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All Journal Lumen Veritatis: Jurnal Filsafat dan Teologi
Yasintus T. Runesi
Program Studi Ilmu Filsafat, Fakultas Filsafat, Universitas Katolik Widya Mandira
Religion Humanities

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KUPU-KUPU DI ATAS BUNGA – ANGIN MENARI MELALUI PADANG: MENYIMAK FILSAFAT SENI MARTIN HEIDEGGER Yasintus T. Runesi
Lumen Veritatis: Jurnal Filsafat dan Teologi Vol 10 No 1 (2019): LUMEN VERITATIS : Jurnal Filsafat dan Teologi | Mei 2019 ~ Oktober 2019
Publisher : Program Studi Filsafat Agama Universitas Katolik Widya Mandira Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/lumenveritatis.v10i1.208

Abstract

In his path of thinking, particularly from the 1930s onwards, Martin Heidegger firmly believed that Sein reveals itself, when human being, whom he termed as Dasein, awakened from his blindness of common sense and struggle for grasps his own authenticity. In this paper I examine Heidegger’s destruction of the work of art as a site of strife between art and politics in his text, Der Ursprung des Kunstwerkes. Heidegger’s position is complex: on the one hand, he acknowledges that Sein is a phenomenon beyond our horizon of understanding, Sein is all about not something particular; on the other hand, he insists that Sein’s presence through art inscribed in a certain particular identity, especially German volks. In response, I argue that the identification of Sein with a particular identity such as German volks, offers the truth that the politics itself is forged and instituted in and as work of art. Some conclusions will be drawn concerning the importance of the small dimension of Heidegger’s thought on art in contemporary politics.
FENOMENOLOGI: LOGOS PARTISIPATIF DAN TABERNAKEL SEMESTA Yasintus T. Runesi
Lumen Veritatis: Jurnal Filsafat dan Teologi Vol 10 No 2 (2020): LUMEN VERITATIS : Jurnal Filsafat dan Teologi | November 2019 ~ April 2020
Publisher : Program Studi Filsafat Agama Universitas Katolik Widya Mandira Kupang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/lumenveritatis.v10i2.479

Abstract

The natural environment suffered under dominion of science, mother earth in distress and progress is no longer treated as sacrosanct. This is calling for our responsibility, and requires more serious attention from all parties, at all levels of spheres of life. In this article, I will be presented a programmatic reading of the ecological and environmental crisis from phenomenological perspective. In the first part, it will be shown that this crisis is rooted in naturalisme, i.e dualistic point of views. As a critique of this form of thoughts, a theoretical response will be demonstrated through eco-phenomenology as an interdisciplinary theory in the second part of this article, which followed by a reformulation of the concept of logos (reason) in the third part of this article based on concept logos of life from Anna-Teresa Tymieniecka and Henryk Skolimowski’s participatory mind. The fourth part is a reflection of creation as a tabernacle of the universe, a place where the divine name resides, and will be closed with a small conclusion.
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