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All Journal Proceeding of International Conference on Art, Language, and Culture International Journal of Geotourism Science and Developmen
Agus Sachari
Bandung Institute of Technology
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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MULTI DISCIPLINE COLLABORATION BETWEEN ART AND TECHNOLOGY ON APPLYING VERTICAL CROSS CONFIGURATION FOR MAKING AESTHETIC BOARD Firman Hawari; Agus Sachari; Adhi Nugraha; Dicky Rezaldy Munaf
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Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (578.852 KB)

Abstract

The stimulus in this study is to reduce dependence on natural resources, in this case timber, and preserve it from extinction. It is based on comparison between high utilization rate and imbalance with its availability. Field observations indicate that large utilization of wood is for making as a board. The condition raises motivation to find alternative creation of boards from non-timber materials, in this case urban waste. Various ideas, thoughts and applications are experimented to get best methods to produce board products from municipal waste as per required and feasible qualifications. After several stages of research and experimentation, a method called vertical cross configuration was obtained. In some advanced applications, this configuration has been able to help produce a strong, sturdy, and aesthetic board products.The following study directs systematic thinking of identifying multi-disciplinary collaboration, in this case technology and aesthetics, on creation activities of vertical cross-configuration through utilization of municipal waste as raw materials. The discussion covers definition of vertical cross-configuration, discipline of science involved, interdisciplinary collaboration, resulting product and its utilization opportunities. Understanding of this study is expected to encourage people involved in the production process and application of aesthetic board utilization to take an active role in environmental conservation in a wider scope.
JOMBLANG CAVE'S CONTEXTUAL DIVERSITY IN SUPPORTING ADVENTURE EXPERIENCE TOURISM AS A SUSTAINABLE CREATIVE ECONOMY Diah Natarina; Agus Sachari
International Journal of Geotourism Science and Development Vol. 1 No. 1 (2021): June 2021
Publisher : Badan Pelaksana Rinjani-geopark Rinjani Lombok

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (255.621 KB) | DOI: 10.58856/ijgsd.v1i1.5

Abstract

The world tourism industry, which has been hit hard by the prolonged pandemic, has yet to show its revival. It has become a concern of the government, organizations      communities and other private parties. The current situation did not allow people to have mobility. Some organizations considered that its time to evaluate and make recovery     strategies to implement when the pandemic ends. It is Ollivaud and Haxton from the Organization for Economic Co-operation and Development providing advice on  recovery steps. They say that the creative economy can help offer new products and services for new target groups away from conventional models of environmental or heritage-based cultural tourism: that can be through unconventional media advertisements, art creation in a specific building, and sound-and-light shows. Increasingly visitors are looking for experi-ence-based, instead of destination-based, tourism. Jomblang Cave located in Semanu Village, Gunung Kidul, since 2011 has wide-ly been well known as experience-based tourism, a form of the creative economy, which is currently experiencing a lack of visitors. This writing aims to optimize the contextual diversity of Jomblang Cave to upgrade itself to be ready to accept adventure tourists when the pandemic is gradually over. The research method used is the descriptive method with a qualitative approach. Data collection techniques by conducting interviews with managers, literature studies and site reviews. The data will be processed by the analytical method. The result is to prioritize the contextual diversity that owned, a form of the creative econo-my in the field of adventure tourism Jomblang Cave will remain sustainable.
Co-Authors Adhi Nugraha Diah Natarina Dicky Rezaldy Munaf Firman Hawari