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Perkembangan Wayang Alternatif di Bawah Hegemoni Wayang Kulit Purwa Riyanto, Bedjo; Mataram, Sayid
PANGGUNG Vol 28, No 1 (2018): Kontestasi Tradisi: Seni dalam Visualisasi Estetik, Naskah, dan Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v28i1.440

Abstract

ABSTRACTPuppet as a creative product is often interpreted narrowly only in the art of wayang purwa performances which in the evolutionary span of many centuries most show its adaptive ability. Hegemony of puppet art as one of Javaneses most valuable cultural creativity products, on the other hand, has a negative impact on the evolution of Javanese culture itself. The process of wayang refinement, as a classical art of excellence in the exclusive cultural pockets of the palace, at the same time gained the challenge from the outside which made the puppet art a popular cultural product of kitch that was considered merely an insignificant entertainment. The emergence of contemporary puppet works from Indonesian artists signifies the development of movement in the effort to interpret, explore, and develop traditional puppet art entering the wider arts field so that puppet art does not become a frozen art.Keywords: alternative puppet, hegemony, shadow puppet PurwaABSTRAKWayang sebagai suatu produk kreatif sering ditafsirkan secara sempit hanya pada seni pertunjukan wayang Purwa yang dalam rentang evolusi berabad-abad paling menunjukkan kemampuan adaptifnya. Hegemoni seni pewayangan, sebagai salah satu produk kreativitas budaya Jawa paling adiluhung, pada sisi lainnya berdampak negatif pada evolusi kebudayaan Jawa itu sendiri. Proses refinement wayang, sebagai seni adiluhung klasik dalam kantung-kantung budaya ekslusif kraton dalam saat yang sama mendapat, tantangan dari luar yang membuat seni pewayangan menjadi produk budaya populer yang bersifat kitch yang dianggap hanya sekadar hiburan yang tidak bernilai. Kemunculan karya wayang kontemporer dari para seniman Indonesia menandakan adanya gerak perkembangan di dalam usaha menafsirkan, mengeksplorasi, dan mengembangkan seni pewayangan tradisional memasuki medan kesenian yang lebih luas sehingga seni pewayangan tidak menjadi seni yang beku.Kata kunci: wayang alternatif, hegemoni, wayang kulit Purwa  
GAYA INDIES: GAYA DESAIN GRAFIS INDONESIA TEMPO DOELOE Riyanto, Bedjo
Nirmana Vol 7, No 2 (2005): JULY 2005
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.7.2.

Abstract

Indies Graphic Design Style emerged in the Dutch Colonial Era%2C had reached the top artistically around 1930s. Indies Graphic Design Style developed by Dutch graphic designers%2C was a mixture between European modern design style of the early 20th century and traditional local art%2C especially wayang%2C the masterpiece of Javanese culture. Nowadays%2C the combination has created a new design style with Indonesian taste and become an inspiration in creativity for todayÂ’s graphic designers. Abstract in Bahasa Indonesia : Gaya desain grafis Indies berkembang di masa kolonial Hindia Belanda dan mengalami puncak perkembangan artistiknya di tahun 1930-an. Gaya Desain Grafis Indies yang dikembangkan para perancang grafis Belanda merupakan perpaduan antara gaya desain Modern yang berkembang di Eropa awal abad ke-20 dengan seni rupa tradisi terutama wayang yang merupakan produk budaya adi luhung masyarakat Jawa. Perpaduan itu membentuk suatu gaya desain yang berciri khas Indonesia dan menjadi sumber inspirasi bagi kreativitas perancang desain grafis masa kini. indies graphic design style%2C eclectic%2C hybrid.
Wayang Purwa dan Tantangan Teknologi Media Baru Riyanto, Bedjo
Nirmana Vol 13, No 1 (2011): JANUARY 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.13.1.5-11

Abstract

The art of shadow puppets or wayang has been established as a Masterpiece of Oral and Intangible Heritage of Humanity by UNESCO. Leathermade shadow puppets or wayang kulit purwa as one of many wayang performances has been the most hegemonic, receiving much attention nationally as well as internationally until today. Therefore, there is an assumption that “the real” wayang is wayang kulit purwa. Globalization, commercialization, and the development of communication technology of popular culture influence greatly the advancement of wayang kulit purwa performances or even other wayang shows. Every stake holder of shadow puppet art truly needs the creative adaptive ability so that wayang can still be sustainable in the future.
IKLAN POLITIK ERA IMAGE DAN KEKUASAAN MEDIA Riyanto, Bedjo
Nirmana Vol 6, No 2 (2004): JULY 2004
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.6.2.

Abstract

The direct election of the president and vice president is succeed democratitation process. People has their own sovereignity to decide their own choice. Shifting mass mobilitation from political machine party to the power of mass media machine is the consequences of it. In the age of image recently%2C press and television broadcast have become a deciding factor of candidate winning. Who takes the power by force of this factor%2C is the winner. The victory of Susilo Bambang Yudhoyono and Jusuf Kalla to be president and vice president in general election September 20th 2004 is the evident of the thesis. Abstract in Bahasa Indonesia : political ad%2C the power of mass media%2C image building%2C candidate winning.
Co-Authors Albert Saputro Wiyono Andy Putra Hartanto Elisabeth Christine Yuwono Hansen Bobby Widjaja Jenny Setiawan Liliana Gunawan Lim Leonardo Maria Angelina Sutanto Mataram, Sayid Steven Purwadipura Tjien Liem Liman Viona Paramita William Tejokusuma Yoanita Chrisnawati