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KAJIAN ORNAMEN GORGA DI RUMAH ADAT BATAK TOBA (Studi Kasus : Di Kawasan Desa Wisata Tomok, Huta Siallagan dan Huta Bolon Di Kabupaten Samosir) Dearma A Saragih; Yulianto Yulianto; Raimundus Pakpahan
ALUR :Jurnal Arsitektur Vol 2 No 1 (2019): Mei 2019
Publisher : Unika Santo Thomas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1020.182 KB) | DOI: 10.54367/alur.v2i1.368

Abstract

One of the interesting cultural potentials to be studied is traditional houses. This traditional house has its own uniqueness in every area. One of the uniqueness can be seen from the many ornaments in it. Diversity has its own meaning and function. Ornaments is one of the historical heritage of Indonesia where almost all the tribes in Indonesia can be found various kinds of ornaments that reflect the techniques of each region in Indonesia. Ornament Batak Toba is one of the many ornaments that exist in this country Indonesia. Toba Batak ornament can be found in North Sumatera Province precisely in Samosir regency which always apply Toba Batak ornament as decoration or as identity in important building for Batak Toba, for example in traditional house building in Huta Siallagan, Tomok Village and Huta Bolon.This research is classified in research using descriptive-comparative research method, doing the study by comparing the existing ornaments in these three villages with theories about Ornaments Gorga Rumah Adat Batak Toba, then do the analysis of the condition in accordance with the theory used as a reference
STUDI PERBANDINGAN ARSITEKTUR TRADISIONAL ANGKOLA DENGAN ARSITEKTUR TRADISIONAL BATAK TOBA DITINJAU DARI STRUKTUR BANGUNAN Wengky Billy Putra Giawa; Raimundus Pakpahan; Yulianto Yulianto
ALUR :Jurnal Arsitektur Vol 2 No 2 (2019): September 2019
Publisher : Unika Santo Thomas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54367/alur.v2i2.531

Abstract

The Batak are the majority in North Sumatra. The Batak tribe even has another sub-tribe, namely Toba  Batak, Karo Batak, Simalungun Batak, Mandailing Batak and Angkola Batak. Every Batak tribe has its own  distinctive culture and identity. Batak tribes have traditional buildings which are traditional Batak  architectural identities. The diversity of the Batak tribe caused the phenomenon of visual aspect equality in  traditional buildings because of the effects of secession and cultural integration. The Toba Batak  architecture has the concept of a stilt house and pointed gable construction in both directions and a peg and pen structure system is evidence of similarities with Angkola Batak architecture. Angkola Bataks are part of the Batak tribe. Angkola Batak is a tribe in the area of South Tapanuli. The Toba Batak is the center of the Batak culture. The Toba Batak has one of the traditional Sopo buildings, namely Sopo. Sopo functions as a barn, but also an art venue and meeting place. Angkola Batak has one traditional building that represents the traditional architecture of the Angkola Batak namely Sopo Godang. Serves as a meeting place for the king and the people. It is a place where tradition is based on Dalihan Na Tolu which produces consensus and mutual agreement (The King and People). Sopo Godang is a part of traditional Batak architecture that needs to be preserved. The benefit of this study is to collect data on traditional Angkola Batak architecture and data on structures that are characteristic of the Angkola Batak
IDENTIFIKASI ADAPTASI ARSITEKTUR TROPIS PADA BANGUNAN KOLONIAL STUDI KASUS: MUSEUM PERKEBUNAN INDONESIA Ferdinand F. Bu’ulolo; Shanty Silitonga; . Yulianto
ALUR :Jurnal Arsitektur Vol 3 No 1 (2020): MEI 2020
Publisher : Unika Santo Thomas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (321.32 KB) | DOI: 10.54367/alur.v3i1.677

Abstract

Climate is the most important factor in architectural design, climate greatly influences the shape and appearance of buildings. Colonial buildings are buildings that have experienced a mix of European architects with local adaptation processes including the climate in Indonesia, one of which is the Indonesian Plantation Museum building in the city of Medan. Indonesia is included in a region that has a humid tropical climate, where the tropical climate has certain characteristics caused by solar heat, high humidity, rainfall, and wind movement. The purpose of this study is to identify aspects of tropicality in colonial buildings that have adapted to tropical climates. The method used in the study is the Case Study Qualitative Method with observation and identification of external forms (building orientation, roof, terraces and outside space) and the shapes in buildings (Patterns of Space, Floors, Walls, and Openings). The results of this study is the Indonesian Plantation Museum tends to be able to adapt to the local climate even though the shape and style of the building comes from Europeans,known as transition architecture. The building elements that are more adapted to the tropical climate are roofs with slopes of more than 30º, openings and cross ventilation, marble and wood floors and very thick concrete walls.
The pattern of lingga village based on history Berkat Idaman; Shanty Silitonga; Yulianto Qin
Jurnal Teknosains Vol 11, No 1 (2021): December
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/teknosains.60797

Abstract

Lingga Village is a tourist village that is well known as a traditional Karo tourism village and has become a major tourism destination in North Sumatra Province. This village still has a legacy of traditional Karo architecture. In ancient times this Lingga village had 80 units of traditional houses. During holidays, tourists visiting this village can reach as many as 300 people from within the country and from abroad. Currently in Lingga Village there are only two units of the Karo Traditional House. The purpose of this research is to model the village pattern of Lingga village based on interview about village’s history. The formulation of the problem that is the focus of this research are; how was the pattern of the villages, how was the orientation of the Karo Traditional House in Lingga Village in the past, how was the circulation of Lingga Village villages in the past. The research method used in this study is the simulation by modeling method. The primary data collection consisted of observing, documenting, and conducting interviews with informants from Lingga Village. Secondary data collection consists of books and journals about Lingga Village. The final result of this research is the model of the pattern of Lingga village based on history. The model focuses on house orientation, circulation patterns and types of traditional houses in Lingga village. 
KAJIAN ORNAMEN GORGA DI RUMAH ADAT BATAK TOBA (Studi Kasus : Di Kawasan Desa Wisata Tomok, Huta Siallagan dan Huta Bolon Di Kabupaten Samosir) Dearma A Saragih; Yulianto Yulianto; Raimundus Pakpahan
ALUR :Jurnal Arsitektur Vol 2 No 1 (2019): Mei 2019
Publisher : Unika Santo Thomas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1020.182 KB) | DOI: 10.54367/alur.v2i1.368

Abstract

One of the interesting cultural potentials to be studied is traditional houses. This traditional house has its own uniqueness in every area. One of the uniqueness can be seen from the many ornaments in it. Diversity has its own meaning and function. Ornaments is one of the historical heritage of Indonesia where almost all the tribes in Indonesia can be found various kinds of ornaments that reflect the techniques of each region in Indonesia. Ornament Batak Toba is one of the many ornaments that exist in this country Indonesia. Toba Batak ornament can be found in North Sumatera Province precisely in Samosir regency which always apply Toba Batak ornament as decoration or as identity in important building for Batak Toba, for example in traditional house building in Huta Siallagan, Tomok Village and Huta Bolon.This research is classified in research using descriptive-comparative research method, doing the study by comparing the existing ornaments in these three villages with theories about Ornaments Gorga Rumah Adat Batak Toba, then do the analysis of the condition in accordance with the theory used as a reference
STUDI PERBANDINGAN ARSITEKTUR TRADISIONAL ANGKOLA DENGAN ARSITEKTUR TRADISIONAL BATAK TOBA DITINJAU DARI STRUKTUR BANGUNAN Wengky Billy Putra Giawa; Raimundus Pakpahan; Yulianto Yulianto
ALUR :Jurnal Arsitektur Vol 2 No 2 (2019): September 2019
Publisher : Unika Santo Thomas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (568.022 KB) | DOI: 10.54367/alur.v2i2.531

Abstract

The Batak are the majority in North Sumatra. The Batak tribe even has another sub-tribe, namely Toba  Batak, Karo Batak, Simalungun Batak, Mandailing Batak and Angkola Batak. Every Batak tribe has its own  distinctive culture and identity. Batak tribes have traditional buildings which are traditional Batak  architectural identities. The diversity of the Batak tribe caused the phenomenon of visual aspect equality in  traditional buildings because of the effects of secession and cultural integration. The Toba Batak  architecture has the concept of a stilt house and pointed gable construction in both directions and a peg and pen structure system is evidence of similarities with Angkola Batak architecture. Angkola Bataks are part of the Batak tribe. Angkola Batak is a tribe in the area of South Tapanuli. The Toba Batak is the center of the Batak culture. The Toba Batak has one of the traditional Sopo buildings, namely Sopo. Sopo functions as a barn, but also an art venue and meeting place. Angkola Batak has one traditional building that represents the traditional architecture of the Angkola Batak namely Sopo Godang. Serves as a meeting place for the king and the people. It is a place where tradition is based on Dalihan Na Tolu which produces consensus and mutual agreement (The King and People). Sopo Godang is a part of traditional Batak architecture that needs to be preserved. The benefit of this study is to collect data on traditional Angkola Batak architecture and data on structures that are characteristic of the Angkola Batak
IDENTIFIKASI ADAPTASI ARSITEKTUR TROPIS PADA BANGUNAN KOLONIAL STUDI KASUS: MUSEUM PERKEBUNAN INDONESIA Ferdinand F. Bu’ulolo; Shanty Silitonga; . Yulianto
ALUR :Jurnal Arsitektur Vol 3 No 1 (2020): MEI 2020
Publisher : Unika Santo Thomas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (321.32 KB) | DOI: 10.54367/alur.v3i1.677

Abstract

Climate is the most important factor in architectural design, climate greatly influences the shape and appearance of buildings. Colonial buildings are buildings that have experienced a mix of European architects with local adaptation processes including the climate in Indonesia, one of which is the Indonesian Plantation Museum building in the city of Medan. Indonesia is included in a region that has a humid tropical climate, where the tropical climate has certain characteristics caused by solar heat, high humidity, rainfall, and wind movement. The purpose of this study is to identify aspects of tropicality in colonial buildings that have adapted to tropical climates. The method used in the study is the Case Study Qualitative Method with observation and identification of external forms (building orientation, roof, terraces and outside space) and the shapes in buildings (Patterns of Space, Floors, Walls, and Openings). The results of this study is the Indonesian Plantation Museum tends to be able to adapt to the local climate even though the shape and style of the building comes from Europeans,known as transition architecture. The building elements that are more adapted to the tropical climate are roofs with slopes of more than 30º, openings and cross ventilation, marble and wood floors and very thick concrete walls.