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All Journal Jurnal Pendidikan Ilmu Sosial Cakrawala : Jurnal Humaniora Bina Sarana Informatika Humaniora Focus Bambuti: Bahasa Mandarin dan Kebudayaan Tiongkok
Hartati, Celerina Dewi
Universitas Darma Persada
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Transformasi dan Kontinuitas Dalam Tradisi Penggunaan Bahan Bakar Limbah Jagung Untuk Memasak Skala Rumah Tangga, Studi Kasus Kecamatan Tiga Binanga Tanah Karo Hartati, Celerina Dewi
JURNAL PENDIDIKAN ILMU SOSIAL Vol 28, No 1 (2019)
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/jpis.v28i1.13299

Abstract

Kecamatan Tiga Binanga Kabupaten Tanah Karo merupakan lahan pertanian jagung terbesar di Sumatera Utara. Kecamatan Tiga Binanga adalah salah satu kecamatan di Kabupaten Karo Provinsi Sumatera Utara. Masyarakat di daerah tersebut merupakan petani jagung. Luas wilayahnya adalah 160,38 km² dengan jumlah penduduk sebesar 19.476 jiwa. Kecamatan Tiga Binanga terdiri dari 20 desa, dan penelitian ini dilakukan di desa Simolap dan desa Tigabinanga. Jagung dapat berfungsi sebagai bahan makanan dan juga bahan produksi. Tongkol jagung atau bonggol akan menjadi limbah yang berbahaya bagi lingkungan jika tidak ada penanganan secara baik. Untuk itu limbah jagung harus dimanfaatkan sehingga bernilai guna. Masyarakat desa di kecamatan Tiga Binanga dalam tradisinya telah sejak lama menggunakan bonggol jagung sebagai bahan bakar memasak yang dicampur dengan kayu bakar dan tetap digunakan hingga saat ini. Studi transformasi selama ini membahas transformasi dalam kaitannya dengan kontinuitas, dalam tulisan ini akan diperlihatkan kaitan transformasi dan kontinuitas dengan tradisi dan inovasi. Tulisan ini bertujuan memperlihatkan transformasi dalam penggunaan limbah jagung sebagai bahan bakar alternatif sekaligus kontinuitasnya sebagai bahan bakar tradisional di masyarakat Karo dan kaitannnya dengan inovasi dan tradisi dalam masyarakat Karo.  
Zhongqiu Festival in Hwie Ing Kiong temple, Madiun Maunardani, Anitia Octantiar; Hartati, C. Dewi
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v1i2.4

Abstract

Abstract. This paper discusses about one of Chinese festival, namely Moon Cake Festival. This festival is celebrated by Chinese people in Madiun, East Java in Hwie Ing Kiong temple. At Hwie Ing Kiong temple the Zhong Qiu festival is still held as a form of maintaining Chinese culture, and inherit to their future generation. Through the ritual id dedicated to Mazupo, the sea guardian deity as a main deity in this temple and also to the moon deity, Chinese people in Madiun maintain the existence of this festival. The ritual is held in night after that people enjoy the moon cake outside the temple. The festival still exist up to now because it is well acculturated with local culture.
Culture Hybridity in Padi Lapa Temple, Jakarta Azizi, Haikal Hibatul; Hartati, C. Dewi
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v1i2.5

Abstract

Abstract. Padi Lapa temple is located in west Jakarta. It is different with the other temple. The peak time for this temple is Thursday night. Thursday night is considered sacred time for people who often come here. In this temple there is a special offering place for Wali Songo which is only open on Thursday night. There is one statue that is above the altar, the statue is a statue of the grandson of Sunan Gunung Jati, Prabu Siliwangi, who is depicted as a tiger. The offerings is like Kejawen such as lisong, seven forms of flowers and incense. Special rituals were preserved. It can be seen that the tumpengan is seen on Eid al-Fitr, Eid al-Adha and the Prophet's birthday which are usually equated with the night of one sura. In the evening, a heirloom object that is placed or donated to the temple is sanctified by a pilgrim who studies or has sufficient Islamic knowledge.
Chinese New Year in Siu San Teng Temple, Jambi Safari, Muhamad; Hartati, C. Dewi
Bambuti Vol 1 No 2 (2019): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v1i2.6

Abstract

Abstract. The existence of Jambi Chinese cannot be separated from the Siu San Teng temple. Siu San Teng Temple is the oldest temple in Jambi which was built in 1805 under the name Hok Tek temple with the main god Hok Tek Tjeng Sin. Siu San Teng Temple as a place of Tridharma worship. As a place of worship for Tridharma, this temple becomes a place of worship during ce it cap go, namely prayers every 1st and 15th of the Chinese calendar. The Chinese New Year celebration at Siu San Teng temple is marked by the Chinese New Year ceremony itself, namely the installation of Chinese New Year candles, prayers to Tian, ​​the main god Hok Tek Tjengsin, the goddess Kwanyim, and the goddess Zhu Sheng Niang Niang. Apart from praying to these gods, the fangsheng tradition is also carried out as a form of getting rid of bad luck and welcoming the arrival of a better new year. The animal released in this tradition is the sparrow. The Chinese New Year at Siu San Teng Temple is also enlivened by liong and lion dance performances.
ACCULTURATION IN GOD'S BIRTHDAY CEREMONY KELENTENG SHIA DJIN KONG, JONGGOL Desprosianasari, Ludovika; Hartati, C. Dewi
Bambuti Vol 2 No 1 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i1.10

Abstract

This paper discussed the acculturation of Chinese and Sundanese culture in a ceremony at the Shia Djin Kong temple, Jonggol. On the right side of the temple there is a special room for the cult of Jonggol's ancestors, namely Embah Jago, Embah Sabin, Embah Surkat, Embah Jagakarsa, and Embah Nagawulung. In that room there are also many heirloom objects, such as keris, spears, lafadz Allah, and swords. Acculturation between Sundanese culture and Chinese culture can be seen at the birthday ceremony of the god Shia Djin Kong, which is the similarity between local culture and Chinese culture, in ancestor worship. The research method used in this writing is a qualitative research method, data collection techniques in this writing are participant observation, observation, and interviews to the temple officer, and people who come to pray both during the god's birthday ceremony and on ordinary days.
TRADISI SEMBAHYANG CIOKO (鬼節Guǐ Jié) DI PAN KHO BIO, BOGOR CIOKO (鬼節Guǐ Jié) TRADITION IN PAN KHU BIO, BOGOR Wahyuni, Ni Putu Diah; Hartati, C. Dewi
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.14

Abstract

Cioko as one of the ceremonial traditions in Chinese culture has a meaning as a sense of devotion to the ancestors for the Chinese community. They believe that in this world humans do not live alone and their ancestors can still witness from a different realm. Prayers are performed to remember the ancestors and so that the ancestors are calm in their nature. This prayer also aims to ask for protection from their ancestors. Similarly, the Chinese in Bogor held the Cioko ceremony at a temple in Bogor, namely Pan Khu Bio. In addition to the Chinese community who held the Cioko celebration, the people who lived around Pan Kho Bio also helped during Cioko. Starting from preparation, helping decorate the temple to cleaning the temple after Cioko finished. Despite differences in beliefs, residents help each other at the temple and form a social bond.
TRADISI PENGHORMATAN DEWA DALAM MASYARAKAT TIONGHOA BEKASI Hartati, C. Dewi
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.15

Abstract

This article discusses the practice of the cult of temple”s deity. This cult is said to be a reinvented tradition. The tradition is created because it is formed by the elements that come from the original tradition. By tracing the process of discovering the Hobsbawm tradition from the sacred and profane aspects of Durkheim and its relation to totemism, it is evident that this tradition has a new form and function. The original function of tradition was to strengthen identity, but the new function of the reinvented tradition appears to be an integrative function. The reinvented tradition also occurs in an effort to attract public interest or attention to make it more popular in the community. The temple community carries out an invented traditional process so that the tradition of the cult becomes more attractive, and is preferred more popular, through the appearance of entertainment shows at festivals.
The Use of Fengshui in Keraton Kasepuhan Cirebon Auliasari, Nita; Hartati, C. Dewi
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53744/bambuti.v2i2.17

Abstract

This article shows the application of fengshui in Keraton Kasepuhan. The application of fengshui also shows the acculturation of Chinese culture in Kertaon Kasepuhan. This study uses a qualitative research method which data collection uses literature study, interviews, observation, and documentation. The results showed that Keraton Kasepuhan applied fengshui at the location of the palace, namely its position facing the sea with its back to the mountain. The shape of the building has the advantageous shape of a rectangle. The fengshui elements used in Keraton Kasepuhan building are in the form of color, room lighting, the symbol of plants and animals, and fengshui decorative symbols. The application of fengshui at Keraton Kasepuhan is carried out in order to get the benefits of balance or harmony.
Penghormatan Ze Hai Zhen Ren - Dewa Tionghoa Di Tekhai Bio: 澤海真人崇拜-澤海廟的印華神 Ardian Cangianto; C. Dewi Hartati
FOCUS Vol. 2 No. 1 (2021): Focus
Publisher : Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1409.19 KB) | DOI: 10.26593/focus.v2i1.4749

Abstract

The events of 1740 in Batavia brought the Chinese community into a new phase. One of the new chapters that has never been studied is the birth of local gods who are worshiped in various temples. The gods were none other than the Chinese folk he- roes who fought against the Dutch colonialism. Among them are Yiyong gong (義勇公) which is worshiped in the city of Lasem and Zehai zhenren (澤海真人) in various cities in Central Java, such as in the cities of Tegal, Semarang and Pekalongan. The cult of Zehai zenren is wider than the cult of Yiyonggong, even in some circles the Javanese community also respects the figure of Zehai zenren. Zehai zenren can be respected among the Javanese people, especially those who become fishermen because they believe that Zehai zenren is the ‘god’ protecting sailors and traders. In addition to its distribution in Central Java, it turned out that based on field research, it was found that there were Chinese people living in the West Java area who worshiped Zehai zenren as their patron god. That there are local Chinese heroes who can be worshiped whose distribution is wider than the local Chinese Indonesian gods deserves to be investigated. It should also be noted that Zehai zhenren's ‘bodyguards’ are Javanese. Belief in Zehai zhenren that transcends ethnic boundaries can occur because of the closeness of the belief system of the people of Central Java or known as Kejawen with the Chinese belief system. His beliefs are inclusive, build harmony and respect for people who are worthy of respect.
Chinese Identity in God Temple's Birthday Ceremony as a Form of Social Network Celerina Dewi Hartati; Gustini Wijayanti; Hin Goan Gunawan; Yulie Neila Chandra
Cakrawala - Jurnal Humaniora Vol 20, No 2 (2020): September 2020
Publisher : Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/jc.v20i2.9512

Abstract

This study aims to show a form of Chinese social network in the form of a god’s temple birthdayceremony. This ceremony shows a form of social group identity as Chinese people in which shows a concept ofsocial networks. This research is ethnographic research, with the case of a god’s temple birthday ceremony. Dataobtained through interviews with the temple administrator, and observations during the preparation and the dayof the god's temple birthday ceremony. The result is the god’s temple's birthday ceremony is a tradition that ismaintained by the Chinese so as not to disappear and become an identity as a Chinese. The tradition istransmitted from time to time from one place to another place through a social network. This social networkwhich is formed comes from a network between the temples as an institution that has the same main god.Ceremony as a tradition is taught from generation to generation, demonstrated, and trusted. The ceremony washeld in order to maintain a relationship with the past with the ancestors and preserve the social group identity.  
Co-Authors Ardian Cangianto Auliasari, Nita Azizi, Haikal Hibatul Chandra, Yulie Neila Desprosianasari, Ludovika GUSTINI WIJAYANTI Hin Goan Gunawan Maunardani, Anitia Octantiar Reza Apriliani Putri Safari, Muhamad Wahyuni, Ni Putu Diah