Article Per Year (5 Year)
p-Index From 2019 - 2024
0.888
P-Index
This Author published in this journals
All Journal Jurnal Nawala Visual Jurnal Da Moda Jurnal Titik Imaji
Eston Kamelang Mauleti
Universitas Pelita Harapan
Arts Languange, Linguistic, Communication & Media

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
REPRESENTASI SOSIAL MELALUI PENDEKATAN ILUSTRASI SIMBOLIK PADA POSTER NO WAR Eston Kamelang Mauleti; Irwan Harnoko
Jurnal Nawala Visual Vol 4 No 1 (2022): Jurnal Nawala Visual Mei 2022
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/nawalavisual.v4i1.350

Abstract

Social events are part of human life, peace, conflicts occur one after another. At the end of February 2022 the world was shocked by the Russian military attack on Ukrainian territory. The world community hopes Russia can stop the attack but it still happens. In March 2022 Japan's Ogaki Poster Museum summoned poster artists (poster call) around the world to participate in voicing their opinions through art posters with the NO WAR theme, in response to the events above. The author of the article responded to this call by sending 2 posters that represented this social problem through a symbolic illustration approach on the poster. The selection through a symbolic illustration approach is considered appropriate because it can have a complex context so that the message conveyed easily and quickly reaches the audience. To underlie the design of symbolic illustrations, research and design methods are used, namely, Components of Illustration Media consist of 4 stages, namely Context, Encoders, Code, and Decoder. Key words : Social events are part of human life, peace, conflicts occur one after another. At the end of February 2022 the world was shocked by the Russian military attack on Ukrainian territory. The world community hopes Russia can stop the attack but it still happens. In March 2022 Japan's Ogaki Poster Museum summoned poster artists (poster call) around the world to participate in voicing their opinions through art posters with the NO WAR theme, in response to the events above. The author of the article responded to this call by sending 2 posters that represented this social problem through a symbolic illustration approach on the poster. The selection through a symbolic illustration approach is considered appropriate because it can have a complex context so that the message conveyed easily and quickly reaches the audience. To underlie the design of symbolic illustrations, research and design methods are used, namely, Components of Illustration Media consist of 4 stages, namely Context, Encoders, Code, and Decoder. Key words : Social, symbolic illustrations, posters
VISUALISASI MELALUI PENDEKATAN METAFORA PADA POSTER NORTH meet SOUTH = UNITY Eston Kamelang Mauleti
Jurnal Da Moda Vol 3 No 1 (2021): Jurnal Da Moda Oktober 2021
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/damoda.v3i1.224

Abstract

Poster is a two-dimensional visual media with large format that is useful for conveying commercial, social, cultural, political messages. Large format is used to display messages through images. Images on a poster are generally large and have a strong appeal so that it can attract the attention of the public immediately see it. The development of posters began in the late 17th century until now. European countries have an excellent poster tradition. Germany is one of them, the growth of posters in the country became part of the life of its modern society. Many moral and social messages that inspire reason are delivered routinely. Plaque-Sozial e.V. und vom Bund Mitteldeutscher Grafdesigner or social poster association and graphic designer Germany regularly holds competitions and exhibitions on an international scale. In the middle of 2016, a competition and exhibition was held for the third time with the theme "Vision". Participants consisted of artists and poster designers from all over the world. Poster works by the author were also selected by the jury and exhibited at The Association of German Museums for Galvanotechnik e. V. Leipzig, Germany takes place from August 13-25, 2016. The author displays poster visualization through a metaphorical approach. Key words : poster, visual metaphor
NARASI ILUSTRASI KONTEMPORER : SEBUAH PENDEKATAN EKSPERIMEN Eston Kamelang Mauleti
Jurnal Nawala Visual Vol 5 No 1 (2023): Jurnal Nawala Visual Mei 2023
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/nawalavisual.v5i1.430

Abstract

In accordance with one of the elements of the Tri Dharma of Higher Education, Community Service was carried out through Contemporary Illustration Art Education training at PKBM Negeri 26 Bintaro, South Jakarta. The purpose of this training is to provide knowledge and briefing to students about the development of the world of illustration which is currently growing rapidly, especially in Indonesia. The basis of illustration is drawing, in this training students are given teaching and guidance on drawing illustrations through a contemporary illustration approach. The meaning of the word contemporary means "modern" or "current", then translated by a spontaneous experiment through character drawings and narration. Students experiment without being burdened with guilt (proportion or not) to produce narrated contemporary illustrations. The use of marker/felt tip pen materials supports the spontaneity and courage of students in drawing illustrations because the resulting lines are not easily erased and are as they are, like a child who draws spontaneously and happily
ESTETIKA ELEMEN GEOMETRIS PADA IDENTITAS VISUAL FIFA WOMEN’S WORLD CUP 2023 Eston Kamelang Mauleti
Titik Imaji Vol 7, No 1 (2024): JURNAL TITIK IMAJI
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/.v7i1.4949

Abstract

Dalam sebuah penyelanggaraan olahraga di skala lokal, nasional dan internasional diperlukan sebuah identitas visual agar dapat diketahui oleh publik secara luas. FIFA Women’s World Cup 2023 adalah sebuah kejuaraan sepakbola wanita dunia yang diselenggarakan oleh badan sepak bola dunia FIFA. Kejuaraan ini diselenggarakan 4 tahun sekali sejak tahun 1991 dan sanggup merebut perhatian publik dunia untuk menyaksikan langsung ataupun melalui siaran televisi. FIFA secara profesional bekerja sama dengan berbagai brand consultant untuk menciptakan identitas visual.  FIFA Women’s World Cup 2023 yang diselenggarakan di Australia dan New Zealand tampil dengan identitas visual yang unik dan berbeda dari identitas visual kejuaraan sebelumnya. Melalui metode pengumpulan data dan analisis data berbasis gambar penulis melakukan penelitian yang berfokus pada estetika elemen yang digunakan pada identitas visual yang terdiri dari logo dan sistem visual yang dirancang.
Co-Authors Irwan Harnoko