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Bambuti: Bahasa Mandarin dan Kebudayaan Tiongkok
Published by Universitas Darma Persada
ISSN : -     EISSN : 27972232     DOI : https://doi.org/10.53744/bambuti
Core Subject : Economy, Humanities, Education, Art, Social,
Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences Other
Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok is an national journal published by Program Studi Bahasa Mandarin dan Kebudayaan Tiongkok, Fakultas Bahasa dan Budaya, Universitas Darma Persada, Indonesia. It covers all areas of Theoretical Linguistics, Applied Linguistics, Culture, History and Literature. Bambuti aims to serve the interests of a wide range of thoughtful readers and academic scholars of China Studies, as well as politics, social, economic and others interested in the multidisciplinary study of China Studies
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 5 Documents
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Search results for , issue "Vol 4 No 2 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok" : 5 Documents clear
Emotional Expression of the Interjection 哎呀 Aiya Rafidah Aulia; Hermina Sutami
Bambuti Vol 4 No 2 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v4i2.35

Abstract

Interjection has no concrete meaning like noun, verb, nor adjective. It appears in spoken language to express one’s emotion in a certain condition or situation. The interjection 哎呀 aiya is one of the most frequently used interjection in modern Chinese. Concerning哎呀, Oxford Concise Chinese Dictionary (2010:1) only mentions that 哎呀is used to express surprise or discontent. We presume that there are more emotions available to be expressed. Based on the lack of types of emotions in the Chinese dictionary, the aim of this research is to examine kinds of emotions by analyzing the spoken language from a Chinese drama. The data is taken from dialogues containing 哎呀. This allows the researchers to observe the types of positive and negative emotions of 哎呀 in detail. This research uses Paolo Santangelo’s theory of emotion. He classifies emotions into 5 categories: (1) positive expectation and interaction, (2) satisfactory affects, (3) negative projection, (4) aggressive-opposing emotions, and (5) unsatisfactory affects. The method used to ascertain the type of emotions is done by considering the context where 哎呀appeared. From the context, it will determine the type of emotions. The result shows that the interjection 哎呀can express 5 types of emotions, such as hope, empathy, surprise, happiness, satisfy, worry, fear, angry, etc. The novelty of this research is to give types of emotions in detail.
The Tradition Of Recording And Preserving Manuscripts In China Nurni W. Wuryandari
Bambuti Vol 4 No 2 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v4i2.43

Abstract

China can be called a country with a consistent attitude in recording various events. Conditions and figures that are considered essential. Besides having a strong tradition of taking notes, China also has a habit of trying to preserve records. One of the crucial figures who contributed to the preservation of the manuscript was the emperor Qian Long (1736-1796), one of the emperors during the Qing dynasty (1644-1911). He collected valuable and rare books into a series of publications called Siku Quanshu (四庫全書), which is often referred to as the Imperial Collection of Four. In addition to collecting various information about their own country, Siku Quanshu also gathers information about other countries, including the Archipelago. This short paper aims to introduce the tradition of note-taking and the efforts to preserve manuscripts carried out in China, along with its benefits for researchers in China and foreign. Good Chinese language skills are the decisive key to penetrating the collection of knowledge stored in these precious Chinese manuscripts.
Phrases in Chinese Short Stories 献你一束花 Xiàn Nǐ Yī Shù Huā 'Presenting a Bunch of Flowers to You By Feng Jicai Hizkia Hasdin Saputra
Bambuti Vol 4 No 2 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v4i2.44

Abstract

This paper discusses a phrase in a Chinese short story entitled 'Presenting a Bunch of Flowers to You' by Feng Jicai. Through the literature and distributional methods, many types of phrases are found in each of its sentences. The most used phrases are endocentric or nominal subordinate phrases and prepositional phrases; While the rarest ones that appear are numeralia phrases and coordinate phrases. However, the phrase numeralia classifier often appears to be an endocentric phrase-shaper. In addition, there are also contained phrases, that is, phrases in phrases, or phrases formed from other phrases. Each phrase in a sentence has its syntactical function. The most syntactic functions of phrases are as objects.
Chinese Calligraphy According to Yinyang Philosophy View, Taoism, and Health Benefits Dini Khairia
Bambuti Vol 4 No 2 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v4i2.45

Abstract

In this article I will discuss the meaning of Chinese calligraphy (shufa) based on the views of yinyang philosophy and Taoism in health. This study uses a qualitative method based on literature study, observation, and interviews. The result of this study can be concluded that, in the structure of Chinese calligraphy (shufa) there are elements that make up Chinese calligraphy style continues to develop over time. At this time Chinese calligraphy styles that are widely used by Chinese calligraphy artists are kaishu calligraphy style, caoshu calligraphy style), Zhuanshu篆书 calligraphy style,行书（xingshu）calligraphy style, and古文 (guwen) calligraphy style. In addition to Chinese calligraphy is considered a visual art in writing Chinese calligraphy is also influenced by the views of yinyang philosophy and Taoism as well as in health.
Ciswak Ritual as a Ritual of Rejecting the Annual Bala of the Chinese Atik Febriyani
Bambuti Vol 4 No 2 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v4i2.46

Abstract

This article discussed the ciswak ritual at a temple in the Chinatown area of ​​Semarang, namely the Sinar Samudra Temple. Ciswak is a ritual of rejecting reinforcements performed by the Chinese every year to protect themselves from bad things. The research methodology and data collection technique are qualitative in collecting data through direct interviews and field research. Field research was carried out from a few days before the ritual until the ciswak ritual was completed using a descriptive analysis design. The Chinese consider that if the ciswak ritual is performed solemnly in both reading prayers and ritual movements and including repentance, which is carried out all day long, then this aims to show the sincerity of humans to want to receive protection and blessings from the gods and avoid away from evil and danger. This ritual is not only because one's birth sign is Chiong( bad luck) in that year, it is also because of the belief to carry out the ritual of repelling reinforcements every year even though the birth sign is not chiong. Chinese people in Semarang still strongly believe in the values ​​of ancestral heritage in the teachings of Taoism

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