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All Journal Panggung Batoboh : Jurnal Pengabdian Pada Masyarakat Jurnal Budaya Nusantara Terob : Jurnal Pengkajian dan Penciptaan Seni
Bramantijo Bramantijo
Sekolah Tinggi Kesenian Wilwatikta Surabaya
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Menjelajah Kultur Majapahit, Mencari “Identitas” Seni Rupa Kontemporer Jawa Timur Bramantijo, Bramantijo
Jurnal Budaya Nusantara Vol 1 No 1 (2017): NUSANTARA & KONTEMPORER
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a989

Abstract

The identity of Indonesian art is loaded with political contents in the interests of harmony. Indentity becomesthe differentiator and positioning in artwords. East Java gets the fortunes to be the locus of Majapahit and heritage ofthe Majapahit culture, but the atmosphere of contemporary art gives artists of freedom to explore the variety oftraditional cultures in various loci and make as identity. The sole recognition of a culture by a group community is nolonger relevant. The other way, it occurs the ability of artists to discover the characteristics of traditional cultures and topresent it typically as a differentiator with other artists.
Mural sebagai Tanda dan Identitas Kontemporer Kota Bramantijo Bramantijo
PANGGUNG Vol 21, No 1 (2011): Seni, Lokalitas, Vitalitas, dan Pemaknaan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1582.432 KB) | DOI: 10.26742/panggung.v21i1.737

Abstract

TOTE BAG BERBAHAN TENUN GEDHOG SEBAGAI PRODUK PENUNJANG BAGI UKM TENUN DAN BATIK GEDHOG TUBAN Bramantijo Bramantijo; Karsam Karsam; Totok Priyoleksono
Batoboh: Jurnal Pengabdian Pada Masyarakat Vol 2, No 2 (2017): Batoboh -Jurnal Pengabdian Pada Masyarakat
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v2i2.355

Abstract

Tenun Gedhog Tuban merupakan produk penyangga bagi produksi batik Gedhog. Sebagai produk penyangga, maka produksi tenun Gedhog sangat tergantung pada kelancaran pemasaran batik Gedhog. Minat konsumen terhadap tenun Gedhog saat ini makin menurun, karena dinilai kurang cocok sebagai bahan sandang, sehingga diperlukan pengembangan produk yang memanfaatkan material dasar tenun Gedhog agar UKM tenun Gedhog terus dapat bertahan. IbM perajin tenun Gedhog di Kabupaten Tuban ini menetapkan dua mitra, yaitu kelompok perajin tenun Sumber Rejeki dari Desa Gaji dan kelompok perajin tenun-batik Margo Asri dari Desa Margorejo, Kec. Kerek, Kab. Tuban, bertujuan untuk meningkatkan kualitas SDM perajin tenun Gedhog dalam pengembangan desain produk dan manajemen pemasaran. Target khusus kegiatan IbM ini adalah: 1) meningkatnya pengetahuan dan ketrampilan perajin dalam pengembangan desain produk tenun sehingga mereka dapat menciptakan varian produk dengan bahan dasar tenun yang mereka produksi, 2) meningkatnya kemampuan manajemen perajin dalam pemasaran produk, khususnya menggunakan media online.Dalam pelaksanaan IbM ini, transfer pengetahuan dan ketrampilan dilakukan melalui kegiatan: 1) pelatihan pengembangan desain produk berbahan tenun dan batik Gedhog berupa beragam produk tote bag, 2) penerapan desain produk tote bag melalui produksi masal oleh kelompok perajin dan perajin lainnya dalam wilayah kegiatan serta promosi produk secara online, 3) pendampingan dan evaluasi terhadap jalannya program IbM serta hasil yang dicapai.Hasil akhir yang diharapkan dari kegiatan IbM ini adalah kemandirian dan peningkatan kesejahteraan mitra UKM memalui pengembangan usaha yang berbasis pada produk dasar mereka berupa tenun dan batik Gedhog.
Menjelajah Kultur Majapahit, Mencari “Identitas” Seni Rupa Kontemporer Jawa Timur Bramantijo Bramantijo
Jurnal Budaya Nusantara Vol 1 No 1 (2017): NUSANTARA & KONTEMPORER
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a989

Abstract

The identity of Indonesian art is loaded with political contents in the interests of harmony. Indentity becomesthe differentiator and positioning in artwords. East Java gets the fortunes to be the locus of Majapahit and heritage ofthe Majapahit culture, but the atmosphere of contemporary art gives artists of freedom to explore the variety oftraditional cultures in various loci and make as identity. The sole recognition of a culture by a group community is nolonger relevant. The other way, it occurs the ability of artists to discover the characteristics of traditional cultures and topresent it typically as a differentiator with other artists.
Contemporary Art On Fashion In Jember Fashion Carnaval (2016-2021) Bramantijo Bramantijo; Rose Aprilia Lani Kartini
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 1 (2023): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i1.57

Abstract

As a fashion show that includes members of all societal strata, Jember Fashion Carnival (JFC) is regarded as a must-attendcultural event in East Java. In modern civilization, fashion is used as a means of communication to express social, cultural, andpersonal identity. Art and fashion share many similarities in how they portray or convey feelings, expression, amusement, and beingpresented. The term experimental, a subset of contemporary art, has its roots in the creation of clothing that pushes the boundariesof both fashion and performance art, or as it is known in the language of fashion, the avant-garde. This study intends toascertain the evolution of contemporary art at JFC as well as the impact of contemporary art on fashion at JFC events, particularlyfrom 2016 to 2021. The data gathered were examined inductively as a cultural inquiry utilizing ethnographic techniques. The visualcultural portion includes shape, color, texture, fashion, and the arts. Regarding poetry and how to develop and connect ideas, theaesthetics of art and fashion are similarly similar. Avant-garde fashion is contemporary art applied, yet one might also say thatfashion is a costume in contemporary art. In JFC, the focus is on the artists' creative processes, and how innocence and wildness intheir work emerge. They also receive guidance and instruction on creating, applying makeup, walking, and dancing.The Jember Fashion Carnival not only has a theme but also emphasizes the theatricality and soul of the costumes. Values, excitement, and motivation to create fashion pieces fuel the carnival's rebirth. In addition, each theme also incorporates components of values, culture, humanism, compassion, and openness to different viewpoints. 
Co-Authors Andrew Suryanto Ani Wijayanti Suhartono Benny Kristianto Cathleen Andrea Indrawan Celcea Tifani Christine Yunita David Christian Goenawan Dhanu Cahaya Heryoko Fransisca Luciana Santoso Karsam Karsam Kesbir Kesbir Lidia Tiatira Verdiany Lydia Elenovia Chandra Santoso Mikhael Albertinus Lemuel Oey Henny Rose Aprilia Lani Kartini Ryan Pratama Sutanto Stanley Chrislie Lodijanto Tedja Priskilla Cristina Dewi Totok Priyoleksono Yudianto Yudianto