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All Journal International Journal of Evaluation and Research in Education (IJERE) Ranah: Jurnal Kajian Bahasa Journal Albion : Journal of English Literature, Language, and Culture Salasika
Jordy Satria Widodo
Universitas Pakuan
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Journal Albion : Journal of English Literature, Language, and Culture

 1 
Sundanese Values and Ideology on Film “Rocker Balik Kampung” (2018) by Uli Rahman Jordy Satria Widodo
Journal Albion : Journal of English Literature, Language, and Culture Vol 3, No 2 (2021): Volume 3 Number 2 2021
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (521.009 KB) | DOI: 10.33751/albion.v3i2.4536

Abstract

Film has been the means of communication. In addition, it has been recognized to be mediated quasi-interaction which shows a monological manner in term of the communication between the contents and the audience. It also can portray the representation of a certain culture in a particular country, specifically Indonesia. In addition to the local culture, Sundanese is the second ethnic majority that mostly dwell in the province of West Java. What is more, the ethnicity still shows rare portrayals on film since there are not many movies that incorporate the Sundanese culture into their stories. Rocker Balik Kampung (2018) by Uli Rahman is one of the films that integrates Sundanese culture to be the big theme. It focuses on a Sundanese rocker who has successfully made a living in the metropolitan city. Moreover, the chief of his village sends a messenger to look for him and bring him back to the village since he is going to get promoted to become the next chief in the village. Furthermore, he experiences dilemmas since he needs to encounter some protests from the notable village elder. This research was aimed at investigating Sundanese values and ideology on Rocker Balik Kampung (2018) by Uli Rahman. The research used qualitative approach through semiotics analysis by Roland Barthes. The analysis utilized denotation and connotation level of signs through various scenes on the film. The data collection technique was done using document analysis. The result showed that Somèah values and the ideology of Cageur, Bageur, Bener, Singer, and Pinter are really prominently depicted on the film.   Keywords: Sundanese; cultural values; ideolo 
The Representation of the Islamic Religious Leader in Film “Makmum” by Riza Pahlevi Jordy Satria Widodo
Journal Albion : Journal of English Literature, Language, and Culture Vol 4, No 1 (2022): Volume 4 Number 1 2022
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (581.488 KB) | DOI: 10.33751/albion.v4i1.5244

Abstract

The film is known as the audio-visual means of communication. Moreover, it encompasses so many genres, especially horse horror films film has been well-known in the context of Indonesia’s film production. Horror films have a tight bond with the Indonesian audience since most people believe in mystical and supernatural occurrences. The existence of the religious leader becomes important to drive out the ghosts from hauntings. Maximum by Riza Pahlevi is one horror film that portrays the coming of the Islamic religious leader as the problem solver over the haunting problems in the movie. The purpose of this research is to analyze the representation of the Islamic religious leader in the film Makmum by Riza Pahlevi. The research made use of a qualitative approach and took the denotative and connotative semiotics concept by Roland Barthes. The data collection technique was conducted through document analysis. The research result presented that the images of the Islamic religious leader comprise having a deep Islamic religious knowledge, becoming loyal to the teachings, and becoming righteous according to religious beliefs shown through varied scenes in the movie.Keywords: Horror Films; Representation; Semiotics; The Islamic Religious Leader.
GENDER STEREOTYPES OF A WIFE CHARACTER IN A JAVANESE FILM MUDIK (2020) Jordy Satria Widodo; Aquarini Priyatna; Raden Muhammad Mulyadi
Journal Albion : Journal of English Literature, Language, and Culture Vol 4, No 2 (2022): Volume 4 Number 2 2022
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v4i2.6431

Abstract

Dadi Wong (Being a successful person) has been socialized through gender stereotypes in Javanese communities. The thought has also been contested with the opposite concept, namely Durung Tutug (Being an unsuccessful person). One can be included in either classification provided that he or she meets the criteria which are manifested in gender stereotypes. This article aims at identifying gender stereotypes of a Javanese wife character named Santi in film Mudik (2020). This article is analyzed using film narratology along with gender performativity and power relations. The elements, such as kernel and satellites, which show gender stereotypes of a Javanese wife character, Santi, were studied. The results present that Santi is represented as a wife who can not fulfill the criteria of Dadi Wong so that she is labelled Durung Tutug due to not having an intact family following her husband’s passing. However, she negotiates it by getting married again with another man to meet the condition of Dadi Wong in Javanese society.  Keywords: film; gender stereotypes; Javanese wife; narratology.
THE REPRESENTATION OF FILIATION AND AFFILIATION TOWARDS HISPANIC-AMERICAN COMMUNITY ON NETFLIX SERIES “ON MY BLOCK’ BY LAUREN IUNGERICH Jordy Satria Widodo; Mamik Suendarti; Oom Rohmah Syamsudin
Journal Albion : Journal of English Literature, Language, and Culture Vol 5, No 1 (2023): Issue 1
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v5i1.8221

Abstract

On My Block (2018) series, directed by Lauren Iungerich and aired on Netflix in 2018, tells the story of four friends who live in a block in the city of Los Angeles, United States. Chaos often occurs due to the presence of many Hispanic gangsters. Cesar, one of four friends, faces a dilemma between following his family's wishes to become the successor to a gangster named Santos in his area or going to school for a better future with his friends. The dilemma faced by Cesar can be described as a negotiation between filiative and affiliative relations as elaborated by Edward Said (1978). Affiliation is a gift and cannot be changed which is passed down from generation to generation in the family, whereas affiliation is obtained through social interaction with other people. Cesar himself negotiated between filiates and affiliates which in the end, he preferred the filiate to become the head of the Santos gangsters in the block. This film shows a different story plot from other youth films set in slum areas in America which emphasize that success is only shown through education at school. This series instead presents the success achieved by Cesar through his choice as head of the Santos gangsters. However, another character, Monse, who is an African Hispanic woman, decides to go to higher education which is different from Cesar's choice. So, this series shows the construction of the Hispanic-American version of the American Dream which is shown through strong filial ties.
Sundanese Values and Ideology on Film Rocker Balik Kampung” (2018) by Uli Rahman Jordy Satria Widodo
Journal Albion : Journal of English Literature, Language, and Culture Vol 3, No 2 (2021): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v3i2.4536

Abstract

Film has been the means of communication. In addition, it has been recognized to be mediated quasi-interaction which shows a monological manner in term of the communication between the contents and the audience. It also can portray the representation of a certain culture in a particular country, specifically Indonesia. In addition to the local culture, Sundanese is the second ethnic majority that mostly dwell in the province of West Java. What is more, the ethnicity still shows rare portrayals on film since there are not many movies that incorporate the Sundanese culture into their stories. Rocker Balik Kampung (2018) by Uli Rahman is one of the films that integrates Sundanese culture to be the big theme. It focuses on a Sundanese rocker who has successfully made a living in the metropolitan city. Moreover, the chief of his village sends a messenger to look for him and bring him back to the village since he is going to get promoted to become the next chief in the village. Furthermore, he experiences dilemmas since he needs to encounter some protests from the notable village elder. This research was aimed at investigating Sundanese values and ideology on Rocker Balik Kampung (2018) by Uli Rahman. The research used qualitative approach through semiotics analysis by Roland Barthes. The analysis utilized denotation and connotation level of signs through various scenes on the film. The data collection technique was done using document analysis. The result showed that Somèah values and the ideology of Cageur, Bageur, Bener, Singer, and Pinter are really prominently depicted on the film.   Keywords: Sundanese; cultural values; ideolo 
GENDER STEREOTYPES OF A WIFE CHARACTER IN A JAVANESE FILM MUDIK (2020) Jordy Satria Widodo; Aquarini Priyatna; Raden Muhammad Mulyadi
Journal Albion : Journal of English Literature, Language, and Culture Vol 4, No 2 (2022): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v4i2.6431

Abstract

Dadi Wong (Being a successful person) has been socialized through gender stereotypes in Javanese communities. The thought has also been contested with the opposite concept, namely Durung Tutug (Being an unsuccessful person). One can be included in either classification provided that he or she meets the criteria which are manifested in gender stereotypes. This article aims at identifying gender stereotypes of a Javanese wife character named Santi in film Mudik (2020). This article is analyzed using film narratology along with gender performativity and power relations. The elements, such as kernel and satellites, which show gender stereotypes of a Javanese wife character, Santi, were studied. The results present that Santi is represented as a wife who can not fulfill the criteria of Dadi Wong so that she is labelled Durung Tutug due to not having an intact family following her husbands passing. However, she negotiates it by getting married again with another man to meet the condition of Dadi Wong in Javanese society.  Keywords: film; gender stereotypes; Javanese wife; narratology.
The Representation of the Islamic Religious Leader in Film Makmum” by Riza Pahlevi Jordy Satria Widodo
Journal Albion : Journal of English Literature, Language, and Culture Vol 4, No 1 (2022): Issue 1
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v4i1.5244

Abstract

The film is known as the audio-visual means of communication. Moreover, it encompasses so many genres, especially horse horror films film has been well-known in the context of Indonesias film production. Horror films have a tight bond with the Indonesian audience since most people believe in mystical and supernatural occurrences. The existence of the religious leader becomes important to drive out the ghosts from hauntings. Maximum by Riza Pahlevi is one horror film that portrays the coming of the Islamic religious leader as the problem solver over the haunting problems in the movie. The purpose of this research is to analyze the representation of the Islamic religious leader in the film Makmum by Riza Pahlevi. The research made use of a qualitative approach and took the denotative and connotative semiotics concept by Roland Barthes. The data collection technique was conducted through document analysis. The research result presented that the images of the Islamic religious leader comprise having a deep Islamic religious knowledge, becoming loyal to the teachings, and becoming righteous according to religious beliefs shown through varied scenes in the movie.Keywords: Horror Films; Representation; Semiotics; The Islamic Religious Leader.
Critical Discourse Analysis of News Headlines on Syafri Harto’s Sexual Harassment Case Jordy Satria Widodo
Journal Albion : Journal of English Literature, Language, and Culture Vol 5, No 2 (2023): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v5i2.8905

Abstract

Sexual harassment has been rampantly happening in universities in Indonesia and has become the focus of the government, higher education institutions, and most people in Indonesia to tackle the problem. In actual practice, the victims of this violence do not speak up since they have experienced the epistemic violence over the threats given by the perpetrators. This research dismantles the news construction on Syafri Harto’s sexual violence case in Riau University, Indonesia. The data sources were six news headlines derived from three online news sites, such as cnnindonesia.com, kompas.com, and news.detik.com. The collected data taken were six news titles on Syafri Harto’s sexual harassment case within the university. Moreover, the data analysis took Critical Discourse Analysis (CDA) by Norman Fairclough. The research finding shows that the headlines take diverse syntactical functions and dictions, the sites have different characteristics in producing the news, and the sexual harassment case is seriously discussed as a collective concern.
Co-Authors Aquarini Priyatna Dyah Kristyowati Mamik Suendarti Oki Turatula Narendra Wigati Oom Rohmah Syamsudin Parwanto, Novia Budi Raden Muhammad Mulyadi Ragamustari, Safendrri Komara Resty Widya Kurniasari