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EKSPLOITASI CONCUBINAGE DAN SUBJEK SUBALTERN: HEGEMONI ATAS PEREMPUAN INDONESIA DALAM TINJAUAN KRITIS PASCAKOLONIAL DAN FEMINISME NOVEL DE WINST KARYA AFIFAH AFRA Kartika, Bambang Aris
ATAVISME Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v14i1.102.51-64

Tulisan ini membahas praktik kolonialisasi Belanda yang mengakibatkan terjadinya bias ketidakadilan gender terhadap posisi perempuan Indonesia dalam novel De Winst karya Afifah Afra. Bias ketidakadilan gender ini tercermin dari adanya eksploitasi secara seksual terhadap kaum perempuan dengan menjadikan mereka sebagai concubinage atau gundik dan menjadi subjek subaltern akibat praktikal hegemoni kekuasaan kaum laki-laki kulit putih kolonial Belanda. Melalui pendekatan teori pascakolonial dan ragam kritik sastra feminisme pascakolonial diperoleh suatu pemahaman bahwa kaum perempuan pada masa kolonial menjadi subjek yang termarginalkan, baik secara seksual maupun sosial. Kaum perempuan tidak memiliki bargaining power dalam ranah hukum untuk menuntut adanya pengakuan sebagai istri yang sah dan memiliki kedudukan yang terhormat, bukan menjadi korban dominasi kekuasaan laki-laki atas tubuh, baik secara seksual maupun tenaga untuk urusan domestik rumah tangga (double burden), termasuk juga stereotipe negatif yang cenderung merendahkan harkat dan martabatnya sebagai perempuan. Abstract : This paper discusses the practice of Dutch colonization which resulted in a gender injustice bias toward the position of Indonesian women in the novel De Winst author by Afifah Afra. This is reflected from the practical sexual exploitation against women by making them as concubines (concubinage) or ?wives? who are actually represented as a concubine because of no formal ?diperistri? by white people and become the subject of subaltern or oppressed because of the practical power of the male hegemony white man of Dutch colonial. Through a variety of postcolonial theory and postcolonial feminist literary criticism, the analysis gained an understanding that women in the colonial period became the subject of both sexually marginalized and social. These women had no bargaining power in the realm of law to demand the recognition of the legitimate as a wife and a respectable position, not a victim of male domination of power over the body, either sexual or domestic labor for their household affairs (double burden ), including negative stereotypes that tend to lower their dignity as women. Key Words: concubinage; subaltern; colonialism; theory of postcolonialism; postcolonial feminist literary of critics

Mengapa Selalu Harus Perempuan: Suatu Konstruksi Urban Pemenjaraan Seksual Hingga Hegemoni Maskulinitas dalam Film Soekarno Bambang Aris Kartika
Journal of Urban Society's Arts Vol 2, No 1 (2015): April 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v2i1.1268

Film Soekarno karya Hanung Bramantyo menghadirkan suatu deksripsi tentangfakta-fakta historis terkait dengan perempuan Indonesia yang dikomodifikasimenjadi teks-teks naratif dan visual film. Wujud representasi dari komodifikasifakta historis perempuan Indonesia, ditampilkan dalam konstruk urban mengenaivisualisasi ketidakadilan gender dalam praktik-praktik politik seksual, kekerasanseksual, kekerasan psikis, hingga pemenjaraan seksual yang diakibatkan olehhegemoni kolonialisme fasisme Jepang melalui praktik perbudakan seksual (jugunianfu) dan tokoh Soekarno terhadap diri tokoh Inggit Ganarsih. Makna-maknasimbolik dari unsur naratif dan visualisasi yang dihadirkan dalam film Soekarnomerupakan suatu strategi kebudayaan dan politik media untuk menjadikan filmsebagai media historical memory dan collective memory bagi masyarakat Indonesiauntuk melawan lupa dari deskripsi narasi besar sejarah bangsa dan negara Indonesia,khususnya terhadap sejarah perempuan Indonesia.Why Women Should Always Be: From the Sexual Restraint to the Hegemony ofMasculinity in the Soekarno Film. Soekarno Film presented by Hanung Bramantyois a description of historical facts which are related to Indonesian women and whichare then commodified into texts and visual narrative films. The representation formof the commodification of historical facts of Indonesian women is showed in thevisualization of gender inequality through the practices of sexual politics, sexual violence,and psychological violence until sexual restraint caused by the hegemony of Japanesecolonialism through the practice of sexual slavery (jugun ianfu), and the attitude ofSoekarno figure which appears to Inggit Ganarsih figure. The symbolic meanings of thenarrative and visualization elements which are presented in the film of Soekarno arethe strategy of culture and media politics to make the film as the medium of historicalmemory and collective memory for the Indonesian people to fight against the forgetting ofa narrative description of the history of Indonesia, especially to the history of Indonesianwomen.

DESKRIPTIF MALE FEMINISME DAN KONTRA MALE FEMINISME PERILAKU TOKOH PRIYAYI GOLONGAN NINGRAT JAWA DALAM NOVEL POSKOLONIAL INDONESIA Bambang Aris Kartika
LITERASI: Indonesian Journal of Humanities Vol 1 No 2 (2011)
Publisher : Faculty of Humanities, Jember University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Patriarchal culture is synonymous with the hegemonic power of the Javanese nobility, especially from the class of nobles, to the position of Javanese women, particularly those related to the ongoing gender inequality. However, in the perspective of deconstruction are the concepts of binary op position, if there are any cons there are also male male feminism feminism, namely the aristocratic Javanese culture of patriarchy that does not apply to conduct in order to hegemonic power and control the subordinate position of women. In the novel De Winst binary opposition between male feminism with male counter feminism is reflected in the behavior of male figures from the Javanese aristocratic class of nobles in court environments Surakata Sultanate Palace that strong tradition to uphold patriarchy and feudalism on the position of women, especially in the period of colonialism Dutch and Javanese monarchy system. Keywords: male feminism, male counter feminism, cultural patriarchy, feudalism

TEOLOGI ANTROPOSENTRIS DALAM SASTRA BIOGRAFI: KAJIAN ATAS NOVEL PENAKLUK BADAI KARYA AGUK IRAWAN M.N. Bambang Aris Kartika
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 22 No 2 (2021): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v22i2.24473

This article discusses biographical novel of K.H. Hasyim Asy'ari Penakluk Badai which represents the anthropocentric theology concept. The study of anthropocentric theology positions Islamic theology not only as a dogma, but as a theological basis for overcoming problems or problems faced by humans or Muslims. By conducting a study of the novel Penaluk Badai with an anthropocentric theology reading approach and using a qualitative methodology, it aims to identify that anthropocentric theology is the basis for the motivation of the character K.H. Hasyim Asy'ri as problem solving to problems or problems experienced by the Indonesian people, such as poverty, immorality, ignorance, oppression due to the practice of colonialism. Based on data collection and data analysis, it was found that the anthropocentric theology was functioned by the character K.H. Hasyim Asy'ari to raise awareness of Muslims to overcome the problems faced by the Indonesian people. Anthropocentric theology is the basis of legitimacy and the principle of religiosity for the attitudes, behaviors, thought patterns, and actions of K.H. Hasyim Asy'ari by establishing modern Islamic boarding schools and madrasa educational institutions, establishing a capital business for traders' organizations, issuing jihad resolution fatwas to solve the problems of Muslims.

ANALYSIS OF DOCUDRAMA HISTORY AND REFERENTIAL RECONSTRUCTION OF SANG KIAI MOVIES: ADAPTATION OF BIOGRAPHICAL HISTORIOGRAPHIC TEXTS TO BIOPIC FILM Bambang Aris Kartika; Nanik S. Prihatini; Sri Hastanto; D., Dharsono
Capture : Jurnal Seni Media Rekam Vol 10, No 2 (2019)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

This article discusses about the conception of adaptation of biographical historiographic texts into the medium text in the Sang Kiai film which is a type of historical docudrama film. Adaptation conception shows a transposition pattern of content from historical biographical narrative texts constructed into the text medium of Sang Kiai film. By conducting a study on the Sang Kiai film through approaches of adaptation and heuristic, hermeneutic, and internal criticism methodology has produced a pattern of referential reconstruction in the production of historical genre film texts, especially in the types of biopic films. The Sang Kiai film is a moving picture biography of the K.H. Hasyim Asy'ari figure who narrated historical facts about the nationalism of the founder of the Nahdlatul Ulama (NU) against the colonialist hegemony of Japanese and Allied fascist armies. Thus, the docudrama film which is positioned as a document of visualization of the historical facts about the past that is presented today through the reproduction of historical texts in the biopic film medium. The pattern of referential reconstruction shows that the biopic film of the Sang Kiai is a representation of the truth of the biographical facts of the K.H. Hasyim Asy'ari figure, although it was produced and presented through historical fiction film text

SOEGIJA BIOPIC FILM, POLITICAL AFIRMATION, AND POLITICAL IDENTITY: DECONSTRUCTION OF INDONESIAN HISTORIOGRAPHY Bambang Aris Kartika; Nanik Sri Prihatini; Sri Hastanto; Dharsono Dharsono
Capture : Jurnal Seni Media Rekam Vol 12, No 1 (2020)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.3111

Soegija's movie is a biopic film based on the historiography of the highest leaders of the people and the Catholic church in Indonesia. Soegija's film is an antithesis of Indonesian historiography so far, especially the historiography of the era of the Indonesian independence revolution. This article discusses the political affirmation and identity politics of Soegija's film from the perspective of Derrida's Deconstruction. Derrida's Deconstruction approach and historical methodology consisting of Heuristics, Hermeneutics, and internal criticism are used to understand the position of Soegija's biopic on Indonesian historiography. The results of the study show that Soegija's film is a biography moving picture of the character Mgr. Albertus Soegijapranata, who narrated historical facts about the national attitude of the Catholic leadership as the first native bishop. In deconstruction, it appears that Soegija's biopic is a representation of the political affirmation and identity politics of educational cultural resistance to the truth of the historical facts of the character Mgr. Albertus Soegijapranata who is in binary opposition to Indonesian historiography.

ANTHROPOCENTRIC THEOLOGY IN A BIOPIC FILM : A STUDY OF THE ISLAMIC CONCEPTION OF K.H. HASYIM ASY'ARI IN THE FILM SANG KIAI Bambang Aris Kartika
Capture : Jurnal Seni Media Rekam Vol 14, No 1 (2022)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4132

The film Sang Kiai was created based on the biographical history of a person who played a significant role in the Battle of Surabaya on November 10, 1945, a pivotal event in Indonesian history. This film chronicles the story of K.H. Hasyim Asy'ari, a great scholar from Tebuireng Islamic Boarding School in Jombang, the founder and leader of Nahdlatul Ulama (NU), the largest Islamic religious mass organization in Indonesia, as well as a national hero. Accordingly, this study proposes a research problem of the extent to which anthropocentrism theology serves as the foundation for the Islamic conception of K.H. Hasyim Asyari in the movie Sang Kiai. The study of the film Sang Kiai applied an anthropocentric theological reading approach and a qualitative descriptive methodology. The study’s findings reveal that K.H. Hasyim Asy'ari utilized anthropocentric theology to raise Muslims’ awareness to fight the practices of colonialism and break free from its shackles while also fighting the ignorance of aqidah. In sum, anthropocentric theology is the basis for the legitimacy and principles of the Islamic conception of K.H. Hasyim Asy'ari’s attitudes, behavior, thought patterns, and actions to overcome Muslims’ problems.

Novel Biografi Romo Mangun: Refleksi atas Teologi Pembebasan Sang Manyar Bambang Aris Kartika
Arif: Jurnal Sastra dan Kearifan Lokal Vol 2 No 1 (2022): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.021.03

Artikel ini membahas novel biografi Mangun yang merepresentasikan perjuangan, kemanusiaan, dan keberpihakan Romo Mangunwijaya, Pr. Imam Katolik dalam membela rakyat yang terpinggirkan, tertindas, dibelenggu kemiskinan dan ketidakadilan, mengalami penggusuran, dan penenggelaman desa atas megaproyek Waduk Kedung Ombo. Keberpihakan Romo Mangun sebagai artikulasi dari refleksi atas teologi pembebasan sebagaimana yang dipraktikan para pastor di Amerika Latin maupun di Dunia Ketiga. Telaah teologi pembebasan memosisikan gereja tidak sebatas mengajar dogma-dogma agama, melainkan menjadi dasar teologis bagi upaya membela dan melayani masyarakat miskin yang tertindas dan mengalami ketidakadilan. Kajian terhadap novel Mangun dengan pendekatan teologi pembebasan dan menggunakan metodologi kualitatif dengan objek data teks-teks dalam novel. Analisis dilakukan dengan metode interpretatif. Hasil penelitian menunjukkan bahwa keberpihakan dan pembelaan Romo Mangun terhadap masyarakat Kali Code dan Kedung Ombo atas nama kemanusiaan adalah praktik atas refleksi teologi pembebasan dan rasa kemanusiaan menjadi motivasi atas tindakannya untuk berpihak dan membela rakyat kecil

FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.

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