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All Journal Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
M. Natsir
Department of English Literature, Faculty of Cultural Sciences Mulawarman University
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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THE ILLOCUTIONARY ACTS PRODUCED BY PETER QUILL CHARACTER IN THE GUARDIANS OF THE GALAXY MOVIE BY JAMES GUNN Natalius Paelongan; M. Natsir; Setya Ariani
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (189.612 KB) | DOI: 10.30872/jbssb.v3i1.1593

Abstract

ABSTRACT This research aimed to find out the types and functions of illocutionary acts produced by Peter Quill as the main character in Guardians of the Galaxy movie. The design of this research was descriptive qualitative. The researcher collected the data from Peter Quill’s dialogues and analyzed them by using Miles’ and Huberman’s interactive model source as the process of data analysis. The findings showed that there were four types of illocutionary acts found in Peter Quill’s utterances along with its functions: representatives (informing, notifying, reminding and asserting), directives (asking, requesting, telling, suggesting, ordering, forbidding, advising, and commanding), commissives (refusing and promising) and expressives (complimenting and complaining). Keywords: pragmatic, speech act, illocutionary acts ABSTRAK Penelitian ini bertujuan untuk menemukan tipe-tipe dan fungsi-fungsi dari tindak tutur ilokusi yang terdapat pada karakter utama film Guardians of the Galaxy, yaitu Peter Quill.Bentuk penelitian ini termasuk dalam penelitian kualitatif deskripsi. Penulis mengumpulkan data-data yang diperlukan dalam penelitian ini dari dialog-dialog Peter Quill dan menganalisisnya dengan menggunakan proses analisis data dari Miles dan Huberman, interactive model source. Hasil penelitian ini menunjukkan bahwa terdapat empat jenis ilokusi milik Searle yang digunakan oleh karakter Peter Quill dalam semua ujarannya beserta fungsi masing-masing dari tipe-tipe ilokusi tersebut: representative (dalam ungkapan menginformasi, memberitahu, mengingatkan, dan menegaskan), directives (dalam ungkapan bertanya, meminta, menceritakan, menyarankan, meminta untuk melakukan sesuatu, melarang, memberi nasihat, dan memberi perintah), commissives (dalam ungkapan menolak dan berjanji), dan expressives (dalam ungkapan memberikan pujian dan mengeluh).  Kata Kunci: pragmatik, tindak tutur, bentuk-bentuk ilokusi
CONVERSATIONAL IMPLICATURE IN IN THE HEART OF THE SEA MOVIE Yudith Yudith; M. Natsir; Indah Sari Lubis
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 5, No 2 (2021): April 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i2.3380

Abstract

This research aims to find out the types and the purposes of conversational implicature uttered by all characters in In The Heart of The Sea movie by using pragmatics approach. The design of this research is qualitative research employing content analysis approach that focused on textual investigation. The data of this research is utterances, which contains conversational implicature spoken by the characters in that movie. This research has one data source which is the movie script of In The Heart of The Sea movie. The data of this research are categorized as types of conversational implicature are analyzed based on Grice’s theory (1975) and the purposes of conversational implicature used theory by Brown and Levinson (1978). The result of this research shows that two types of conversational implicature are found in the utterances of the characters in that movie, they are particularized conversational implicature and generalized conversational implicature. Five purposes of conversational implicature also found in this research, they are to protect speaker itself, to show power and politeness, to give information, to entertain the audiences (humorous) and to have lack specific information.
THE RADICAL FEMINISM OF IMPERATOR FURIOSA’S CHARACTER IN MAD MAX FURY ROAD FILM (2015) Soraya Prasasty Marito Sibarani; M. Natsir; Fatimah M.
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 4, No 1 (2020): Januari 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (515.278 KB) | DOI: 10.30872/jbssb.v4i1.2655

Abstract

The purposes of this research were to find out the way of Imperator Furiosa’s character represents in radical feminism in Mad Max Fury Road film (2015). The design of this research was qualitative research. The data of this research were taken from dialogue, scene, action, and speech based on the film. The data of this research were analyzed by using radical feminism theory by Rosemarie. P. Tong in Feminist Thought a More Comprehensive Introduction (2009) and the categorized as Furiosa’s character representation of radical feminism through the theory of indirect characterization by Kelly Griffth. The result of this research showed Imperator Furiosa represented two kinds of radical feminism. First was radical libertarian feminism which were androgyny which found in the Furiosa’s character appearance, character dialogue, character speech, character action. And seizes the meaning of reproduction which found in the Furiosa’s character dialogue. Second was radical cultural feminism which is women using reproduction as a trump card and power which found in the Furiosa’s character speech.
Co-Authors Fatimah M. Indah Sari Lubis Natalius Paelongan Setya Ariani Soraya Prasasty Marito Sibarani Yudith Yudith