Ronald Hasudungan Irianto Sitindjak
Program Studi Desain Interior, Fakultas Seni dan Desain, Universitas Kristen Petra Jl. Siwalankerto 121-131, Surabaya 60236

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Implementasi Konsep Authentic Space pada Interior Rumah Makan “Angkringan” di Surabaya Vebbe, Vebbe; Sitindjak, Ronald Hasudungan Irianto; Poillot, Jean Francois
Intra Vol 5, No 2 (2017): Desain Interior 2016/ 2017
Publisher : Intra

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Abstract

Nowadays, the food business more and more in demand, and it make increasingly fierce competition. Therefore,  it need new innovations to increase the interest of the visitors, one of them with redesign innovation. Resto Park in Surabaya would like to redesign to be a restaurant that attracts consumers and is able to compete against the times. By using the concept of Angkringan as in Yogyakarta, is expected to attract the interest of visitors whether it is the original visitors of Surabaya or other immigrants outside Surabaya. With such ethnic nuances, Angkringan is expected to compete with other restaurants that carry the theme of this traditional ethnic modern.
Implementasi Konsep East Kalimantan Journey pada Interior Museum Provinsi Kalimantan Timur Mulawarman di Tenggarong Gunawan, Sherren Presentia; Sitindjak, Ronald Hasudungan Irianto
Intra Vol 5, No 2 (2017): Desain Interior 2016/ 2017
Publisher : Intra

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Abstract

Indonesia yang adalah negara kepulauan memiliki beragam kebudayaan yang tersebar di seluruh Indonesia. Akan tetapi banyak fasilitas untuk menampung kebudayan di masing-masing daerah kurang dimaksimalkan. Salah satunya adalah Museum Provinsi Kalimantan Timur “Mulawarman” di Tenggarong yang memiliki lebih dari 5000 koleksi tetapi jumlah pengunjung masih sangat jauh di bawah rata-rata, sehingga pendapatan berkurang dan mengakibatkan kurang adanya perhatian dalam merawat museum ini. Oleh karena itu, redesain interior Museum Provinsi Kalimantan Timur ini yang mengangkat konsep sebuah perjalanan melintasi Kalimantan Timur, penyajian koleksi museum akan disajikan berdasarkan kronologisnya. Museum ini di desain dengan dasar ketertarikan pengunjung sehingga mengutamakan unsur rekreatif dan entertain-nya tetapi tanpa mengesampingkan unsur konservatif, edukatif, dan informatif. Dengan adanya redesain interior Museum Provinsi Kalimantan Timur, dapat menaikkan citra Kalimantan Timur dan membuat Kalimantan Timur lebih dikenal di Indonesia bahkan di dunia.
Implementasi Konsep Feel the Art Through the Office pada Interior Kantor Popo Danes Architect dan Melati Danes Space and Style Bali Fiona, Adelia; Sitindjak, Ronald Hasudungan Irianto
Intra Vol 5, No 2 (2017): Desain Interior 2016/ 2017
Publisher : Intra

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Abstract

Popo Danes Architecture and Melati Danes Space and Style office is one of the architect and interior consultant office in Bali. The office still applies Balinese traditions in its design. In the room division there are some rooms that are not used in accordance with its function, making it difficult for employees to interact and work productively. Therefore, the concept of feel the art through the office that can answer the problems of the office. So with the concept is expected to be more comfortable and efficient for employees while working in the office of Popo Danes Architect and Melati Danes Space and Style. Futhermore, with this design can increases the number of requests for the services of architect or interior services because the client likes the design of Popo Danes Architect and Melati Danes Space and Style office.
Implementasi Konsep “Homie Holistic” pada Redesain Interior Gereja Kristen Kalam Kudus Jayapura Aguita, Moonica; Sitindjak, Ronald Hasudungan Irianto; Frans, Stephanie Melinda
Intra Vol 7, No 2 (2019): Desain Interior 2018/2019
Publisher : Intra

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Abstract

Churches are religious buildings for Christians which provides spiritual activities for itspeople. The word church comes from a Portuguese word “igreja” which means herd of sheep.This term in Greek is Ekklesia, which means called out.Other than to worship God, churches have an important role to increase the relationsbetween people through the presence of the communal room. One of the church that is in Jayapura is Kalam Kudus Catholic Church which is located at a main avenue in Jayapura city, with the capacity to accommodate many people which makes this church one of the biggest church in Jayapura city.
STUDI IKONOLOGI PANOFSKY PADA ARSITEKTUR DAN INTERIOR GEREJA KATOLIK INKULTURATIF PANGURURAN Sitindjak, Ronald Hasudungan Irianto
Dimensi Interior Vol 9, No 2 (2011): DESEMBER 2011
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1450.653 KB) | DOI: 10.9744/interior.9.2.119-136

Abstract

The Inkulturasi Pangururan Catholic church (GKIP) is a place of worship for Catholics in Pangururan City, Samosir, North Sumatera. The architectural and interior forms are results of inculturation of Catholic traditions with Batak Toba cultures and hence the meaning behind the building elements becomes a very interesting issue of study. This research uses the iconological study method proposed by Panofsky which aims to uncover the meaning contained in an object through a set of desciptional stages that concists of pre-iconography, analysis of iconography and iconological intepretation, in which all of the three stages are inter-connected. Pre-iconography aims to acquire the prime or natural meaning (factual and expressional meaning), analysis of iconography is to obtain the secondary/conventional meaning while iconology is to uncover the intrinsic meaning (symbolical meaning). The prime meaning that was discovered in the stage of pre-iconography reveals that the architectural and interior form of GKIP has simililarities to tradtional houses of Batak Toba, displaying the vernacular Batak Toba style. Meanwhile, the secondary meaning resulted from the iconography stage shows that the spatial and ornamental arragnement inside has undergone transformations, adaptations and even tiggered new meanings that do not exist in Batak Toba traditional houses. And last but not the least, the intrinsic meaning yielded from the iconology stage shows that the meeting of Catholic culture and Batak Toba tradition produced mutual enrichment through the process of inculturation. On one hand for the preservation of Batak Toba culture, and on the other hand for the expression of faith and trust of Pangururan Catholics in Batak Toba culture. Disclosure of this faith will bring changes to the Catholic church, from the Catholic church in the land of Batak Toba to the process of "Batak Toba-nisation" of a Catholic church. In this case, inculturation is the method or tool while evangelism to the Batak Toba people is the symbolic value.
PROSES SEMIOSIS PADA ALTAR GEREJA HKBP SURABAYA Sitindjak, Ronald Hasudungan Irianto
Dimensi Interior Vol 10, No 1 (2012): JUN1 2012
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (720.457 KB) | DOI: 10.9744/interior.10.1.1-8

Abstract

Huria Kristen Batak Protestant is the largest Protestant church of the Lutherian denomination in the Batak society that was historically formed as a result of the RMG mission (Reinische Missions-Gesselschaft) from Germany. Apart from evangelising, their missions also brought in the building typologies of RMG churches in Germany to their Batak land, which can evidently be sensed from the HKBP church in Pearaja, Tarutung, Sumatera Utara. HKBP Pearaja has thus been a typological reference for many HKBP church builders throughout Indonesia, including HKBP Surabaya, in terms of their architectural and interior designs. This research is a qualitative study using the descriptive method of analysis and the approach of semiotics. The approach was adopted by Charles Sanders Peirce and this has been combined with theological intepretation to discover the relationships between the signs and symbols observed in the altar of HKBP Surabaya. This apprach emphasizes on the process of Semiosis that has taken place in the design of the church?s altar resulting in the formation of icons, index and symbols in the overall arrangement of the altar. Icons appear to be the most dominant form of signs and thus it can be concluded that the supportive elements of the altar that consist of the altar table, cross, cloth, candle and the ??(Alfa-Omega) symbol possess iconic relationships with the church altar of HKBP Surabaya. These signs themselves convey the theological messages of: ?God?s Ark?, ?Holy Communion?, ?Christianity?, ?Law of Love? and the ?Holy Trinity of Father, Son and Holy Spirit.?