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Contact Name
Ummu Fatimah Ria Lestari
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kibascenderawasih.journal@gmail.com
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+6281248733789
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kibascenderawasih.journal@gmail.com
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Balai Bahasa Papua, Jalan Yoka, Kelurahan Waena, Distrik Heram, Kota Jayapura, Provinsi Papua 99358
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Kota jayapura,
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INDONESIA
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan
Published by Balai Bahasa Papua
ISSN : 18584535     EISSN : 26560607     DOI : https://doi.org/10.26499/kc
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan aims at providing a media or forum for researchers, faculties, and graduate students to publish their research papers in the field of linguistic and literary studies. The scope of KIBAS CENDERAWASIH includes linguistic, applied linguistic, interdisciplinary linguistic studies, theoretical literary studies, interdisciplinary literary studies, literature and identity politics, philology, and oral tradition.
Articles 8 Documents
Search results for , issue "Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020" : 8 Documents clear
Subalternitas Perempuan dalam Cerpen “Inem” dan “Pelarian Yang Tak Dicari” karya Pramoedya Ananta Toer: The Woman Subalternity in “Inem” Short Story and “Pelarian Yang Tak Dicari” Short Story Written by Pramoedya Ananta Toer Siti Hardiyanti Amri
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (250.74 KB) | DOI: 10.26499/kc.v17i1.229

Abstract

This research studies about women subaltern in the two short stories of Pramoedya Ananta Toer. Through his works, Pramoedya potrays gender inequality in which women are positioned marginally. Both characters do not have ability to voice themselves which Spivak mentions as subaltern. The research problems are the structure of the two short stories and the position of subaltern in the structure. This research uses deconstruction analysis method. The results indicate that there is such resistance by those oppressed group. Meanwhile, the author presents not only the subaltern who acts passively throughout the text, but also makes effort to fight for freedom. However, the voice of them are not heard. They remain under the oppression of men.
Penggunaan Ejaan dalam Surat Dinas di Polres Bulukumba: Spelling in Letter Official Service in Police Resort of Bulukumba Andi Indah Yulianti; Hasina Fajrin R; Amriani H
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3230.964 KB) | DOI: 10.26499/kc.v17i1.236

Abstract

Mistakes that appear in the official letter proved that until now there are many institutions, private and government, that uses the letter as a means of communication, but in the writing process still there is a mistake. The writing of official letters should be written in official or formal languages in accordance with official language letters of language. This study could reveal the misuse of spelling and the factors that caused this mistakes. The method used in this research is qualitative descriptive method using interview technique and collect examples of official service letter at Polres Bulukumba. The findings in this study are, the inaccuracy of capitalization, the use of punctuation, and the error of dictions. While the cause of the error is caused by several factors namely, (1) the language user factor which includes (a) lack of understanding of Indonesian rules, and (b) unintentional use of language; (2) environmental factors; (3) language factors that include (a) language difficulties, and (b) the influence of regional languages.
Pengukuhan Budaya Patriarki dalam Novel Kartini karya Abidah El Khalieqy: Inauguration of Patriarchy in Kartini Novel Written by Abidah El Khalieqy Nur Halifah
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (215.05 KB) | DOI: 10.26499/kc.v17i1.240

Abstract

Kartini novel that written by Abidah El Khalieqy is one of Indonesia's best works inspired by the true story of the hero with the motto "habis gelap, terbitlah terang". Its setting in Javanese land and the period of Dutch occupation, this novel shows the struggle of Kartini's character in fighting for her right to school like her brothers. This study aims to describe how Javanese culture becomes a very solid benchmark in creating boundaries for women to obtain equality with men. The mindset of the Javanese people that suppresses all movements of women in showing their identity in the public sphere, thus placing Kartini as an object of oppression carried out by those around her. Society as a determinant of every woman's footsteps and bases the word safety to strengthen the position of women in the domestic sphere.
Fonologi Bahasa Nambla di Keerom Papua: Phonology of Nambla Language in Keerom Papua Arman Arman
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (366.371 KB) | DOI: 10.26499/kc.v17i1.241

Abstract

The research aims at describing phonological system of Nambla language in Dusun Nambla, specially: (1) the vowel system, (2) consonant system, (3) diphthong, (4) distribution of vowels and consonants, (5) form of syllables. The method applied in this research is descriptive method. The data was collected by using basic techniques such as ‘recording, participate, anda face to face” technique. From the analysis it is found that Nambla language has 27 phonemes. They are 6 vowels, 17 consonants, 4 diphthongs. Besides, it has 11 vowel sequences and 10 consonant cluster.
Apresiasi Sastra Siswa Sekolah Dasar di Kota Sorong: Literary Appreciation of Elementary School Students in Sorong City Muntihanah Muntihanah
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (223.171 KB) | DOI: 10.26499/kc.v17i1.243

Abstract

This paper aims to measure appreciation level of Grade V students in Sorong toward literature. This measurement uses penilaian acuan kriteria (PAK) approach beside Direct Evaluation of Literature and Indirect Evaluation of Literature. The result shows that on the whole appreciation level of literature of the Grade V students in Sorong Municipality is in Kurang with mean score 54.64.  Particularly, Indirect Appreciation Level of Literature got much lower score by mean score 37.13.  Meanwhile, Direct Appreciation Level got better level with predicate Satisfatory by mean score 62.77.
Novel Di Bawah Bayang-Bayang Ode karya Sumiman Udu: Makna Simbolik Penolakan Gelar “Ode” Sebagai Status Sosial Tertinggi Orang Buton: Novel Di Bawah Bayang-Bayang Ode Written by Sumiman Udu: The Meaning of Symbolic Rejection of “Ode” Degree As The Highest Social Status of Buton People Dara Windiyarti
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (264.092 KB) | DOI: 10.26499/kc.v17i1.246

Abstract

The purpose of this study is to describe the symbolic meaning in the novel Di Bawah Bayang-bayang Ode by Sumiman Udu published in 2015. The theory used in this study is symbolic interactional theory. Data collection is done by library techniques. The method used for data analysis is descriptive analysis. This discussion produces the following things. First, the imposition of customs and cultures that are already irrelevant, leading individuals to reject and oppose cultural customs. Second, customary rejection is done by violating norms. Third, customary rejection is done by not doing customary rituals. Fourth, customary rejection is done by removing the title in the name. Fifth, customary rejection is done by pursuing knowledge.
Hegemoni Wacana Kolonial dalam Cerpen “Mereka Bilang, Saya Monyet” karya Djenar Mahesa Ayu: Kajian Pascakolonial: Hegemony of Colonial Discourse in Short Story "Mereka Bilang, Saya Monyet" Written by Djenar Mahesa Ayu: Postcolonial Study Iwan Saputra
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (238.027 KB) | DOI: 10.26499/kc.v17i1.247

Abstract

Hegemony is the colonial’s effort done to legitimate its domination. By this hegemony, the colonizer is dominant to colonize. In this research, the writer attempts to elaborate about form and model of hegemony of colonial’s discourse in Djenar Mahesa Ayu’s short story “Mereka Bilang, Saya Monyet, by using postcolonial theory. To analyses this short story, the researcher would use the Homi K. Bhabha’s theory about postcolonial, that are stereotype, mimicry, and hybridity. The third concept is conducted to keep colonizer’s hegemony to colonized. The colonizer’s anxiety to colony encourages colonizer to do all effort to convince colonizer’s influence to colony. The colonizer attempts to do more ways by repetition of colonizer’s discourse. Based on the results of the analysis on their short story “Mereka Bilang, Saya Monyet”, the researcher found that the hegemony of colonial discourse was carried out by means of inculcating the identity of character “saya” who was considered a minority group. On the other hand, the mimicry made by character “saya” is an attempt to get recognition as a subject that has identity. The impersonation was a form of colonial discourse hegemony in character “saya” to make it look the same as “Kepala Anjing” representing the invaders. Repetition of the attitude shown by Kepala Anjing to character “saya” is a form of hegemony to convince.
Pronomina Bahasa Komering: Pronouns in The Komering Language Rahmat Muhidin
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (108.544 KB) | DOI: 10.26499/kc.v17i1.261

Abstract

This research aims to describe personal pronouns, indifinite pronouns, and interrogative pronouns in Komering language. This research used descriptive method. The data were collected through listening, speaking, and instrospection method. The result of the research shaws that these are three pronouns in Komering language in the Baturaraja, Ogan Komering Ulu Regency: (1) personal pronouns, (2) indefinite pronouns, (3) interrogativa pronouns. Personal pronouns in Komering language are (a) first person singular, (b) first person plural, (c) second person singular, (d) second person plural, (e) third person singular, and (f) third person plural indefinite pronouns in Komering language are (a) common indifinite pronouns, (b) place indefinite pronouns, and (c) interpretation pronouns.

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