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INDONESIA
SELONDING
Published by Institut Seni Indonesia Yogyakarta
ISSN : 14121514     EISSN : 26859327     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol.1, No.1, Maret 2012" : 6 Documents clear
MUSIK GAMBANG KROMONG DALAM MASYARAKAT BETAWI DI JAKARTA Soekotjo Soekotjo
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (188.138 KB) | DOI: 10.24821/selonding.v1i1.7

Abstract

The existence of Gambang Kromong music among Betawi people is well maintained. The traditional music has its own dynamics in the life of Betawi people. Betawi people expect that the traditional music could develop and be able to satisfy the musical tastes of its people by playing the composition with popular music and dangdut. It stimulates the creativity of the the traditional artists to combine the traditional music instrument of Grambang Kromong ensemble with Western music instruments. The dynamics of the traditional music results in the two categories of the Gambang Kromong, which are the genuine one and combined one. In spite of the dynamics, the supporting people of the traditional music remain to be faithful audience of the traditional ensemble that it is well-preserved up to the present time. Keywords: Gambang Kromong, Use and Function, Aesthetic, Society
PENERAPAN DINAMIKA ALAMIAH PADA LAGU-LAGU YANG TIDAK BERTANDA DINAMIKA R.A. Dinar Sri Hartati
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.63

Abstract

Music is expression in sound. Sound without expression is not music. In music we express the idea. Dynamic is a musical elemen, that has function to express the idea and the soul of the sound, so the sound can be music. This article gives a practical direction about how we can applicate dynamic in a musical composition naturally so the idea of music can we hear, feel, and enjoy. Keywords: Dynamic, Music, Composition
BERKARYA MUSIK: ANTARA HARAPAN DAN TANTANGAN Mr. Warsana
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.64

Abstract

It is not easy to create musical works. It requires perseverance, toughness, broad knowledge and experience in addition to long creative process for musicians to pour their ideas into musical works that are intelligible and enjoyable. Different artists have different understanding of artistic works with certain theme and they have their own way to interpret the artistic works. There are various challenges they artists must face in creating good artistic works that are enjoyable by their audience or music lovers. The creative process is carried out by exploring, observing, improvising and arranging the results of the exploration, the observation and the improvisation in a good composition. It is the key for the artists to the success in their artistic creation.   Keywords: Music, Creativity, Performance
REPRODUKSI LAGU KR. KEMAYORAN: KONSTRUKSI SUBJEKTIVITAS NYAK INA RASEUKI (UBIET) Susi Gustina
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.65

Abstract

This article shows the knowledge and cultural perception of an Indonesian woman singer, Nyak Ina Raseuki (Ubiet), that was achieved through her musical experiences in social life and constructed her singing style as her aesthetic mastery (connoisseur). Her singing style is used to reproduce songs from the variety of musical genres so that constructed her subjectivity in Indonesian popular music. One of the songs is analyzed in this article is Kr. Kemayoran, a song in the genre of keroncong. The research questions focus on 1) the construction of knowledge and cultural perception of Ubiet to construct her subjectivity, and 2) Ubiet’s way to explore Kr. Kemayoran so that showed the difference from others. This research used the life history method to understand Ubiet’s knowledge and cultural perception and the critical musicology to analyze the song. The research findings are the connoisseur is not depend only on formal education, but on the variety of musical practices in Ubiet’s life. Besides it, Ubiet’s subjectivity more focused on her musical competencies, i.e. her wide vocal range, the ability to explore many songs with microtones, local ornaments, as well as her ability to follow the development of meter and tonalilty (modulation) that are preceded by the music accompaniment.   Keyword: subjectivity, connoisseur, knowledge, cultural perception
TEMBANG MACAPAT SEBAGAI SUMBER IDE GENDING-GENDING KARYA KI NARTOSABDO Mr. Suparto
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.66

Abstract

Ki Nartasabda used Sekar Macapat as one of the inspirations in creating gamelan ensemble compositions. The expression of the Javanese traditional poetry was applied in the composition elements such as bawa, gerongan, and lelagon. Therefore, the elements were related to different ambiences of the traditional songs and cakepan did not completely follow the rimes of the Javanese poetry and also cengkok in the Sekar Macapat. The Sekar Macapat in the gamelan ensemble compositions created by Ki Nartasabda was expressed implicitly and explicitly in the bawa, the gerongan and the lelagon. The examples of the gamelan ensemble compositions were contained in the forms of Bawa Sekar Mijil, Ladrang Pocung, Lelagon Gambuh Pangatag, Lancaran Wira-wiri, and Lancaran Begadhang (Sinom). Keywords: Macapat, Gending, Compositions
PENDIDIKAN NILAI LUHUR MELALUI TEMBANG (LAGU) DOLANAN ANAK Untung Mulyono
SELONDING Vol.1, No.1, Maret 2012
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/selonding.v1i1.67

Abstract

Education of children of play group and elementary school of age is absolutely required, especially education of affective aspect because it is at the age that they develop their emotional capacity. Continuously trained will develop their emotional capacity and also their ability to control it. Therefore, teachers play a frontline role in developing the character of the children who are not only good in their cognitive and motor aspects, but also in their affective aspect. Traditional children songs, especially the ones for children of schooling age are highly appropriate and it should have been introduced for long time ago. It is because the traditional children songs contain the teachings of noble values and the behavioral aspects that must be developed through real reinforcement, role model and identification. Thus, learning the traditional children song systematically along with teachers will enable the development of good attitude and conduct that they can practice in their family as obligation. Such good conduct and character of noble values must be developed into good behavior, attitude and character. The development of the character of human being plays a strategic role in developing a good conduct. Developing honesty, trust, transparency and wisdom is important for human being that they have high dignity. It is expected that good and right character education will result in high civilized and dignity society. Traditional children songs for the children of play group and elementary school of age play an important role in developing the affective aspect, psychomotor aspect and cognitive aspect of the children and it is a means to develop good character, attitude and behavior based on noble values. Key words: education, noble values and traditional children songs

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