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Amir Gozali

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Author-ID : 4272937

Arts Humanities

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Articles

Kaligrafi Arab Dalam Seni Lukis Kaca Cirebon Amir Gozali
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Islamic culture transformation process continues to this day, the puppet is one proof of the continuity of historical reflection Indonesian culture resulting from the transformation of culture has characterized the culture of the archipelago. In addition it is also the object of puppets in the creation of works of art of Islamic calligraphy in Indonesia. Islamic Calligraphy has been media creativity of the artist to realize the creation of Islamic art that characterized the archipelago. During its development, calligraphy works, both produced by palace artist and artist from outside the palace, has managed to absorb the local cultture and accomplishment in calligraphy. In connection with this, mucullah calligraphy works in the form of works of calligraphy with the puppet motif adapted well in the archipelago, especially in Cirebon. Glass painting in Cirebon could not be separated from the cultural history of Cirebon that culture is the crystallization of several from the cultures that influence it. In the history of Cirebon culture influences from Arabic, Chinese, and Central and East Java.Acculturation in Cirebon culture integrated with peace, so that glass painting in Cirebon if observed bring a breath of uniqueness and distinctive character. Islamic Calligraphy in Cirebon is a mean of channeling creative art reflection of this artist.The trustee in Cirebon by successfully combining creative Islamic calligraphy art with elements of local art. So the calligraphy appears Cirebon identity. Traditional decorative patterns that have been developed previously distilir so as to produce beautiful calligraphic work without losing his character. Some works of calligraphy Panembahan which is stylized decorative patterns that emerge in the form of a charming figural calligraphy, monumental and filled with elements of local genius. Islamic Calligraphy presence in Indonesia has emerged as the archipelago culturesÂ capable of moving the tradition of thinking and notices, which is capable of touching the existence, cultivate ideas, open intuition, imagination cast a meaning behind the verses as a source of expression and creativity to create works that bercitra archipelago. Keywords: Glass painting, Cirebon, Islamic Calligraphy.

Kajian Tehnik Menggambar Wayang Beber Gaya Pacitan Joko Sri Yono Amir Gozali; Sutriyanto -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 6, No 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This study aimed to Pacitan style wayang beber, which has the characteristics of a very complicated background and has a very interesting artistic value. Of the two also has a different procedure for the manufacture especially when applying the colors used. This study examines the anatomy of the body found in wayang beber, either the main character or some other supporting cast. Anatomy directed against members of the body found in various types of puppets such as the eyes, nose, mouth, ears, hands, feet up used clothing and accessories. In addition, this study will reveal some of the symbols contained in the background, where the background can be seen from the condition and location that is happening in each scene. In this study, the object is wayang beber with emphasis minitik studies on aspects of the art techniques and media apparently namely the manufacture of Pacitan style wayang beber Sri Yono Joko work. To solve some of the issues raised using a direct approach to the puppeteers, craftsmen and artists who are still there, especially Joko Sri Yono as an artist who holds the grip Pacitan style wayang beber, and a review of the existing literature. By using some of the theoretical approach is expected to answer the problem.Keywords: Wayang Beber, Style, Pacitan

Media cat Minyak dan Pendukungnya Amir Gozali
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 2, No 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

The artwork must not only be measured/ assessed from the outside impression of the observer but also the good and bad quality of the physical. It depens how the process works is made, for the quality of course work rwquired precision in the selection of good materials and application of proper techniques in making a painting. Media oil paint, began to be known/discovered in the 15th century (the time Renisance in Europe). This medium was found closely related to the spirit if the Renaissance itself is the rebirth of ideas, thoughts Ancient Greek and Roman times are based on human reason(rationalism) and values of humanity (humanism) and the view that humans are used as a source all actions. As a result of the industrial revolution had improved oil paints in term of shape as it begins to be mass produced. Form of oil paint which originally separate between base material and developed into oil and solids in the form of a paste-like tube packaging at this time with different brands and package sizes. This makes oil paint more and more popular today because it has the character of a flexible and practical in its use.Keywords : painting,medium,oil paint

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