Article Per Year (5 Year)
p-Index From 2019 - 2024
0.23
P-Index
This Author published in this journals
All Journal Capture : Jurnal Seni Media Rekam
Jasmine Disca Haryadi
Universitas Indonesia
Arts Humanities

Published : 1 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search

 1 
ACTANTIAL MODEL IN THE NELYUBOV MOVIE Jasmine Disca Haryadi; Hendra Kaprisma
Capture : Jurnal Seni Media Rekam Vol 12, No 2 (2021)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3252

Abstract

Through the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particularly how the film's conflict can be constructed. Accordingly, this study seeks to identify the actant schemes created in the Nelyubov film. This study examines the location of individuals in the film using Algirdas Julien Greimas' Actantial Model theory. Further, this article employs Mills' Discourse Analysis and Smith's Interpretative Phenomenological Analysis (IPA). The results indicate representations for the subject, object, helper, opposer, sender, and receiver in the Nelyubov film, allowing for the fulfillment of the three kinds of axis: the axis of desire, the axis of power, and the axis of transmission/knowledge. The film's subject is Zhenya, and the object is the happiness he seeks.
Co-Authors Hendra Kaprisma