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FENOMENA INSOMNIA SEBAGAI RANGSANG PENCIPTAAN KARYA TARI TIDAK TIDUR Prasika Dewi Nugra
Puitika Vol 14, No 1 (2018)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.14.1.39--51.2018

The concept chosen as the basis of cultivation in the form of abstraction from the movement of individuals and groups who experience insomnia and who do work at night and visualization of the movement that occurs continuously by human activities on the surface of the earth such as rotating. This work was inspired by the phenomenon of insomnia, worked on the theme of life and abstract type by cultivation method done through field observation, motion exploration, evaluation, and the manifestation of the work. The first part ignores the movement of individual and group activities that are experiencing insomnia. The second part describes the night activities of the workers at night. The third part is to visualize how the imagination of human activity that occurs constantly day and night is like rotating. Keywords: choreography, insomnia, night worker, time utilization

PENINGKATAN KREATIVITAS PENGELOLAAN UNSUR-UNSUR GERAK TARI DI ACEH BESAR Sabri Gusmail; Prasika Dewi Nugra; Fitra Airiansyah
DESKOVI : Art and Design Journal Vol 2, No 1 (2019): JUNI 2019
Publisher : Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/deskovi.v2i1.410

Artikel ini adalah bagian dari hasil penelitian terkait proses kreatif koreografi di Aceh Besar. Diperlukan pengetahuan secara teori dan praktik mendasar untuk pengelolaan gerak sebagai media ungkap tari. Penelitian yang dilakukan di Aceh Besar membahas permasalahan daya kreativitas mencipta motif gerak dalam kajian koreografi garap bentuk. Jenis penelitian adalah penelitian kualititif dengan menggunakan metode penelitian tindakan (action research). Mengidentifkasi masalah khusus dan menentukan tindakan sebagai solusi masalah tersebut. Tahapan penelitian antara lain : perencanaan (planning), pelaksanaan (acting), pemantauan (monitoring atau observing), pelatihan terpadu dan penilaian (reflecting atau evaluating). Tindakan dilaksanakan dalam bentuk pelatihan pengelolaan unsur-unsur gerak tari, kajian koreografi garap bentuk. Menjalin kegiatan kemitraan dengan Bidang Kebudayaan, Dinas Pendidikan dan kebudayaan Aceh Besar untuk melaksanakannya. Menggabungkan 2 (dua) teknik dalam pelaksanaan pelatihan, yaitu : penyampaian materi secara teori dan mendemonstrasikan secara praktik. Penelitian ini diharapkan dapat berkontribusi untuk meningkatan kreativitas dalam pengelolaan gerak sebagai substansi dasar tari bagi para pelaku seni tingkat SMP, SMA/SMK maupun komunitas seni di Aceh Besar. Kedepannya peserta pelatihan diharapkan mampu menghasilkan karya-karya seni inovatif dalam peningkatan perkembangan seni tari di Aceh.This article is part of the results of research related to the creative process of choreography in Aceh Besar. Knowledge is needed in theory and fundamental practice for the management of motion as a medium for expressing dance. Research conducted in Aceh Besar discusses the issue of the power of creativity to create motion motives in the study of choreography in terms of form. This type of research is qualitative research using action research methods. Identify specific problems and determine actions as a solution to the problem. Stages of research include: planning, implementation (acting), monitoring or observing, integrated training and assessment (reflecting or evaluating). The action was carried out in the form of training in the management of the elements of dance movement, the study of choreography in the form. Establish a partnership with the Culture field of Aceh Besar Education and Culture Office to implement it. Combining 2 (two) techniques in the implementation of the training, namely: delivering material theoretically and demonstrating in practice. This research is expected to contribute to increasing creativity in the management of motion as the basic substance of dance for junior and senior high school / vocational arts practitioners and the arts community in Aceh Besar. In the future the training participants are expected to be able to produce innovative works of art in improving the development of dance in Aceh.

Saman dan Bines : Pertemuan Tari Tradisi Pada Peristiwa Budaya Bejamu Saman di Gayo Lues, Aceh Sabri Gusmail; Fifie Febryanti Sukman; Prasika Dewi Nugra
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 3, No 2 (2020): Journal of Education, Humaniora and Social Sciences (JEHSS) December
Publisher : Mahesa Research Center

Saman and Bines dance is a traditional art from Gayo Lues, a very inherent existence in the supporting community as a dance that is specifically danced by men for Saman and women for Bines. In this article, the author describes the presentation of the arts at the Bejamu Saman cultural event. As a cultural heritage, the presentation of Saman and Bines in Bejamu Saman activities is the focus of research, how to present Saman and Bines in Bejamu Saman cultural events. This research uses qualitative methods, namely data that has been collected in the field regarding the Saman and Bines dance on Bejamu Saman activities and other data related to the object and focus of the research. The data obtained were then analyzed descriptively-analytically with a textual analysis approach. The purpose of this research was to describe the presentation form of the Saman and Bines dance in Bejamu Saman activities. So that the results of this research can be used as supporting material in future Saman and Bines dance research. Understand the differences in the presentation of Saman and Bines as a spectacle and or as a series of cultural activities. Obtain information related to Bejamu Saman, a cultural event of the Gayo Lues community that represents the social identity of the Gayo Lues community in a reflection of the nation's character.

Pelatihan Proses Mencipta Tari Melalui Pengelolaan Gerak dan Pemanfaatan Digital Audio Software di Lembaga Budaya Aceh Nusantara, Banda Aceh Prasika Dewi Nugra; Sabri Gusmail; Benni Andiko
Jurnal ABDINUS : Jurnal Pengabdian Nusantara Vol 6 No 2 (2022): Volume 6 Nomor 2 Tahun 2022
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/ja.v6i2.16725

The process of creating dance cannot exclude motion as the main medium for expressing dance. So that empirical experience is needed in the creative process of creating, including basic theoretical knowledge and practical skills in the management of motion and its supporting elements. Knowledge and insight into the science of choreography is felt to be given to non-formal institutions such as communities/art studios as a form of synergy between agencies in an effort to promote culture as stated in Law No. 5 of 2017 concerning the Advancement of Culture. This article is part of Community Service involving the Budaya Aceh Nusantara (Buana). The priority of partner problems is the lack of insight and skills of human resources in the process of creating new works, especially innovative dances originating from traditional arts. Solutions to solving partner problems are carried out in the form of training including dance movement management training and the process of creating dance accompaniment music in the form of skill transfer or providing joint creation experience. The training was conducted using Jacqueline Smith's choreographic approach and the process of creating accompaniment music through digital audio software processing techniques. The training methods include: planning, implementing (acting), monitoring or observing and assessment (reflecting or evaluating). From the results of the training, it can be seen that the participants' skills increase in the management of motion and the use of audio software in the process of creating dances. On the other hand, the training module becomes reading material that the community can always use as a reference and guide in independent practice. The implementation of the training is expected to have a significant impact in increasing the productivity of creating dances at the Buana communities

HOAKS SEBAGAI KONSEP PENCIPTAAN TARI “FILTER” PRASIKA DEWI NUGRA; SABRI GUSMAIL
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

AbstrakKarya tari “Filter” merupakan karya peraih Hibah Seni Kelola 2019, kategori karya kolaborasi inovatif. Terinspirasi dari kondisi merebaknya hoaks (berita bohong) di jejaring sosial, khususnya pada layanan sosial media. Mengusung tema kehidupan sosial masyarakat di Indonesia, guna merefleksikan kondisi yang terjadi di Indonesia akibat hoaks yang berserakan di media digital. Memilih tipe abstrak dengan metode penciptaan berupa observasi (penjelajahan data, wawancara dan dokumentasi), analisa data, proses penciptaan (eksplorasi, improvisasi dan komposisi/pembentukan), persiapan, pertunjukan dan evaluasi. Karya ini terdiri dari 3 (tiga) bagian, antara lain ; 1) Menggambarkan bebasnya informasi yang beredar di sosial media, 2) Berita bohong (hoaks) yang tidak terbendung membanjiri sosial media, 3) Upaya individu dalam menyaring informasi hoaks yang berserakan, memilih dan berbagi informasi sesuai kebutuhan. Pelahiran karya ini memberikan tawaran esensi ideal akan pemanfaatan teknologi dalam berkomunikasi, meminimalisir dampak hoaks dari elemen terkecil, yaitu individu itu sendiri.AbstractThe dance work "Filter" is the work of the 2019 Governance Art Grant winner in innovative collaboration works. It is inspired by the widespread condition of hoaxes (fake news) on social networks, especially on social media services. Carrying the theme of social life in Indonesia, to reflect the situations that occur in Indonesia due to hoaxes scattered in digital media—selecting the abstract type with the creation method in the form of observation (data exploration, interviews, and documentation), data analysis, creation process (exploration, improvisation, and composition/formation), preparation, performance, and evaluation. This work consists of 3 (three) parts, among others; 1) Describing the freedom of information circulating on social media, 2) Unstoppable hoaxes flooding social media, 3) Individual efforts in filtering scattered hoax information, selecting and sharing information as needed. The birth of this work offers an ideal essence of the use of technology in communication, minimizing the impact of hoaxes from the smallest element, namely the individual himself.

Unsur Tenaga Gerak dan Penerapannya pada Tari Seudati: Proses Kreatif di Sanggar Aneuk Metuah, Aceh Besar Sabri Gusmail; Prastika Dewi Nugra
Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Vol 4, No 2: November 2021
Publisher : Institut Seni Indonesia Yogyakarta

The Element of Motion and Its Application in Seudati Dance: The Creative Process at Aneuk Metuah Studio, Aceh Besar. This article is the research result which was conducted in Aceh Besar, which led to training activities to solve problems that occurred in the Aneuk Metuah Studio. The problem with the studio is about the dancers’ body resistance when dancing the Seudati dance, namely that the dancers get tired quickly, which impacts the quality of the dance movement. The program is oriented towards increasing creativity in managing the energy element when dancing the Seudati traditional dance. This type of research is qualitative research using the action research method (action research). The researcher identified specific problems and determined actions as solutions to these problems. Furthermore, the research refers to the construction method of creating dance in Jacqueline Smith’s book, translated by Ben Suharto, entitled Dance Composition: A Practical Guide for Teachers. The stages of activity include observation, determination of focus and preparation of training materials, transfer of materials, the performance of the Seudati dance, and evaluation of activities. The action is carried out in the form of training in the management of the energy element when dancing the Seudati dance. The material is delivered through audiovisual media and demonstrates it. Based on the process and the research results, it is found that the potential for the sustainability of the creative process can be carried out by the children of Aneuk Metuah studio in every training process in the future. It is hoped that this activity will have a long-term impact on the trainees in managing the elements of movement energy when dancing and increasing the artistic creativity in the studio.Keywords: dance; training; elements of motion; Seudati

Pemberdayaan masyarakat melalui proses Cipta Tari inovatif di Lembaga Budaya Aceh Nusantara, Banda Aceh Sabri Gusmail; Prasika Dewi Nugra; Benny Andiko
Unri Conference Series: Community Engagement Vol 4 (2022): Seminar Nasional Pemberdayaan Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31258/unricsce.4.204-212

The process of creating dance works cannot ignore motion as the main medium for expressing dance and music as supporting media. So that empirical experience is needed in the creative process including theoretical fundamental knowledge and practical abilities. The difficulty of creating innovative dance works originating from traditional arts has become a problem for several dance communities in Aceh, the tendency that often occurs is that the originality of the new works produced is doubtful. This is because the patterns of traditional dance movements are used without going through processing and so is the music accompaniment. This condition has a negative impact on the productivity of the community and traditional arts as objects of processing. The service partner is the Lembaga Buana with a priority on the problem of lack of insight and skills of human resources in creating innovative dances sourced from traditional arts, especially the use of digital audio technology as a stimulus for the creative process. In order to provide solutions to solving partner problems, service implementers will carry out knowledge and skills transfer activities in the use of digital audio workstation. The auditory stimulus is used as a stimulus in the process of creating innovative dance movement patterns in the community. The choice of solutions to respond to the development of digital technology and its use in dance. The form of activity includes training on the application of digital audio workstation in creating dance music and managing elements of dance movements. Methods for implementing activities include: planning, implementing, monitoring and, assessment. Applying project based learning models and performance assessment instruments in the implementation of training. The results of the written post test showed an increase in insight into the method of creating dance and musical accompaniment from an average value of 36.6 to 82.6 with a difference of 46. While the practice test showed an increase from 80% to 7% for poor criteria, 20% to 46% for good criteria and 0% to 47% for very good criteria. Service activities produce Intellectual Property Rights of registered sound or sound recordings entitled Kesatuan Bunyi with registration number 000390015.

Pengelolaan Gerak dan Pemanfaatan Digital Audio dalam Proses Kreatif Mencipta Tari di Lembaga Buana, Banda Aceh Prasika Dewi Nugra; Sabri Gusmail; Benni Andiko
PANGGUNG Vol 32, No 3 (2022): Komodifikasi dan Komoditas Seni Budaya di Era industri Kreatif
Publisher : LP2M ISBI Bandung

Proses mencipta tari tidak dapat mengenyampingkan gerak sebagai media utama ungkap tari. Sehingga diperlukan pengalaman empiris dalam proses kreatif mencipta diantaranya pengetahuan mendasar teoritik dan kemampuan praktik dalam pengelolaan gerak serta unsur pendukungnya. Pengetahuan dan wawasan ilmu koreografi dirasa perlu diberikan kepada Lembaga non formal seperti komunitas/sanggar seni sebagai bentuk sinergi antar instansi dalam upaya pemajuan kebudayaan yang tercantum pada UU No.5 tahun 2017 tentang Pemajuan Kebudayaan. Penelitian dilakukan di Banda Aceh yang bermitra dengan Lembaga Budaya Aceh Nusantara (Buana). Jenis penelitian adalah penelitian kualititif dengan menggunakan metode penelitian tindakan (action research). Mengidentifkasi prioritas masalah yang dialami mitra dan menentukan tindakan sebagai solusi masalah tersebut. Tahapan penelitian antara lain : perencanaan (planning), pelaksanaan (acting), pemantauan (monitoring atau observing), penilaian (reflecting atau evaluating). Tindakan dilaksanakan dalam bentuk pelatihan pengelolaan gerak tari dan proses mencipta musik iringan tari dalam bentuk transfer keterampilan atau pemberian pengalaman mencipta bersama. Menggunakan pendekatan koreografi Jacqueline Smith dan proses mencipta musik iringan melalui teknik pengolahan digital audio software. Menggabungkan 2 (dua) teknik dalam pelaksanaan pelatihan, yaitu : penyampaian materi secara teori dan mendemonstrasikan secara praktik. Pelaksanaan pelatihan diharapkan berdampak signifikan dalam meningkatkan produktifitas mencipta tari di Lembaga Buana.Kata kunci: pelatihan, koreografi, inovatif, pengolahan gerak, musik tari

The impact of diaphragmatic breathing on the endurance of contemporary dancers at the Institut Seni Budaya Indonesia Aceh: model-based experimental design Sabri Gusmail; Prasika Dewi Nugra; Syahrizal Syahrizal
Gelar : Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.4530

Managing dance movement elements is crucial for maintaining endurance and movement quality. The purpose of this study was to investigate the effects of applying diaphragmatic breathing on dancer endurance. The study employed a mixed-methods approach with an exploratory sequential design. The first phase, qualitative in nature, aimed to formulate hypotheses concerning the endurance issues faced by dancers in choreography courses. The second phase tested these hypotheses through experiments, incorporating control variables between two groups: Group 1, trained in dance movements using diaphragmatic breathing, and Group 2, solely trained in movements. The experiment took place at the Indonesian Institute of Cultural Arts in Aceh, with six female dancers enrolled in choreography classes randomly divided into two groups. None of the participants had prior experience with diaphragmatic breathing techniques while dancing. The study utilized a sphygmomanometer and oximetry for measurement. The endurance test involved dancing to a metronome for 5 minutes at tempos of 100, 110, and 120 without interruption. The results indicated that the respiratory frequency of dancers using diaphragmatic breathing was more stable compared to the group that did not employ this technique. These findings suggest that incorporating diaphragmatic breathing alternately while dancing can serve as a recommendation for maintaining dancers' endurance, particularly for students at the Indonesian Institute of Cultural Arts in Aceh.

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