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All Journal Pantun: Jurnal Ilmiah Seni Budaya
Indra Ridwan
Institut Seni Budaya Indonesia (ISBI) Bandung
Arts Humanities

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Komodifikasi Musik Resepsi Pernikahan di Bandung Yudi Permana; Arthur S. Nalan; Indra Ridwan
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1427

Abstract

The term cover here means to re-sing or re-perform a song. The process of covering a song is essentially an adaptation, in which much of the value lies in the cover musician’s interpretation. Covers can easily be found at wedding receptions in the case of performing popular songs and romantic themes. This research studies about pop cover songs on wedding receptions, using commodification theory by Vincent Mosco. Data collection methods are literature studies, interview, and observation. From this research, the results show that the commodification of pop music covers are as follows: (1) commodification of content, cover songs are packaged into a romantic musical performance, as if giving a "message" or “meaning” that a wedding party without musical entertainment would be felt less lively (2) commodification of audiences, the bride as clients are used as a source of economic (3) commodification of labor, skill and service of musicians as workers, are treated as commodities and rewarded in return. Wedding reception as popular culture is closely related to a society prioritizing prestige and image rather than just utilities.Keywords: commodification, cover, wedding music
Proses Kreatif Ubiet dalam Mengembangkan Puisi Senja di Pelabuhan Kecil Mirna Nurmala; Yanti Heriyawati; Indra Ridwan
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1423

Abstract

Senja di Pelabuhan Kecil is a poem by Chairil Anwar which was later made into a song by Nya Ina Raseuki who is familiarly called Ubiet. Ubiet is known as a music composer who is unique in terms of musical ideas and vocal ornamentation, one of which is on the song of Senja di Pelabuhan Kecil. This can be seen from the character of the song which has a different style from other musicians adopting Chairil Anwar's poem. This research study focuses on how the creative process carried out by Ubiet in making the song Senja di Pelabuhan Kecil. The process is starting from the stage of developing ideas, transforming works of art, to becoming complete expressions and works of music. The research was conducted using qualitative methods with data collection techniques such as; observation, interview, documentation, and literature study. The writer uses Mel Rhodes' theory of creativity as a tool to examine the object of the problem taken in writing this study. The Rhodes creativity concept discusses four points, namely; press, person, process, and product or what is known as the 4p concept. This research focuses the discussion on the process point. The analysis method is supported by the approach of the principles of musical poetry according to Hamdy Salad. The results of this study are targeted to find a variety of new musical expressions from the concept of musical poetry and as a musical product with the concept of contemporary keroncong.Keywords: Creative Process, Ubiet, Poetry, Senja di Pelabuhan Kecil
Co-Authors Arthur S. Nalan Mirna Nurmala Yanti Heriyawati Yudi Permana