Zamrud Whidas Pratama
Fakultas Ilmu Budaya, Universitas Mulawarman

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Journal : Journal of Culture, Arts, Literature, and Linguistics (CaLLs)

PERFORMATIVITAS HUDSON PRANANJAYA DALAM PERTUNJUKAN MUSIK Zamrud Whidas Pratama; Yofi Irvan Vivian
CaLLs: Journal of Culture, Arts, Literature, and Linguistics Vol 6, No 2 (2020): CaLLs, Desember 2020
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v6i2.3312

Abstract

Hudson Prananjaya is a singer who has a unique performance that is able to sing in the colors of the voice of men and women like a couple who is a duet. One of the songs he once brought back was the Gethuk song. The purpose of this study is to examine how the performance of a Hudson Prananjaya in exploring the gethuk song so that it has the characteristics of other singers. The theory used in this research is the theory of performativity, Habitus. This study aims to describe how Hudson's performativity in gethuk songs. Data collection is done by (1) literature study, (2) observation, (3) interview, (3) documentation. The stages in analyzing data with (1) data reduction, (2) data presentation, and (3) histography writing (4) conclusion. Clarification of the data was again carried out both to the subject of the study and to other informants. Hudson gained cultural insight in singing because he was accustomed to experimenting in singing. One of the songs that was brought back was Gethuk song. The visual aspect is shown by the concept of two face shows nuances of Javanese customs both makeup and clothes. The results of the transcription and analysis of musical aspects in the introduction section are marked with X sung using the basic tone of Fis Major by taking the first verse of the song yen ing tawang ono latitude. The introduction is sung in a free vocal style without a tempo called the recitative vocal style. Modulation to the Bes Major scale occurs when getting to the Gethuk song starts from the song intro until the song is finished. The gethuk song that Hudson reproduces back to part B (b1 '), (b2'). In the repetition section there is a dialogue technique in singing called unpicth vocal technique.
MULTIKULTURALISME DALAM TARSUL KUTAI KARTANEGARA Setya Ariani; Zamrud Whidas Pratama; Anwar Ibrahim Triyoga
CaLLs: Journal of Culture, Arts, Literature, and Linguistics Special Edition: Sesanti (Seminar Nasional Bahasa, Sastra, dan Seni) 2023
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v0i0.13138

Abstract

Tarsul merupakan sebuah kesenian berupa nyanyian tradisional yang berkembang di tengah masyarakat Kutai Kartanegara. Penelitian tradisi lisan ini didukung oleh konsep multikulturalisme yang menempatkan kesetaraan di tengah keragaman budaya. Penelitian ini bertujuan untuk memberi gambaran  perkembangan penyajian kesenian tarsul dan mengungkap nilai-nilai dan ekspresi multikultural yang terkandung dalam kesenian tersebut. Berbentuk penelitian fenomenologi, pengumpulan data dilakukan melalui proses observasi, wawancara, dan dokumentasi terhadap pelaku budaya di wilayah Kutai Kartanegara. Hasil penelitian mengungkapkan adanya perkembangan penyajian tarsul dilihat dari tujuan penyelenggaraan dan bentuk penyajiannya. Nilai-nilai dan ekspresi multikultural yang dapat dianalisis antara lain toleransi, saling percaya, saling memahami, saling menghormati, dan keterbukaan pikiran. Implikasi dari hasil penelitian ini diharapkan menggugah keterlibatan pihak-pihak baik dari bidang pendidikan maupun pemerintah sehingga dapat memotivasi pengembangan pendidikan multikultural melalui karya seni serta melakukan upaya-upaya pelestarian warisan budaya lokal.