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All Journal Jurnal Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik AJMC (Asian Journal of Media and Communication) AJMC (Asian Journal of Media and Communication)
Zaki Habibi
Program Studi Ilmu Komunikasi FPSB UII
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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 1 
Citizen Journalism: Ketika Berita Tidak Hanya Memiliki Satu Muka Zaki Habibi
Jurnal Komunikasi Vol. 1 No. 2 (2007): Volume 1,Nomor 2, April 2007
Publisher : Program Studi Ilmu Komunikasi

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Abstract

Journalism became a term that mass media had controlled the meaning for recent years. Audiences have no power to show their role in news production and dissemination. Now, when society face an information era, the power of knowledge and informations no longer lay-down only at newsroom or editors of mass media. Internet created many changes in the way people signify realities. Citizen journalism—as a new form of online journalism—offers a new paradigm and spirit which put individual as important subject in the process of social meaning construction.
Media Convergence: Newsroom Challenges and Opportunities in the Digital Age Zaki Habibi
Jurnal Komunikasi Vol. 5 No. 1 (2010): Volume 5, Nomor 1, Oktober 2010
Publisher : Program Studi Ilmu Komunikasi

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Abstract

Artikel ini menyajikan perdebatan seputar konvergensi media sebagai suatu fenomena yang tak terelakkan dalam perkembangan media massa abad ke-21. Diawali dengan diskusi perihal definisi konvergensi, penyebab kemunculannya, serta dampaknya bagi manajemen ruang redaksi (newsroom), artikel ini menyajikan ulasan tentang tantangan yang dihadapi organisasi media dalam skala global maupun nasional dengan disertai sejumlah hasil studi kasus di Inggris, Denmark, dan Indonesia. Tulisan ini juga mendiskusikan apakah suratkabar sebagai sebuah bentuk media akan lenyap di tengah pusaran kuat determinasi teknologi dalam industri media massa, dan perubahan mendasar apa saja yang akan terjadi sebagai manifestasi dari konvergensi media. Peluang dan strategi baru bagi pendidikan jurnalisme didiskusikan pada bagian akhir tulisan dengan menyajikan sejumlah usulan gagasan.
Photography and Catastrophe: Reading Photographs of the Disaster Event Zaki Habibi
Jurnal Komunikasi Vol. 6 No. 1 (2011): Volume 6, Nomor 1, Oktober 2011
Publisher : Program Studi Ilmu Komunikasi

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Abstract

This article analyses 24 selected photographs—organized into two photo series—about one particular catastrophic event: the impacts of Merapi Volcano’s eruption in Java, Indonesia, on October to November 2010. These photographs are made by two different groups of profession, professional photojournalists and volunteers, who worked in relatively same locations during the post-eruption. The analytical methods are informed by Roland Barthes’ thought on semiotics as well as critical theories in visual media specifically photography. This critical reading leads me to found distinctive representations constructed by each photo series. There are three elements that create this kind of representations, they are the relation of subject-object, visual codes, and visual perception. The first photo series made by professional photojournalists represent disaster event as a paradox: between “destruction” and “beauty” of the nature. Meanwhile, the photo series photographed by volunteers more focus on representation of the survivors in rehabilitating their lives. All these findings result in the conclusion that shows the role of photography—on perception and memory construction regarding time, space, body and mind—is exceedingly relative, particularly relating to catastrophe and disaster.
Speak Out Your Films: When Asian Independent Film Festivals Send Messages to the World Zaki Habibi
Jurnal Komunikasi Vol. 6 No. 2 (2012): Volume 6, Nomor 2, April 2012
Publisher : Program Studi Ilmu Komunikasi

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Abstract

This article focuses on three independent film festivals held in three different countries in Asia. They are (1) Jeonju International Film Festival (JIFF) in Jeonju, South Korea, (2) Cinemalaya Philippine Independent Film Festival in Manila, The Philippines, and (3) Jogja-NETPAC Asian Film Festival (JAFF) in Yogyakarta, Indonesia. Multiple case studies is adopted to analyze the way in which these three independent film festivals are being organized, including the “messages” being circulated for their global audiences. The findings are analyzed based on the conceptual framework that consists of three relevant concepts: film as cultural product, independent film festival, and cultural discourse. The conclusion shows that the three analyzed film festivals offer an alternative way in film distribution, then demonstrate unconventional way of festival organizing, and strengthening the power of community and its networks as the basis for the development of their festivals.
Participatory as everyday life: from creativity-based initiative to the production of networked space in Southeast Asian cities Zaki Habibi
AJMC (Asian Journal of Media and Communication) Vol. 1 No. 2 (2017): Volume 1, Number 2, Oktober 2017
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol1.iss2.art3

Abstract

The notion of creative city has been extensively discussed both in academic debate as well as public discourse, including on Asian context. However, a tendency to study only on strategic government policies in relation to this matter has led many multidimensional aspects being left behind. One of these important aspects is the creativity-based activities initiated and conducted by local groups, communities, or collectives on a daily basis apart from so-called the official city programmes. This paper that derives from participatory paradigm takes into account this kind of practice, and seek the meanings of participatory culture as everyday life in urban context. The participatory initiatives discussed in this paper as the empirical cases are “Tobucil & Klabs” in Bandung, Indonesia and the street arts in George Town, Penang, Malaysia. Considering the current context that participation is getting more mediated (Livingstone, 2013), I employ digital ethnography and documentary photography as the methodological standpoints to understand the digital media practices – i.e. online engagement – that also intertwine with the offline engagement in these two particular cases. I argue, the creativity-based initiatives in these two Southeast Asian cities lead to new insight in understanding media and creativity in current Asia. Additionally, informed by the work of Henri Lefebvre on “social space” and developed it further, I also argue that this certain participatory culture lead to the production of networked space in relation to city identities. This could contribute in forming a new theoretical model in understanding the interplay between media, participation, and urban cultures in digital era.Keywords: City identity, creativity; digital ethnography; digital media; documentary photography; everyday life; networked space; participation; Southeast Asia.
“It’s Okay to be Slow:” Witnessing the Articulation of Connected Practices by Creative Collectives in Indonesia and Malaysia Zaki Habibi
JSP (Jurnal Ilmu Sosial dan ilmu Poltik) Vol 26, No 1 (2022): July
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jsp.71856

Abstract

This article focuses on the everyday responses of the local creatives in dealing with the problematic single narrative of creative cities. Aiming to understand the everyday creative and media practices of individuals in the creative collectives that are situated in emerging creative cities in Southeast Asia, the research specifically addresses key contemporary debates within the field of urban media and communication studies. The article gives priority to the voices of the city dwellers from a bottom-up approach, looking at the material and embodied practices in their everyday life. Empirically, this article seeks the alternative voices raised by the members of selected creative collectives - four collectives in Bandung, Indonesia, and four others in George Town, Malaysia - in articulating the meaning of creativity, the media practices involved within, and the organic ways of organizing urban collectives. Drawing insights from the notion of articulation and media practice, and by employing both ethnographic and visual methodology approaches, in particular the use of the photo-documentation method, there are three key thematic findings elaborated here. These themes are (1) social settings in media-related practices, (2) material objects and sensitive affection, and (3) the labor of love. The ways in which these are discussed, using a combination of ethnographic vignettes and photo collages, foreground the importance of cultural identity articulation practiced by the creative collectives in both cities. Thus, the interlinkage between mediated experiences, spatial practices, and visual contexts is also a key significant aspect in the analysis of these bottom-up, organic urban creativities.
Participatory as everyday life: from creativity-based initiative to the production of networked space in Southeast Asian cities Zaki Habibi
Asian Journal of Media and Communication Vol. 1 No. 2 (2017): Volume 1, Number 2, Oktober 2017
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol1.iss2.art3

Abstract

The notion of creative city has been extensively discussed both in academic debate as well as public discourse, including on Asian context. However, a tendency to study only on strategic government policies in relation to this matter has led many multidimensional aspects being left behind. One of these important aspects is the creativity-based activities initiated and conducted by local groups, communities, or collectives on a daily basis apart from so-called the official city programmes. This paper that derives from participatory paradigm takes into account this kind of practice, and seek the meanings of participatory culture as everyday life in urban context. The participatory initiatives discussed in this paper as the empirical cases are “Tobucil & Klabs” in Bandung, Indonesia and the street arts in George Town, Penang, Malaysia. Considering the current context that participation is getting more mediated (Livingstone, 2013), I employ digital ethnography and documentary photography as the methodological standpoints to understand the digital media practices – i.e. online engagement – that also intertwine with the offline engagement in these two particular cases. I argue, the creativity-based initiatives in these two Southeast Asian cities lead to new insight in understanding media and creativity in current Asia. Additionally, informed by the work of Henri Lefebvre on “social space” and developed it further, I also argue that this certain participatory culture lead to the production of networked space in relation to city identities. This could contribute in forming a new theoretical model in understanding the interplay between media, participation, and urban cultures in digital era.Keywords: City identity, creativity; digital ethnography; digital media; documentary photography; everyday life; networked space; participation; Southeast Asia.
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