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All Journal Jurnal Seni Nasional Cikini Jurnal IMAJI
Ario Sasongko
Institut Kesenian Jakarta
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Prinsip Pengulangan pada Tokoh John Keating dalam Film Dead Poets Society Karya Peter Weir: Sebuah Kajian Psikoanalisis Ario Sasongko
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 1 (2018): Teknologi dan Storytelling dalam Medium Audio-Visual
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

In the film Dead Poets Society, there is a character of a teacher named John Keating, who is portrayed as a figure who tries to break through conservative order of a school, for the sake of the students. He is pictured as a teacher who tries to understand the wishes of the students, and invites them to make those wishes come true with freedom. This paper will try to look at the mechanism of the conscious and the unconscious within the character of John Keating, and to show how all of his actions are manifestations of the domain of the unconscious.
Proses Penyelerasan Id, Ego, dan Superego dalam Film Life of Pi (2012) Ario Sasongko
IMAJI: Film, Fotografi, Televisi, & Media Baru Vol. 10 No. 2 (2018): Karakter dan Konsep-Konsep Psikoanalisis dalam Film
Publisher : Bidang Satuan Riset dan FFTV - IKJ PRESS

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Abstract

The film Life of Pi (2012) tells a story about Pi Patel ’s search of the values of life through his extraordinary adventure throughout the ocean alongside a wild tiger named Richard Parker. In the film, the relationship between Pi Patel and Richard Parker is unique because both parties influence one another. To comprehend the message about human’s search of self in the film, the character Pi Patel and his relationship with Richard Parker is analyzed. Analysis will be done using Sigmund Freud ’s psychoanalytic perspective, by referring to the concept of id, ego, and superego.
Ideologi Representasi Identitas dalam Film Adaptasi Oeroeg Ario Sasongko
Jurnal Seni Nasional Cikini Vol 1 No 1 (2017): Jurnal Seni Nasional Cikini Vol. 1 No. 1
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.292 KB) | DOI: 10.52969/jsnc.v1i1.46

Abstract

Meski menggunakan judul dan sudut pandang tokoh utama yang sama, ada perbedaan yang signifikan dalam novel dan film Oeroeg. Sebagai sebuah adaptasi yang menghadirkan karya baru, film ini tetap tak bisa melepaskan sudutpandang superioritas Barat, yang diwakilkan oleh Belanda, terhadap Timur, yang diwakilkan oleh orang-orang Pribumi. Sudut pandang itulah yang menonjol dalam film Oeroeg, yang seolah memberi pesan bahwa Belandalah yangmemberikan kesadaran kemerdekaan bagi Indonesia. Tulisan ini juga akan mengkritisi pendapat Pamela Pattynama yang mengatakan bahwa film Oeroeg merefleksikan rasa bersalah orang-orang Belanda pada masa penjajahan.
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