musical instrument.
KEANEKARAGAMAN PENGERTIAN YANG MELIPUTI ILMU DAN SENI Indiana, Jaduk
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1519

Abstract

In this journal there is the essence of diversity of notions that include science and art is a qualitative research. It is a study of a view in the field of the understanding of science and art, which has meaning and usefulness in the form of science. Understanding of science can improve understanding and functions that are systematic, orderly, organized and methodical. These problems are characterized as: 1). Presentation of understanding of knowledge that contains extensive knowledge. 2). About the difference in understanding of science and understanding of art. 3). Factors of understanding science and art towards knowledge of concepts. 4). About the number of basic understandings of art such as technical, artistic, artistic forms, and skills to make it happen, as well as content knowledge that adheres to a technical reality and artistic form. 5). About the development of art that can be done by the creation of art in order to know the form of science in the form of art. If the main problem is formulated regarding the various meanings of the form of science and the form of art includes 2 things, namely: (1). What Is the Difference of Understanding of Science and Art. And (2). What is the connection between the definition of science and art in the concept. Whereas the purpose of this research is to know clearly the background of Wujug art and art form which contains the diversity of understanding and knowledge. This research was carried out using a oriented approach from the ethnographic workings of describing diversity based on three aspects: understanding, form of art and form of art. Based on the results of this study it can be concluded that the notion of science is a method. Considering the above, it is emphasized that in art works have similarities to existence with science. Thus the essence of the work of art is also a manifestation of symbolic expressions initiated, worked on and realized using methods.
Fungsi Seni Teater sebagai Media Kritik Sosial dalam Cerita Rakyat “Putri Mandalika” Desnayanti, Rosita; Kailani, Ashwan
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1624

Abstract

This research aims to know the presentation form of Putri Mandalika theater and function of Putri Mandalika theater as a medium of social criticism. This research is descriptive qualitative research. The theory of social criticism as a tool to dissect social relationship that occur because of the forms and rules of life that are caused by humans.The research has ben conducted in Seriwe village, Jerowaru district and the presentation theater of Putri Mandalika. Data collection techniques used by research is observation, interview and documentation. Data analysis technique in this research is data reduction, data display and conclusion drawing. After data analysis, it can be concluded that: (a) The form presenting of Putri Mandalika theater uses a different concept that has been modified. (b) Putri Mandalika theater can be a media of social criticism.
Eksistensi Gamelan Amak Aber di Desa Mendane Raya Kecamatan Keruak Kabupaten Lombok Timur Azizah, Naila Yusri
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1633

Abstract

This study aims to describe the existence of Gamelan AmakAber at Mendae Raya Village, KeruakSub-district, and EastLombok Regency. This art has the important role to play, this study focused on the existence and function of Gamelan AmakAber. This study used a qualitative descriptive method. The subject of this study was Gamelan AberAber. The data collection technique used in this study was interview, observation and documentation. The validity check of the data in this study used source triangulation. The data analysis technique used consist of four stages, namely, data collection (data collection), reduction (data reduction), display data (data presentation), and conclusions drawing / verification (conclusion examiner and verification). The result of this study included the existence of AmakAber gamelan in detail. The art of Gamelan AberAmak was first brought to Mendane Raya in 1920 by DatukDaiman. Gamelan AmakAber art that does not allow woman to play in this art is very sacred. The preservation of Gamelan AmakAber art is carried out by always maintaining the authenticity of the art and recruiting young player or friend. This art function is entertainment, nyongkolan, khitanan, village peririk and source of livelihood.

Page 1 of 1 | Total Record : 10