Yulia Nasrul Latifi
Fakultas Adab UIN Sunan Kalijaga Yogyakarta

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RELEGIUSITAS DALAM USFŪR MIN AL-SYARQ KARYA TAUFĪQ AL-HAKĪM Yulia Nasrul Latifi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9, No 1 (2010)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (318.511 KB) | DOI: 10.14421/ajbs.2010.09109

Abstract

The aim of this writing is to discover the varieties of forms of religious experience from Usfu> r min al-Syarq, a novel written by Taufiq al-Haki> m. By focusing on the ‘religiosity’ in the literary study, which is based on the protagonist's attitude as well as their thinking and the plot of story, this study has come up with several conclusions on the forms of religious experience, which  are: 1) total experience from the presence of God, 2) strength and firmness on getting the calamity or disaster, 3) total experience of the mighty God and the unity of human being, 4) total experience from the beauty of death, and 5) peacefulness based on the true faith. 
CERPEN “REMBULAN DI DASAR KOLAM” KARYA DANARTO DALAM HERMENEUTIK PAUL RICOEUR Yulia Nasrul Latifi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9, No 2 (2010)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (515.688 KB) | DOI: 10.14421/ajbs.2010.09208

Abstract

Danarto’s Rembulan di Dasar Kolam (The Moon Beneath the Pond) tells about a wife’s sacrifice in an unfortunate situation. The wife, is an unfortunate woman whose husband cheats and treats her disrespectfully. Yet, her spirituality endures her in such situation. Paul Ricoeur’s hermeneutics theory proposes the hypothesis that the analysis of symbol is a guide to the analysis of text, and the other way around. Both must be submitted to a process of metamorphosis or dialectical phenomena. The result of this analysis is the emergence of symbolical meaning in various terms. Rabi’ah becomes a symbol of a wife’s strength. Her wisdom and personality give the way out to her household problems. Her social status as well as gender role is the symbol that religiosity belongs to anyone despite one’s social status. From this character, it can be seen that the knowledge of spiritualism is aimed not only vertically (to God) but also horizontally (to humanity). The title Rembulan or the Moon symbolizes the wife, because, despite her condition- symbolized as the pond-she endures and still gives her shine, like the moon.