Article Per Year (5 Year)
p-Index From 2019 - 2024
0.817
P-Index
This Author published in this journals
All Journal Ghurnita: Jurnal Seni Karawitan
I Nyoman Sudiana
Program Studi Seni Karawitan, ISI Denpasar
Arts Humanities Education Social Sciences

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
Wira Chandra New Music Creation | Musik Kreasi Baru Wira Chandra I Made Dwi Rustika Manik; I Nyoman Sudiana; Ni Putu Hartini
GHURNITA: Jurnal Seni Karawitan Vol 1 No 3 (2021): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i3.383

Abstract

The composition of Wira Chandra is inspired by the characteristics of a teacher who is teaching his students, the stylist is interested in bringing the event into a work idea that will be transformed into a slick and spectacular musical composition. Wira Chandra is a warrior who has a strong personality and an attitude of compassion by interpreting ideas from the characteristics of a teacher. Creating a work of Wira Chandra's art will be poured into one of the Balinese gamelan expression media, namely Gong Kebyar. Wira Chandra's compositional work is a slow composition inspired by the character of a teacher who is packaged into a creative slow dance using the basic Tri Angga Pegongan structure, and the stylist breaks down the structure into Kawitan, Pengawak, Pengisep, Pengcet, Ngembat and Pekaad, beat egg or mad. The realization of Wira Chandra's work is through a creative process which is divided into three stages, namely exploration, improvisation, and forming.
Composition karawitan Bali "Pajegan" | Komposisi Karawitan Bali “Pajegan” I Nyoman Juniarta; I Nyoman Sudiana; Ni Putu Hartini
GHURNITA: Jurnal Seni Karawitan Vol 2 No 1 (2022): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

There are various kinds of things that can make us feel beautiful when we experience them and the various processes that the stylists go through to create pajegan musical works. Pajegan's musical works are inspired by the mapeed tradition in the Kapal Adat Village, the stylists analogize or discuss a form of pajegan into music. Pajegan is a Balinese term which is generally often called Gebogan, which is an offering made to God Almighty or Sang Hyang Widhi Wasa. The process of creating this work is carried out in 3 stages, namely initial stimulation combined with the concept of Alma M. Hawkins in the book consisting of Exploration, Improvisation and Formation. This work is manifested in the form of a pepangulan percussion that remains grounded in the realm of tradition. In this piece of pajegan music using the medium of expressing the Gamelan Gong Kebyar barungan where the number exceeds 30 people, this work is also carried out with an experimental stage process and carries out a systematic development of the motifs of the game.
Musical Composition “Segehan Wong” | Komposisi Karawitan “Segehan Wong” I Gusti Ngurah Wisnu Dharma Gung Wisnu; I Nyoman Sudiana
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Segehan Wong is an ceremony or offering where the offering is a symbol as a form of resistance for Hindus in Bali against the Covid-19 Virus, which is expressed in the form of innovative musical works presented with Balinese gamelan. Where has parts where in the first part it is the head of the segehan which is white which means that the negative thought can be overcome by holiness is continued to the second part which is in the segehan contained in the body colored brumbun has meaning so that all feelings are present and radiate from the deepest heart and also include the two hands where the left hand is yellow which means glory and the right hand is red which means courage and in the third part covers the feet of segehan which is black which means black. has the meaning of daring to step through the darkness of the present world.
Karawitan Composition Gending Tresna | Komposisi Karawitan Gending Tresna Dewa Gede Rahma Adi Putra; I Nyoman Sudiana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.1369

Abstract

The creation of this musical is intended to express feelings of love for someone. Feeling is defined as a state that is felt is happening within a person. You experience feelings of anger, because you feel something stir within you. With this explanation, the author is very interested in raising the feeling that will be used as an innovative percussion composition. This composition will be titled “Gending Tresna” which is interpreted as a love song that tells the feelings of love for a pair of lovers. The creation method used is idea exploration, technique exploration, conception exploration, and the formation stage. The medium to express musical feelings is the Selonding gamelan plus several other instruments that can be poured into an innovative composition entitled Gending Tresna. The composition of this music is in the form of an innovative percussion by still using traditional patterns and considering the melody line in accordance with the atmosphere of the idea and concept of wholeness, balance, and prominence from the first part to part 3 in a structured, interrelated manner.  
Co-Authors Dewa Gede Rahma Adi Putra I Gusti Ngurah Wisnu Dharma Gung Wisnu I Made Dwi Rustika Manik I Nyoman Juniarta Ni Putu Hartini