cover
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kota surabaya,
Jawa timur
INDONESIA
Lakon : Jurnal Kajian Sastra dan Budaya
Published by Universitas Airlangga
ISSN : 22528954     EISSN : 25274899     DOI : -
Core Subject : Education, Art,
LAKON adalah sebuah jurnal ilmiah yang diterbitkan oleh Magister Kajian Sastra dan Budaya Universitas Airlangga Surabaya. Cetakan pertama terbit pada tahun 2012 dan terbit dua kali dalam setahun sejak tahun 2013. Jurnal peer-review ini juga berfungsi sebagai forum yang menampung berbagai penelitian yang sedang dilakukan terhadap perkembangan manusia dan budaya di seluruh dunia. Jurnal LAKONmemuat aspek penelitian yang teoritis, empiris, dan historis yang didasarkan pada realitas lokal dan regional, dan berkaitan dengan praktek-praktek sehari-hari, identitas, media, teks, dan bentuk-bentuk budaya lainnya. Seluruh artikel dalam jurnal LAKON menandai dialektika pemikiran yang mendalam guna menggairahkan interseksi kajian sastra, budaya, dan ilmu-ilmu humaniora.
Arjuna Subject : -
Articles 6 Documents
Search results for , issue "Vol. 11 No. 2 (2022): JURNAL LAKON" : 6 Documents clear
Reading Anna’s Instability and Fear of Abandonment in Anna Karenina Diva Wenanda
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 11 No. 2 (2022): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (223.814 KB) | DOI: 10.20473/lakon.v11i2.36691

Abstract

Literary works often represent psychological issues through the conflicts they pose. Every so often, most literary works cannot be grasped as purely a psycho-literary works, but rather they implicitly connote psychological themes through conflicts, characterizations, and even settings. In continuing this tradition, this study examines a classic literature by Leo Tolstoy entitled Anna Karenina. This literary work is often seen to be an allegory for Imperial Russian community, social unrest, betrayal, and familial problems. Expanding the rich themes of this novel, this study specifically analyzes Anna Karenina through psychological lens. Concept of Borderline Personality Disorder (BPD) by Susan Hoeksema is used as the main concept to interpret the findings of the analysis. This study used qualitative method through a closed-reading attempt. The data of this study are narrator’s explanations and the characters’ utterances related the symptoms of the personality disorder suffered by Anna only. This study found that the personality disorder suffered by Anna is borderline personality disorder. This study is intended to explain the symptom of borderline personality disorder experienced by Anna are the instability in her mood and behavior and the fear of abandonment and the instability in her interpersonal relationships.
Elizabeth Gilbert's Self-Healing Efforts from Past Trauma in the Novel Eat Pray Love Naafi'atun
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 11 No. 2 (2022): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (598.521 KB) | DOI: 10.20473/lakon.v11i2.36870

Abstract

This study aims to determine the symptoms of trauma experienced by Elizabeth Gilbert and how Gilbert's efforts to reconcile her trauma. The data source used in this study is the novel Eat Pray Love. While the method used in this research is descriptive analysis method. The theory used to examine the symptoms of trauma and Elizabeth Gilbert's reconciliation efforts is the trauma theory by Cathy Caruth and the concept of acting out and working through from LaCapra. The data analysis technique was carried out by reading the novel Eat Pray Love, classifying the data into tables based on predetermined variables, analyzing the data, and finally writing conclusions. The results of this study are the symptoms that appear in response to the traumatic events experienced by Gilbert such as symptoms of fear, anxiety, depression, and the desire to hurt oneself to the desire to commit suicide. In an effort to reconcile his trauma, Gilbert travels to three countries, avoids things that are potentially traumatic, and testifies by writing novels based on his life experiences.
The Influence of Society in Committing Suicide in The Midnight Library Novel by Matt Haig Novi Fatati Syihamun Nahdiyah
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 11 No. 2 (2022): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (238.324 KB) | DOI: 10.20473/lakon.v11i2.36880

Abstract

People believe committing suicide is caused by an individual’s mental disorder. Therefore, suicide is identified as the individual's responsibility. However, in the theory of suicide by Emile Durkheim, he offers a different perspective on committing suicide. Durkheim argues society has influenced the individual's life by committing suicide. According to the phenomena, this study aims to identify the social factors that influence Nora to suicide in the novel The Midnight Library by Matt Haig. The study uses a descriptive analysis method and applies the theory of suicide by Emile Durkheim. The researcher identifies two factors that influenced Nora to suicide, namely egoistic and fatalistic. The people around Nora (family, friends, and partner) do not have a good relationship with her. On the other hand, the standardization or ideology of society put more and more pressure on Nora’s life. These two social factors influence Nora to decide to end her life.
Audience Reception of Intermediality in Sandiwara Sastra Podcast Delimaniati Bungsuna Manggala Manggala
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 11 No. 2 (2022): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (808.823 KB) | DOI: 10.20473/lakon.v11i2.37521

Abstract

Intermediality is a commonplace in the literary world, however it has not been widely found in the form of audio podcasts. The use of podcasts as a new medium for distributing audio plays can be an attractive option considering that youth as the target audience are currently very fond of podcasts. The Sandiwara Sastra podcast is interesting to study because it used a popular literary works that already have numerous readers, but it is not easy to make plays in an audio format that are liked by youth who are more familiar with visual literature. The purpose of this study is to determine the youth’s reception of intermediality on the Sandiwara Sastra podcast and to find out the role of the interpretive community in the production of meaning. With Irina O Rajewsky's intermediality framework and Alasuutari's third generation audience reception analysis framework. The results show that the intermediality of the Sandiwara Sastra podcast can provide a new experience for youth as the audience in enjoying literature. The audio component makes the audience feel closer to the literary story because audio can create a theater of mind. Audio can also evoke memories and bring back nostalgia when the audience listens to them. The use of the Sandiwara Sastra podcast also gives the audience a choice regarding the mode of listening to the podcast, even though the audience is not focused on enjoying literature.
Gender and Identity Subversion in Oli London's Plastic is Fantastic Yasmine Anabel Panjaitan; Asyifa Yuditya
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 11 No. 2 (2022): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1409.255 KB) | DOI: 10.20473/lakon.v11i2.38373

Abstract

The release of Oli London's Plastic Is Fantastic (2021), which talks about his fantasy of plastic surgery, has been extensively criticized. One of the reasons is that his music video was released during Pride Month, a month when the LGBTQ community advocates for their rights for gender equality, followed by other videos and tweets declaring his post-surgery transition to "non-binary" and “Korean.” To dig deeper into this assertion, this study combines Fairclough's (2003) three-dimensional theory as the framework and Machin's (2010) semiotic analysis to examine the song lyrics, visuals, and sociocultural background, thereby contributing to the Multimodal Discourse Analysis studies. This study intends to investigate the construction of gender and identity in Plastic Is Fantastic, the underlying power systems present, and how the power systems subvert gender and Korean identity. Research shows that the lyrics and visuals are connected with Korean identity due to the usage of Korean in the songs and the performer's androgynous appearance and behavior throughout the video. These practices produced problems, especially when his plastic surgery-related social media activity was stirred up by mass media as he consistently equated and exploited his trans status with other minority groups, such as Koreans, LGBTQ, and transracial people. Thus, the subversion of gender and identity is present since identity production is commodified.
Defining Southeast Asia Through The Democratization of Technology: A Critical Discourse Analysis of Southeast Asian Representation in Tweets Regarding Raya and The Last Dragon Irene Shendy Kharista
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 11 No. 2 (2022): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (362.124 KB) | DOI: 10.20473/lakon.v11i2.39086

Abstract

The development of technology has enabled the democratization of technology that helps minority groups to disseminate their own discourse outside the control of the dominant media. Through an analysis on a series of popular Twitter tweets made as responses towards the announcement of a Disney animated film Raya and the Last Dragon, this article explores how internet users who identify themselves as Southeast Asian respond to the representations of Southeast Asia produced by a multinational company. Using critical discourse analysis from van Dijk and representation theory, this article examines how popular tweets constructed a discourse on Southeast Asian representation by using their authority as 'Southeast Asian' to construct alternative representations in response to the representations created by popular media and how these reached other internet users. The results of the analysis show that while the representation discourse on the tweets was well received by internet users who identify themselves as 'Southeast Asian', some aspects used to construct the 'Southeast Asian' identity were disapproved of by some users who refused to associate themselves with the identity.

Page 1 of 1 | Total Record : 6