Jenny M. Djundjung
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The Rites of Passage of Nina Sayers in Darren Aronofsky’s Black Swan Della K. Soselisa; Jenny M. Djundjung
Kata Kita: Journal of Language, Literature, and Teaching Vol 1, No 1 (2013)
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/katakita.1.1.39-46

Abstract

This study aims to discuss Nina Sayers’ rites of passage which are portrayed through the use of many kinds of symbols. Each stage of rites of passage is represented by symbols. Thus, I will use the theory of rites of passage to match the symbols with characteristics of each stage and the concept of symbols to analyze the symbols so that the meanings are appropriate to the contexts and able to show the ways Nina Sayers’ rites of passage are symbolized. The analysis shows that each stage of the rites of passage is symbolized by many forms of symbols. It also shows that symbols of rites of passage can actually hold more than one meaning as they can change meanings in each stage of rites of passage. In the end, it can be concluded that symbols in Black Swan have been effectively used to strongly reveal the rites of passage.
The Hypermasculine and Ubersexual Men in the Harlequin Novels of the 1980s and 2000s Sari M.R.D Soedibio; Jenny M. Djundjung
Kata Kita: Journal of Language, Literature, and Teaching Vol 1, No 1 (2013)
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/katakita.1.1.%p

Abstract

Harlequin novels are so popular that Harlequin romance emerges as a genre. Unlike on the heroines, there are scarcely any studies or works on the heroes, thus, I want to focus my study on the heroes of Harlequin Romance. By analyzing using the Male Sex Role in the 1980s and themes of masculinity in the 2000s, I will prove that there are four types of ideal men in the 1980s Harlequin novels whose characteristics originated from the ideal men in the society at that time, the Hypermasculine men with extreme masculinity and avoidance of any feminine sides. I will also prove that there are three types of ideal men in the 2000s Harlequin novels whose characteristics are in accordance with the Ubersexual men’s, the ideal men in the society in 2000s having positive characteristics of traditional manliness with some “feminine“ characteristics. The reason behind these changes is because of the changes in the heroines and the characteristics of men in the society in time and these push for the changes in the heroes. As a publisher, Harlequin’s goal is the highest selling rate, thus, they adjust to the market’s demand.
Angel’s Redemption in Francine Rivers’ Redeeming Love Debora Irwanto; Jenny M. Djundjung
Kata Kita: Journal of Language, Literature, and Teaching Vol 1, No 1 (2013)
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/katakita.1.1.32-38

Abstract

This article deals with the main female character, Angel’s, redemption in the Christian Romance novel, Redeeming Love. This article will discuss Angel’s perception of her body before her marriage and how that perception changes after her marriage to Michael. To analyze Angel’s concept of her body, I will use biblical verses in the books of Genesis, Corinthian, John, and Luke. I find that Angel regards her body as an empty vessel before her marriage to Michael. By finding Angel’s perspective of her body before her marriage, I found that Angel uses her body and soul separation as a strategy to deal with her pain. Once she is married, Angel regards her body as the temple of God and uses her knowledge of her body as the temple of God to help others like her receive God. At last, I can conclude that the Christian romance genre can be used as tool to spread the Christian perspective about the body.