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All Journal Pantun: Jurnal Ilmiah Seni Budaya
Enok Wartika
Institut Seni Budaya Indonesia (ISBI) Bandung
Arts Humanities

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Adegan Makan dalam Film-film Roufy Nasution (Analisa Semiotika Roland Barthes) Minfadly Robby; Yanti Heriyawati; Enok Wartika
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1810

Abstract

Roufy Nasution is a filmmaker from Bandung who has produced many audio-visual works. This article aims to explain the meaning of signs, signifiers and signified of eating scenes in films made by Roufy Nasution. Roufy Nasution’s films studied here are Jeni Lova, Elise and Unseen Foot, The Substitute Woman, A Matter of Time, and The Boy with Moving Image. The study applies a qualitative descriptive method based on Roland Barthes’ semiotic theory. This qualitative descriptive method looks at the signs of the eating scenes in Roufy Nasution’s films. The results show that the eating scenes in Roufy Nasution’s films are closed to people’s lives. The conversations coming out in the eating scenes are the emotional determinants and clues of the film’s characters. The signs-signifiers from one film to another made by Roufy are not related to one another. However, the types of shots taken by Roufy are generally similar. Roufy interprets the eating scene as a sacred moment to talk about complaints.Keywords: Semiotics, Barthes, Roufy Nasution, Food Scenes, Film
Transformasi Kesenian Genye Kabupaten Purwakarta Kania Rahmatul Ulum; Endang Caturwati; Enok Wartika
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1693

Abstract

The focus of this study is on the transformation of Genye art as an icon of Purwakarta Regency. The study has been conducted starting from the formation of genye art to the process of changing appearances at various events, namely from 2009 to 2021 at this time. The Transformation theory of Anthony Antoniades (1990) is used to examine the process of changes occuring in genye art gradually regarding the performances in the context of its society as well as internally from the aesthetics sides. Qualitative data are collected by observation both through interviews and documents including performance photos, videos, and other visual objects. The results of the analysis show that the art of genye experienced dynamic changes from the aesthetics elements associated with music, dance, and artistic. Its existence as an icon of a region shows the community’s identity for their concern and taste for art.Keywords: genye art, transformation, icon, Purwakarta.
Co-Authors Endang Caturwati Kania Rahmatul Ulum Minfadly Robby Yanti Heriyawati