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All Journal Pantun: Jurnal Ilmiah Seni Budaya
Supriatna Supriatna
Institut Seni Budaya Indonesia (ISBI) Bandung
Arts Humanities

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Visualisasi Desain Karakter Tokoh Utama dalam Lakon Wiracarita Batara Kamasara A. K. Patra; Arthur S. Nalan; Supriatna Supriatna
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1808

Abstract

The existence of the Wangsakerta Manuscript phenomenon is an indication and source of data to be followed up as ideas or ideas in writing (story script) and visual works. The story script or the play contains pseudo fiction with a colossal nuance typical of the archipelago which was inspired by a fragment of the Sargah I Parwa I Wangsakerta Manuscript about the Nirleka era in Tatar Parahyangan. The issues raised were the issue of the existence and power conflict between the stealth clan and the human clan which led to war. Moving on from this, the creation work is entitled “Wiracarita Batara Kamasara”. This story tells about the struggle and heroism of a young man named Kamasara in fighting tyranny and evil, beside the mission to restore his Kabuyutan honor which has been destroyed by the demon clan. Actualizing this invention is through a qualitative method including field observation and literature studies. Anthropologically, the theoretical study used in this study is hermeneutic conception promoted by Paul Ricoure regarding Metaphor. The result of the manuscript analysis is then applied to visualize the character designs of the storyline in this epic play.Keywords: Wangsakerta Manuscript, Hermeneutics, Epic, Visualization of Character Design.
Paduan Ornamen Budaya Nusantara dalam Estetika Fasade Arsitektur Landmark Karya Wolff Schoemaker Ganesha Wibisana; Arthur S. Nalan; Supriatna Supriatna
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1809

Abstract

Wolff Schoemaker is an architect who reads local culture in architectural works. Placement of archipelago ornaments in the facade of the Landmark building forms an architectural blend of western aesthetics with rational understanding and eastern concepts with cultural symbols. The method used in this research is qualitative, which is described in an interpretive descriptive manner. The study uses the aesthetic theory of Edmund Burke Feldman with his formulation regarding four aspects, namely function, structure, style and meaning. This concept produces a model of formalism and symbolic analysis as part of the aesthetic meaning of architecture. Pepatraan ornaments on the shape of the building are equipped with the heads of Kala and Makara as the application of the decoration in the façade. It forms Landmark architecture with the concept of west and east. The placement of Kala is influenced by the concept of Total Work of Art in the Jugendstil style in Europe by placing figurative ornaments in accordance with formal aesthetic principles. The eastern concept is seen in the left and right sides of the building which has a shape similar to the temple architecture. It applies to the Kala ornament in the middle, so that the aesthetic appeal of the Landmark consists of the aspects of formal and symbolic form.Keywords: Ornament, Architecture, Kala, Wolff Schoemaker
Misykat Cahaya Spiritualitas dalam Seni Tauhid Teguh Agus Priyanto; Supriatna Supriatna; Benny Yohannes T.
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1695

Abstract

‘Misykat Cahaya’ is an artwork inspired by personal spiritual experiences about self-existence, the search for religious human beings overshadowed by the existence of God. Through qualitative research methods, the artist tries to dissect this spiritual phenomenon to fnd values that will be used as a guide in the work process. The combination of the non-fgurative style of Ismail Raji’ Al-Faruqi (Art of Tawhid) with Sartre’s Existentialism is used to show the relationship between man and his God. This combination is used to show the choice of being a free human being or who recognizes God as a source of value and provides a way to beter understand the existence of Muslim artists today. The Awareness of position as a human being who must exist at the same time as a servant leads to always build sensitivity to the surroundings. This is also regarding encounters with objects which are often underestimated and the light in which the existence is often ignored. This experience leads to awareness of the life force. The object of beads and light becomes a metaphor to reveal the veil that covers it in order to be able to fnd Allah SWT. The objects enable power to stimulate the emergence of imagination to the level of spiritual awareness, which ultimately brings awareness to the position of Muslim artists who are not autonomous.Keywords: Spirituality, Al-Faruqi Aesthetics, Sartre’s Existentialism, object, light
Ikonologi Gambar Karya Anak TPA An-Nawawi Cikeusal Syarifah Nur Hajja; Yanti Heriyawati; Supriatna Supriatna
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1425

Abstract

Expressions in the imagination process of making fine art works naturally have a positive impact on children's intellectual, emotional, creative and social development. In this case, art activities are associated with mental health because art activities are a medium for expressing feelings, either sad or happy ones. In drawing activities there is a process of imagination with the innocence of children. Through a unique image, even with minimal knowledge of drawing and coloring techniques, children still produce interesting works. The approach used is the Psychology of Imagination from Jean Paul Satre and Iconology from Erwin Panofsky. The research method used is a qualitative with participatory methods letting children play and express themselves without being directed and commanded. The drawings that TPA An-Nawawi children produced shows that the work uses four images according to Jean Paul Satre: images of consciousness, images of spontaneity, images of imitation, and mental images.Keywords: Imagination, Creativity, Child Image
Co-Authors A. K. Patra Arthur S. Nalan Benny Yohannes T. Ganesha Wibisana Syarifah Nur Hajja Teguh Agus Priyanto Yanti Heriyawati