Edwin Wieringa
University of Cologne

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The Idea of an Old Quran Manuscript: On the Commercialization of the Indonesian Islamic Heritage Wieringa, Edwin
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol 3, No 1 (2014)
Publisher : Center for Research and Development of Religious Literature and Heritage

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Abstract

A Qur’an manuscript, now in the possession of the University of Cologne, Germany (call number Cod. Malaiologie 001/2012), can be regarded as a “fake” in the sense of having a misleading appearance. This manuscript is a fairly recent bricolage which aims to represent the idea of an old Qur’an manuscript, thereby catering to the increased demand on the international market for old manuscripts from insular Southeast Asia.
Malay Graffiti In A Nineteenth-Century Lithographed Bombay Qur’an Wieringa, Edwin
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol 7, No 1 (2018)
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v7i1.516

Abstract

A lithographed copy of the Qur’an, printed in Bombay (Mumbai, India) in 1881, was bought in Sumatra a few years later by a certain K. Bijls, a Malay-speaking Dutchman who made several markings in it which may be regarded as a form of “graffiti”, in the sense of markings asserting his ownership. This same person most probably also added a marginal calligraphic composition to the text, in a manner that is typical of Malay epistolography, perhaps prompted by an element on the printed page that was unfamiliar to him, hence catching his eye and imagination. Keywords: Qur’an, Bombay Islam, Marginalia, Arabic Script. Sebagai tanda untuk menegaskan kepemilikannya terhadap naskah tersebut. Orang yang sama ini mungkin saja juga menambahkan komposisi kaligrafi marjinal pada teks tersebut yang menunjukkan bahwa hal tersebut adalah tipikal epistolografi Melayu yang mungkin diminta oleh halaman yang tidak dikenalnya sehingga menarik pandangan dan imajinasinya. Dengan demikian tanda tanda khusus dan ruang kosong lainnya yang digunakan dalam naskah quran tersebut mungkin merupakan ciri khas dari pembacaan orang orang barat yang tidak pernah dikenal atau didengar oleh orang orang Indonesia. Kata Kunci: Al-Qur’an, Islam Bombay, Marginalia, Kitab Arab.