Titus Soepono Adji
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TOKOH PENDUKUNG SEBAGAI TANDA PENGUAT PESAN PADA FILM TALAK 3 Sri Rahayu Ramadhani; Titus Soepono Adji
TEXTURE : Art and Culture Journal Vol 1, No 1 (2018)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (925.906 KB) | DOI: 10.33153/texture.v1i1.2235

Abstract

Supporting actors and supporting actresses in films have an important influence on the course of the story. Their presence is able to strengthen the messages conveyed through scenes in the film. The formulation of the problem of this research is how to read the supporting cast as a message reinforcement on the film Talak 3. Film Talak 3 by Hanung Bramantyo and Ismail Basbeth tells the story of the desire of a divorced couple to reconcile. The supporting figures in the film Talak 3 were used as the focus of the study. The study was conducted using a type of qualitative descriptive research, while the approach method applied the semiotic theory of Roland Barthes to analyze the supporting characters who had the role of signaling the message in the scene. The results of this study show that the budhe Ratna as a supporting actress strengthens the message using marriage life and the meaning of true love that appears throughout the film. Messages related to bureaucracy in government agencies are strengthened by the presence of figures Basuki, Hasmi, Jonur and Ical.Keywords: message, supporting actor and actress, Roland Barthes’s semiotics, Film Talak 3
IMAJINASI KEBANGSAAN ORANG JAWA DI SURINAME DALAM VIDEO MUSIK POPULER Titus Soepono Adji
Capture : Jurnal Seni Media Rekam Vol 1, No 1 (2009)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (996.515 KB) | DOI: 10.33153/capture.v1i1.471

Abstract

In nowadays context, Javanese people in Suriname seems to be something un expectable. They have been living far away from the mother land since a century ago. This kind condition not only restricted the communication within their ancestors but loose also the access into their cultural and identity references. Who really am I? Where did I Come from ? and What is my goal here? There are some frequent questions. Following the technology, here , is internet , we now able to see that Javanese people in Suriname can say the origin of their Javanese identity. Is it a deconstruction ? or a reflexive media to show their origin identity. Keyword : Javanese, Suriname, identity