Ruki, Ulli Aulia
Bina Nusantara University

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Pengenalan Teori Servicescape dan Penerapannya dalam Desain Interior Ulli Aulia Ruki
Humaniora Vol. 2 No. 2 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i2.3174

Abstract

The reason of constructing the building facility is to facilitate users’ activity and service. The article purpose is to introduce servicescape concept as a part of route that could be used to measure users’ satisfaction level towards interior facility by giving additional value in selling goods and services in the building. Servicescape theory is one physical prove that could influence somebody’s point of view about physical environment in a commercial facility. Some points discussed in servicescape are style, design, sign, space layout, function, and ambient condition. Method used is literature study from some books along with illustration analysis related to commercial facility interior. The expected result is to give point of view from servicescape theory that could be applied by an interior design in defining design concept especially related to commercial facility. The conclusion showed some points in servicescape theory that could be used to direct and deliver the designer to design concept decision that would satisfy facility interior users. 
Penerapan Psikologi Desain pada Elemen Desain Interior Budi Setiawan; Ulli Aulia Ruki
Humaniora Vol. 5 No. 2 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i2.3268

Abstract

One of main interior designer’s assignments is to solve the problem within the facility. Problems may occur because the activities of design decision had done or will be done on the facility are not maximized. This problem can be reduced by rethinking the design through psychology design. Utilizing psychology design will help designer decide a better judgment of objects that affects the person using it in routine. The example of interior objects is wall, door, floor, color, and other elements of interior. Desk research method was used to support this article trough data collection from books and other professional institution websites. At the end, the conclusion of this article does not directly impact the result since it took time to persuade judgment of the user, but positively it will construct designer to rethink the design object.  
Aplikasi Nilai Objektivitas pada Konsep Desain Interior Kantor Ulli Aulia Ruki
Humaniora Vol. 4 No. 1 (2013): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v4i1.3424

Abstract

Now days, planning an office was more than preparing desk and chair, it needed  numbers of important decisions to be considerered, such as, where and how did the workers want to work?, What kinds of workspace that supported  employee’s activities and how much did the office use the new technologies. Article would acknowledge the designer about nine objectives that needed to be known before planning an office and six crucial choices about the place and way of working. Moreover, the designer would have the same frame of working with managers to create the success of office facilities. Researcher used library research to compile  data.It is concluded that  manager and designer needs to prioritize and discusses detail such as location, use, layout, appearance, filling and standardization concept to make an office efficient and meet  the employess needs. 
Tahapan Teknik Menggambar Ragam Hias Nusantara dengan Program Komputer Autocad Ulli Aulia Ruki; Budi Setiawan
Humaniora Vol. 4 No. 2 (2013): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v4i2.3534

Abstract

Nowadays, technology has developed in many different disciplines. One of the technologies that have been used in design interior is AutoCAD software used in technical drawing. This AutoCAD software has been well-known by drafters. Advantages of this software are small period time of working, drawing with precisely measurement; and it is environmental friendly because it uses digital data that can reduce paper use. Drawing decorative ornament is one of difficulties that have been avoided by students to draw. Therefore the purpose of this article is to give information about steps of drawing decorative element using AutoCAD for their technical drawing in interior design. The article used literature study and website of professional institutions about AutoCAD as an additional source to be explanations about pattern of each ornament. Results of using this technique in AutoCAD will minimize time consuming, and it will help students draw the Indonesian archipelago decorative ornament.  
Education and Exhibition Display Design in Taman Mini Indonesia Indah Anak Agung Ayu Wulandari; Ulli Aulia Ruki
Humaniora Vol. 9 No. 2 (2018): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v9i2.4597

Abstract

This research aimed to look further at Taman Mini Indonesia Indah’s (TMII) role in education and to enrich its visitors through exhibition design inside their main attraction, the traditional houses. It used the qualitative methods through observation of three randomly selected pavilions and data analysis used SWOT analysis and goal grid diagram. The research shows that there are no engagements between objects and visitors, the exhibitions are still lack of planning, visually unattractive and unavailability of information or written texts for most of its collection, which can be concluded that TMII is still far from achieving their educational goal. The result of this research is preliminary design for display cases that can be used in pavilions and corresponds design standards.
Subject-Object Engagement Study in Exhibition Spaces: A Comparison Between Taman Mini Indonesia Indah’s Pavilion and Indonesia Kaya Gallery Anak Agung Ayu Wulandari; Ulli Aulia Ruki; Ade Ariyani Sari Fajarwati
Humaniora Vol. 10 No. 2 (2019): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v10i2.5199

Abstract

This research aimed to analyze the engagement between local visitor with objects in a conventional exhibition space and a technology-based exhibition space. The method of this research was a qualitative method with descriptive analysis. The data collection was done in two stages. The first stage was collecting secondary data or desk research. The next stage was the primary data collection using both qualitative and quantitative methods. Data were collected in two exhibition spaces; Riau Islands Province pavilion in Taman Mini Indonesia Indah as conventional exhibition space, and Indonesia Kaya Gallery that was located in the Grand Indonesia shopping mall as a technology-based exhibition space. The research shows visitors’ engagement emerges not only because of the objects itself but also of its surroundings; the path and signage, the lighting design, how the objects displayed and labeled that will create certain engagement with its audience. Technology also gives great help to create subject-object engagement. However, to appreciate and really engaged with the objects, the audience still wants to see real objects and not the digital substituted. 
STUDI TATA PAJANG KERIS PADA MUSEUM PUSAKA, TAMAN MINI INDONESIA INDAH Polniwati Salim; Ulli Aulia Ruki; Anak Agung Ayu Wulandari
Narada : Jurnal Desain dan Seni Vol 7, No 1 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i1.001

Abstract

The purpose of this research is to find a good and interesting collection system of the heirlooms at  museum as to provide the visitors with an appeal and clarity information about collections in Museum as a public spaces. The background of this research is looking at the condition of Heritage Museum which looks like been abandoned and not neatly arranged, we concern about the suistainablity of collections’s display that are not maintained well. They need to be upgraded for a display system to be more interesting and easily seen. Especially the ancient museums of heirlooms which is keris that are not quite interesting for youngster nowaday due to the proliferation of contemporary museums. Therefor it is our duty to make the museum look more interesting to be visited and show much more information to the visitors. However, there are many aspects that need to be considered in designing good museum display, while many supporting factors such as the grouping of collections, the signage systems, as well as lighting are needed too. This study will examine how the object of research solves the issue above and researchers will provide appropriate and better display system as the solution, hoping that it will increase the interest and attention of visitors to know the museum colletion better. The method used in the research are documentation of the research object, combined with the study of literature. Hopefully this research will give contribution to the design of the museum's display system with ergonomical and clearly information about the collection, also gives happiness to the wider community. For the further development of museums, this research is aimed to contributes a good and friendly display technique and system in the future. 
ANALISA PERKEMBANGAN MOTIF UKIRAN DI JEPARA PADA ABAD KE-16 HINGGA ABAD KE-17 Ayuningtyas Putri Pratiwia; Kerin Khairunisa Kenangb; Ulli Aulia Ruki
Aksen : Journal of Design and Creative Industry Vol 2 No 2 (2017)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (613.111 KB) | DOI: 10.37715/aksen.v2i2.539

Abstract

Jepara adalah sebuah kota kabupaten yang terletak di kawasan pantai utara Jawa Tengah. Jepara dikenal sebagai pusat industri mebel ukir di Indonesia. Pada abad ke-16 hingga abad ke-17 terutama pada era kepemimpinan Ratu Kalinyamat, seni ukir di Jepara berkembang dengan pesat. Pada masa itu terdapat banyak variabel yang masuk dan kemudian mempengaruhi motif ukiran yang ada pada seni ukir di Jepara yakni antara lain pengaruh dari unsur-unsur gaya seni yang bercorak Hindu, Islam, Cina, dan Eropa. Hal ini menyebabkan terjadinya percampuran antara gaya desain pada motif yang berasal dari Indonesia dengan gaya desain pada motif yang dibawa dari pengaruh luar. Motif ukir di Jepara juga dipengaruhi oleh tren mebel secara global, seperti gaya seni Eropa Barat (Ionia, Doria, Korinthia, Renaisans, Barok, Rokoko, Gothik, Georgian, Klasik, dll), India, Tionghoa, Arab, Egyptian, dan beberapa bangsa lain yang justru akan semakin memperkaya khasanah budaya bangsa. Seiring dengan berjalannya seni tradisional setempat kehadiran berbagai gaya seni tersebut justru akan semakin mempercantik produk yang dihasilkan tanpa kehilangan nilai seni dan tradisi budaya bangsa.