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All Journal Jurnal Antropologi: Isu-Isu Sosial budaya RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Muslim English Literature
ida Rosida
UIN Syarif Hidayatullah Jakarta
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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TUBUH PEREMPUAN DALAM BUDAYA KONSUMEN: ANTARA KESENANGAN DIRI, STATUS SOSIAL, DAN NILAI PATRIARKI ida Rosida
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 20, No 1 (2018): (June)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (124.416 KB) | DOI: 10.25077/jantro.v20.n1.p85-101.2018

Abstract

This article discusses the Jakarta urban women body in Indonesian consumer culture as reflected in Miss Jinjing Belanja Sampai Mati (2008) by Amelia Masniari. Within  consumer culture, consuming commodities is seen as a natural. However, it is the impact of the power (dominant ideologies) that present in that culture. The primary objective of this paper is to explore how  the Jakarta urban woman body is constructed within Indonesia’s consumer culture in which portrayed in Miss Jinjing Belanja Sampai Mati (2008) through the character of Amelia Masniari. This is a qualitative research with cultural studies approach. The concept of Mike Featherstone about the body in consumer culture is used to analyze the text. The results show that the Jakarta urban woman body as reflected through Amelia's character is constructed by capitalism, consumerism and patriarchal ideology. The emergence of these three ideologies are seen through contradictions in the text such as the contradiction between values of self-pleasure, social status as well as patriarchal values. In conclusion, the Jakarta urban woman body (Amelia) in Indonesian consumer culture as reflected in Miss Jinjing Belanja Sampai Mati (2008) is site of ideological contestation; capitalism, consumerism and patriarchal ideology. The presence of these ideologies are not mutually tearing down but mutually reinforcing one another and in the end there is coherence between each ideology.
WOMEN BODY AND ITS FUNCTIONS IN DYSTOPIAN LITERATURE: SEXUAL COMMODITY, SEXUAL PLEASURE, AND REPRODUCTIVE NATURE Avi Ainul Fikri; Ida Rosida
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 15, No 2 (2022)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/retorika.v15i2.17913

Abstract

This research aims to show how women’s bodies and their functions shape the role of women in dystopian society reflected in Blade Runner 2049. Cyborgfeminism theory by Donna Haraway and postgenderism theory by James Hughes and George Dvorsky with a qualitative method are used to analyze the corpus. The results show that the role of women in the dystopian society functions as a human’s reproduction while women’s body is viewed as sexual commodities and valued for its sexual pleasure. In conclusion, this research can be used as a foreshadowing of how women and their roles will be in a dystopian society where the near-future capabilities of Artificial Intelligence and robotics may provide men as the superior gender which can dominate over the bodies and existence of women.
Gender and Power Relations in Aisha Saeed’s Amal Unbound Albi Fahri; Ida Rosida
Muslim English Literature Vol 2, No 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.29294

Abstract

This paper discusses the power relation and gender in the novel Amal Unbound by Aisha Saeed (2018). This study focuses on the four main characters, Amal, Abu, Jawad, and Baji, in which  Abu, Amal ‘s father, has a relationship that puts her as a subordinate one as well as Jawad, who has the power from his economic aspect. The restriction experienced by a female character, Amal, became a gender issue regarding the oppression of women, which must be surrendered to certain power circumstances. This research explores the power relations between female and male characters and their effect on gender. This study uses a qualitative method and applies Michel Foucault's theory of power relations and the concept of gender. The results show that Amal’s resistance is echoed in the desire to destroy the power structure that put Jawad as the highest authority holder. Amal prioritizes resistance to free her choice in her gender identity, and power relations are obliged to change with the resistance. Power in this discourse installs itself and produces real material effects, which social power structure and the prescribed gender norms also affect the relationship between characters. Power relations exist as the main female character, Amal has a certain relationship with the other main male characters and another female character. The power comes from the relation then brings oppression toward women. Power is compiled, established, and realized through certain knowledge and discourse. In addition, Amal’s appearance, which represents her gender identity, also indicates resistance toward the oppression she experienced. To conclude, subordination and oppression toward women are undeniable, as men are socially and culturally designed to be powerful. Meanwhile, women are powerless. 
Co-Authors Albi Fahri Avi Ainul Fikri