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All Journal JISPO (Jurnal Ilmu Sosial dan Ilmu Politik) Jurnal Ilmiah Mahasiswa Komunikasi
Irma Elmira Husbuyanti
Universitas 45 Mataram
Humanities Languange, Linguistic, Communication & Media Social Sciences

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Proletariat Digital dalam Citizen Journalism: Kasus Kompasiana Irma Elmira Husbuyanti
JISPO : Jurnal Ilmu Sosial dan Ilmu Politik Vol 11, No 1 (2021): JISPO Vol 11 No 1 2021
Publisher : Centre for Asian Social Science Research (CASSR), FISIP, UIN Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jispo.v11i1.12201

Abstract

The trend of citizen journalism in Indonesia has increased since the emergence of amateur videos of the Aceh tsunami in 2004. This is considered as a momentum of new democracy in media because it allows public to independently produce and disseminate information without being intervened by agendasetting of mainstream media. The power of publication was seen to shift from mainstream media to personal ones. However, this trend of citizen journalism changed as it begun to be co-opted by mainstream media in the form of a user-generated content platform in 2008. This paper examines changes in citizen journalism which is managed by mainstream media by focusing on Kompasiana of Kompas Gramedia Group as its unit of analysis. Using Van Djik’s Critical Discourse Analysis and Marxist political economy of media as theoretical approach, it shows that the involvement of mainstream media in citizen journalism is not only seen as a collaboration, but also construction of digital labor. This can be explained by looking at three aspects of Kompasiana commodification practices: regulations, wages, and working hours.
ANALISIS SEMIOTIKA TENTANG NILAI-NILAI PROTAGONIS PADA TOKOH ARTHUR DI FILM JOKER (2019) Sandi Putra; Sandi Justitia Putra; Irma Elmira Husbuyanti
Jurnal Ilmiah Mahasiswa Komunikasi (JIMaKom) Vol. 5 No. 1 (2024): Komunikasi, Media, dan Strategi Promosi
Publisher : Program Studi Ilmu Komunikasi Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Film is a tool used to convey messages to the audience with a number of interpretations. The aim of this research is to find the meaning of denotation, connotation and myth regarding the values of the protagonist in the film Joker. Roland Barthes' semiotic analysis is an analytical technique that researchers use. Researchers used video recordings of the film Joker as a data source and then continued by selecting several scenes related to the values of the protagonist Joker. The data was then analyzed using Roland Barthes' semiotics to look for the meaning of denotation, connotation and myth in the scene. The results of this research show that 1) The denotational meaning represented in the film Joker is shown through certain scenes of the actions carried out by Arthur which are often considered unnatural by other people but have a good meaning which represents the main character Arthur as a protagonist figure or character who defends justice; 2) Representation of connotative meaning is shown in the transformation of the protagonist's identity into an antagonist character which reflects the existence of a character with a new story as a defender of justice for oppressed people named Joker; 3) The representation of the meaning of the myth is depicted in Arthur's refusal to own weapons, which symbolizes moral integrity and refusal to commit acts of violence even when there is an opportunity for revenge.
Co-Authors Sandi Justitia Putra Sandi Putra