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All Journal Texture : Art and Culture Journal Ultimart: Jurnal Komunikasi Visual
Perdana Kartawiyudha
Universitas Multimedia Nusantara
Arts Humanities Education Social Sciences

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VISUAL STORYTELLING DARI SINOPSIS SAMPAI STORYBOARD DALAM MATA KULIAH INTRODUCTION TO MOVING IMAGE PRODUCTION (IMIP) Ina Listyani Riyanto; Baskoro Adi Wuryanto; Perdana Kartawiyudha
ULTIMART Jurnal Komunikasi Visual Vol 11 No 1 (2018): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (648.704 KB) | DOI: 10.31937/ultimart.v11i1.1023

Abstract

Filmmaker dituntut untuk bisa mengubah cerita dari bentuk tulisan menjadi gambar bergerak. Kemampuan visual storytelling ini menuntut filmmaker untuk bisa mentransfer imajinasi cerita (sinopsis-teks) menjadi skenario (visual yang tertulis), serta mentransfer skenario menjadi storyboard (gambar-visual). Untuk itu, filmmaker seyogyanya memahami penulisan scenario dan kaidah-kaidahnya sehingga bisa menuangkan cerita dengan baik. Selain itu, filmmaker juga harus memahami bahasa visual yang ditawarkan oleh sinematografi seperti fungsi shot type, komposisi dan rule of third. Filmmaker seringkali mengalami kendala dalam memvisualkan cerita dari sinopsis sampai storyboard (text to visual). Oleh sebab itu, penelitian ini dibuat untuk mengetahui masalah dalam proses ini. Penelitian ini terdiri dari dua tahap. Tahap 1: (i) Mencari teori awal: studi pustaka dan identifikasi masalah (ii) penentuan elemen dan standar analisis, (iii) mengumpulkan data dengan mengidentifikasi masalah yang terjadi dalam proses transfer. Tahap 2: (i) menganalisis sinopsis, skenario dan storyboard. (ii) mengkonfirmasi hasil analisis melalui wawancara dengan penulis skenario, sutradara dan sinematografer. (ii) merangkum temuan dan analisis serta menuliskannya dalam jurnal. Kata kunci: produksi film, text to visual, sinopsis, skenario, storyboard
STRATEGI PENCERITAAN FILM-FILM BERPRESTASI KARYA MAHASISWA FILM UMN YANG DIPRODUKSI DI TENGAH PANDEMI COVID-19 Perdana Kartawiyudha
Texture:Art and Culture Journal Vol 5, No 2 (2022)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v5i2.4490

Abstract

The COVID-19 pandemic has forced filmmakers to set special production strategies so that their production can run safely. For this reason, the first thing that can be done is to design the right story for the COVID-19 pandemic situation at the development stage. This study tries to explore the storytelling strategies taken by screenwriters in telling their stories in the context of the COVID-19 pandemic. The films selected for this analysis were films from Moving Image Production (MIP) students at the UMN Film Study Program which were produced with awareness of the COVID-19 pandemic and managed to participate in both national and international curated exhibition and gain some acknowledgment. The method of this research is qualitative and was done by conducting content analysis on existing narrative documents (synopsis, characterization, and scenarios) as well as literature review on related topics, themes and theories related to storytelling, specifically focusing on the analysis of characters and story settings.
Co-Authors Baskoro Adi Wuryanto Ina Listyani Riyanto