cover
Contact Name
I Putu Udiyana Wasista
Contact Email
udiyanawasista@isi-dps.ac.id
Phone
+6281805597040
Journal Mail Official
citakara@isi-dps.ac.id
Editorial Address
Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
Location
Kota denpasar,
Bali
INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Articles 73 Documents
Lingkaran Kehidupan dalam Penciptaan Seni Lukis Anak Agung Gde Yugus
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.127

Abstract

Life is something that is very complex and unique, which is always running, rotating, and changing according to its nature. It is undeniable that everyone will experience a life cycle that is based on the concept of Rwa Bhineda, namely life-death, joy-sorrow, sadness-happy, health-sickness, and others. Based on the circle of life, abstract paintings will be created embodied in symbols full of meaning and deep meaning. The values of life in society with all of its problems will be expressed into a visual art work as an artifact that can summarize all the various events of the world. The creation of this work is expected not only to function as mere visual artifacts, but to have a deep value that life will always rotate according to its nature. The task of humans is how to interpret life so that life can be useful and in accordance with its true purpose. With line strokes, color strokes, and the composition of the fields and spaces embodied in the symbols, it is hoped that they will enlighten all people to interpret life by accepting all the natures that occur while still trying to fight all existing problems.
SENI LUKIS DEWA PUTU MOKOH PASCA RUDOLF BONNET I Gusti Ngurah Putra; I Wayan Sukarya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.129

Abstract

The presence of two Western painter Walter Spies, Rudolf Bonnet community of artists make very high antosias studied painting so by Cokorda Gede Sukawati build bevy of artists deemed necessary to ensure the welfare of the artists, so stand Pita Maha (1932) means a great soul or creativity. Dewa Putu Mokoh is the only young artists at that time who had the courage to come out of the themes puppet. Mokoh no longer presents the themes puppet as painted by the artists of that time. In addition, the courage to lift sex life through the development of techniques and approaches the theme of sex in humorous narrative. Factors that influence the work of Mokoh ie, natural, social, cultural, religious, education and tourism. In the presence of all influences interact and coalesce and grow into love in its development that is supported by the skills and professional. In addition, the work serves as a work Mokoh aesthetic, renewal, education, economy and to decorate the space, in his form with regard to aesthetic function. Impact Mokoh paintings that contribute new ideas, creative economy, namely the growth sectors of business life, giving birth to new artists who have the courage to give birth to works of art are bold, unique, interesting and has a distinctive character or trait. In addition, painting Mokoh have a different meaning, namely the symbolic meaning, the meaning relegi, meaning renewal, cultural significance, and reflection. Painting Dewa Putu Mokoh although express object of reality, which is seen directly, but there is a message and a specific meaning to be conveyed. To understand the symbolic paintings Dewa Putu Mokoh implied through the realization of painting, the symbolic meaning.
DEKONSTRUKSI PERUBAHAN KARAKTER KEBENDAAN IMAJINASI KREATIF DALAM KARYA SENI LUKIS I Made Bendi Yudha; I Wayan Gulendra
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.130

Abstract

Art is a reflection and sensitivity of spiritual experience related to environmental phenomena. It is the values of life which constantly offer anxiety over the changes. Exploration through observation and scrutiny on this phenomenon stimulates imaginative and expressive spirit. Therefore, it is necessary to do a deeper approach on life values through understanding and appreciation. This can be transformed into visual works which present moral messages of lifereality. Life today is full of a challenge that changes the mental attitude. There is a tendency of being materialistic which affects the uncontrolled behavior of life. So, crime is rampant with different motives and forms in society. Abuse of power, authority, law and religion are only a mask to meet the goal of temporary interests. Money and property have been embezzled the soul and the sense of human’s life. These phenomena have stimulated spiritual and emotional feeling to lift up an idea about the meaning of changes. The admirers of changes took pride of this material world. Life is a process of love, sorrow, sadness and starch as the nature of life. All material elements are not eternal. They are being bound by the limitation of the natural law of life cycle; the birth, growth and destruction (pralina). Appreciating these values can create ideas in understanding of the character of the material elements such as aging, decrepitude, distraction and destruction. In the creation process, this idea is very important.
TARI LEGONG KERATON DI DESA PEKRAMAN SUKAWATI DALAM PENCIPTAAN SENI LUKIS I Made Gita Teja Antara; Ni Made Rinu; I Wayan Gunawan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.133

Abstract

The Legong Keraton dance has the meaning of a classical dance from the island of Bali which has agile, flexible and smooth movements because it is danced by three girls aged 10-12 years, and is accompanied by the gamelan Gong Kebyar. This dance functions as a balih-balihan dance or entertainment. Many stories are played in the performance of the Legong Keraton dance, one of the most popular stories is Lasem which tells the love of Prabu Lasem to Putri Rankesari. There are 5 structures in the performance of this dance which include papeson, pangawak, penyet, pengipuk and pakahad. This dance, which was originally a dance of entertainment for kings and nobles in a palace or castle. The method used in the research of Legong Keratondi Dance in Pekraman Village, Sukawati, is the method of observation, interviews, literature, and documentation. The data analysis method used is a qualitative method. The theories used to support the creation of works are the theory of painting, aesthetic theory, and semiotic theory, using the flow of naturalism.
JAJA BEBANGKIT SEBAGAI PERWUJUDAN PERSEMBAHAN YANG MENGANDUNG NILAI ESTETIK I Dewa Putu Gede Budiarta; Anak Agung Ngurah Gede Surya Buana
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.134

Abstract

Hinduism in Bali is a religion that is very full of offerings as gratitude to God in all His manifestations, as well as offerings to the ancestors, also to the Rsi which is translated as a debt, so that all people feel obliged to do the offering. In carrying out the obligation to make offerings with a series of ceremonies, it is always packed with a series that is very symbolic and has a high aesthetic value. Beauty or aesthetics is a very important consideration in carrying out a series of offerings, starting from objects as manifestations of ceremonies, mantra words pronounced in beautiful rhythms, to the attitudes of the performers of offerings with beautiful attitudes and movements in the form of dances. Bebangkit is a series of ceremonies with symbolic meaning which means the manifestation of the great world, contained with symbols of all contents in this universe.
VISUALISASI NILAI-NILAI PRANAYAMA DALAM KARYA SENI PATUNG ABSTRAK I Dewa Putu Merta
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.135

Abstract

This article is the creation of research-based works related to the values of Pranayama. Pranayama is one of the yoga activities that puts more emphasis on breathing, body movement and is combined with concentration. There is a holy relationship or a combination of breathing, body work and concentration which can create a balance between body and soul (subtle body and gross body). The union between body and soul can occur when the combination of breath, body movement (hand movement), and concentration. The meaning contained in pranayama tantra is balance. This theme is taken from a meaning contained in tantra pranayama. The emergence of this theme explicitly refers to the object itself based on the fact that an artist has a sense of sensitivity in observing, dismantling, and peeling off an object as a source of inspiration. The method of creation is a method developed by Hawkins to create works of art systematically. The stages of creating an art work that outlines the design process for the creation of an art work according to the stages of the work, from the inspiration (idea) to the design, to the embodiment of the artwork. By cultivating the balance value contained in tantra pranayama it is visually manifested into three-dimensional works of art. The concept of space and field is the basis for visualizing it, so that it can give birth to monumental abstract sculptures.
TRADISI METIGTIG DI DESA BEBANDEM DALAM PENCIPTAAN KARYA SENI LUKIS I Komang Fergi Setiawan; I Made Bendi Yudha; I Wayan Karja
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.136

Abstract

The Metigtig tradition is one of the cultural traditions associated with the nangluk mrana ritual, namely the yadnya / offering ceremony which is carried out as a form of praise and requests to Ida Sang Hyang Widhi, God Almighty. Offerings or rituals of this kind are proposed, so that by His blessings, grace and through His power could neutralize or control all forms of negative disturbances by insects or pests, as well as supernatural forces, which have a detrimental impact, especially when disease outbreaks/pandemics in plants, animals and humans. Before the implementation of the Metigtig Tradition culture, first it begins with a prayer, namely submission of oneself through the offering of true devotion to ask for salvation so that the implementation could run according to common expectations. After the prayer is carried out, it is continued with the Matumblu ceremony at Pasuwikan Temple or commonly called Usaba Sumbu, which is a ketupat that is hung using 66 (sixty six) pieces of bamboo, then tumblu (pushed using jempana) until the hanging ketupat falls.
POLA WORKSHOP MENGGAMBAR PADA NOVEL, REPETISI GARIS DAN WARNA, KEKUATAN KELENTURAN BAMBU I Wayan Sujana
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.137

Abstract

The purpose of writing 'The Patterns of Wayan Sujana Suklu's Art Workshop' is in an effort to bring the artistic arts that have been designed by the author into the midst of society. The tendency of today's society to want art activities as an effort to meet the needs of self-actualization, and to feel the art process. The forms of art workshops that are typical of the medium and applied aspects are important both practically and theoretically. Why is it necessary to write an art workshop, what are the forms and stages of the art workshop process, then the experience gained from the art workshop process, these three things become topics in writing. Supporting theories and concepts include Nicolas Bourriaud's Relational Aesthetics and the formal principles of art by De Witt H. Parker. In this paper, three patterns of art workshops are presented, namely: Line and Color Repetition, Drawing on Novel, Bamboo Flaxi and Strong.
REPRESENTASI SUNGAI SEBAGAI NAGA BASUKI UNTUK MENJAGA KESEIMBANGAN KOSMOLOGI AIR DALAM PENCIPTAAN SENI LUKIS I Wayan Setem
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 01 (2021)
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.138

Abstract

The phenomenon of shifts in Balinese knowledge and treatment of rivers in a Hindu perspective is a very important fact and urgent to be explored and revealed. On the basis of the thought of awareness of the reality conditions that occur in rivers in the industrial era, the creator has hopes, ideals, longings, and spiritual values which are ideals as cosmos humans, so a view is born which is the idea of creating a painting with the title Representation of the River as a Dragon Basuki for Maintaining the Cosmological Balance of Water in the Creation of Painting. It means that by representing the river with symbols that can be understood, the artwork created is a metaphorical language that is able to communicate with the audience and will build appreciation. In this case, it is the creator's desire to convey certain thoughts (messages) to everyone through the created works of art and can produce meaning through the mechanism of articulation by the audience.
Bunga Mawar Sebagai Simbol Perilaku Manusia Menjadi Sumber Ide Dalam Seni Lukis Ni Made Udghitasari; I Dewa Putu Gede Budiarta; I Gusti Ngurah Putra
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): November
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1528

Abstract

The purpose of the Final Project of Fine Arts Creation is a requirement for S1 graduation. This makes me want to metaphor the various types, shapes, and colors of roses as ideas for creating paintings in a naive style. Then perform various compositional processing, phenomena in life can be used as ideas in creating a work of painting, ideas or ideas cannot be separated from observations and interactions with surrounding conditions, as well as personal experiences. With the problem of how to express the technique, and the meaning of the various types and colors of roses into a painting. There are supporters in expressing techniques, and meanings, namely the theoretical basis as a reference for realizing paintings. So, my theoretical basis is to use aesthetic theory, semiotic theory to express the meaning of the rose metaphor, and naiveism to enrich the visuals of painting. The results of this creation are in the form of six works of art with the title: Breastfeeding Mother, Fighting Corona Virus, Self-Esteem, Rejecting Love, Relaxing, and Inhaling Taste. Through the writing that has been done, I can express the roses expressed in a naive style. Through this, a work can be created that will have a symbol or meaning.