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Perancangan Motif Tekstil dengan Mengolah Karya Lukis Anak Down Syndrome Ajeng Annisa Faradhila; Setyawan .
JURNAL RUPA Vol 5 No 1 (2020): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v5i1.2381

Abstract

The motif-designing collaborates the painting of Dwi Andini Ma'ruf (23 year-old), a student who experienced mosaic down syndrome 15% with textile design based on characters in the form of sloppy lines and imperfect shapes. The designing-process uses a design approach that goes through three main processes, namely; exploration, termination and extraction processes. By using this approach, the researcher explores information related to down syndrome, plans the designing-activity related to the concept as a whole, and analyzes the design that has been made to draw conclusions and solve existing problems. The result of the designing process is textile motifs that reprocess the painting of a down syndrome person’s painting as an initial idea by maintaining a composition in accordance with the character of the subject and is interpreted through a simple design using the screen printing technique for ready-to-wear clothing. The line emphasis and color selection are displayed in full to accentuate the uniqueness of the subject's perspective.
Pengembangan Desain Batik Limbah Grajen di Bulakan Sukoharjo, Jawa Tengah Fify Fitriani; Setyawan .
JURNAL RUPA Vol 4 No 1 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i1.2158

Abstract

Grajen (sawdust) Batik is batik made using a natural dye that comes from the waste of wood cutting that is in the form of timber powder (which is called Grajen in the Javanese Language). Grajen Batik is developed in Bulakan Sukoharjo Java Tengah. Batik craftsmen in Bulakan region have dozens of years to pursue the process of batik and they have a specialization in the batik motif of parang, kawung, kopi pecah and tirtotejo. Batik motifs that evolve in Bulakan do not portray the typical characteristics of the Bulakan region, because batik craftsmen in Bulakan for tens of years have only been making the development of motifs. Therefore it is necessary to develop batik which has typical characteristics of the neighbourhood where the craftsmen live in order to distinguish with batik existing in other regions. This research used the method of qualitative research with an approach to the design and ethnography, which aims for the design to be laid out as a product of the culture in which the existence of batik does not appear on its own, but there is the context of socio-culture as well as underlying history.
Co-Authors Ajeng Annisa Faradhila Fify Fitriani