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Ranang Agung Sugihartono
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Jl. Ki Hadjar Dewantara 19, Surakarta, Jawa Tengah, Indonesia 57126
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INDONESIA
ARTISTIC : International Journal of Creation and Innovation
Published by Institut Seni Indonesia Surakarta
ISSN : 27219445     EISSN : 27219321     DOI : https://doi.org/10.33153/artistic
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 5 Documents
 1 
Search results for , issue "Vol 3, No 2 (2022)" : 5 Documents clear
THE TRANSFORMATION OF MAJAPAHIT TEMPLE ORNAMENTS INTO BATIK MOTIFS Ken Andhisti
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4524

Abstract

Batik ERNA Mojokerto is a hand-written Mojokerto-style batik renowned for incorporating a Majapahit theme into its batik production. Some of the names of the batik motifs, such as the Surya Majapahit, Alas Majapahit, and Bunga Cinta Majapahit, have Majapahit nuances. The uniqueness of Batik Erna motivates this study to formulate the following research problem: how to transform the shape of the Majapahit heritage ornaments into Batik ERNA motifs? The purpose of this descriptive qualitative study is to investigate ERNA Batik motifs. Observation and interviews were utilized for data collecting, whereas data was examined using domain, taxonomy, and component analysis. The results of this study show that Batik ERNA transforms the ornaments of Majapahit heritage, such as the shape of the temple, flora and fauna ornaments on the relief walls, and the Majapahit royal signs into its batik motifs. The ornaments and the temple shapes have inspired the creation of batik motifs. The transformation results can be seen in the batik motifs of Ukel Cambah, Surya Majapahit, Rawan Inggek, and Kembang Suruh.
KOI FISH AS AN INSPIRATION FOR WALL DECORATION ARTWORK Rengga Kusuma Nawala Sari; Sri Wuryani; Kosalalita Anggiyumna R.
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4494

Abstract

Koi fish breeding in Blitar City produces Koi with superior quality. Koi fish are also used as the mascot of this city. Koi fish from Blitar are widely marketed both nationally and internationally. This is inextricably linked to the shape and color attractiveness of koi fish. Accordingly, koi fish are an interesting source of inspiration for wall art creation. The creation of this ornamental artwork used an aesthetic approach. The three steps of the creative process were exploration, design, and embodiment. Tapestry and knitting techniques were used in the embodiment technique.  This process produced three decorative artworks: (1) “Koi Fish Harmony”, which depicts a harmonious life; (2) “Meek Soft”, illustrates gentleness; and (3) “The King of Freshwater Fish”, which portrays charming luxury.
THE VISUAL CREATION OF PETRUK CHARACTER USING CASTING TECHNIQUE AS WINDOW DECORATION ELEMENTS Arif Luqman Al Hafidl; Ari Supriyanto
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4496

Abstract

Petruk is one of the punakawan figures in the puppet show who always entertains the audience. Despite his cute appearance, Petruk's figure has exemplary values and admirable values. In addition, Petruk also has a unique body shape, making it fascinating to use him as an inspiration for the creation of metal cast artwork for window decoration. This decorative artwork was made in 4 (four) steps: exploration, experimentation, incubation, and visualization. Five titles were given to the production of this decorative window artwork: "Petruk Ngilo," "Petruk Duding," "Berharap dan Berserah Diri," "Pemomong," and "Petruk Kanthong Bolong." Each of these window decorations represents a symbolic value for our existence as social beings and God's creatures.
“PASCA LISAN”, A DADAIST FILM WITH TRISIKON Sito Fossy Biosa; Waret Khunacharoensap
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4466

Abstract

Time-based art, often known as dynamic art, is becoming increasingly popular since the artsy community finds realistic action movies monotonous. In this respect, the Dadaist Film movement is crucial as a part of the dynamics of the non- compartmentalized art. The intimacy of the artistic production and manipulation process of the Dada movement encouraged me to apply the TRISIKON (Three Situations and Conditions) idea to make the Dada movement-inspired film "Pasca Lisan." The Dadaist movie "Pasca Lisan" used the idea of TRISIKON as a way of speaking to depict resistance to terrorist acts. Documentary footage gave the impression that what the camera was capturing actually happened; imaginative animation added the expression and impression effects; and live-action produced absurd, biased, and multi-interpreted dramatic scenes. Additionally, this movie was a picture of art and cross-disciplinary lines that worked together to reveal original and novel concepts, or perhaps things that dared to be referred to as "new."
THE CREATION OF “REPURPOSING” CERAMIC USING ROOF TILES WASTE Aries Budi Marwanto; Johan Ies Wahyudi; Raden Ersnathan Budi Prasetyo
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4528

Abstract

There was a lot of used roof tile discovered throughout the village. However, the community did not turn it into usable items. The roof tile waste motivated us  to turn it into artwork. This artistic research focused on the production of repurposing ceramic pieces utilizing roof tile waste materials. This creative study made use of the experimentation, reflection, and formation phases of Dharsono's artistic creation approach. This artistic creation process resulted in a jug of art entitled "Wanawarih." This artwork is full of symbolic expression values about the trilogy of vitality, namely forest preservation, water function maintenance, and earth manifestation

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