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All Journal Capture : Jurnal Seni Media Rekam
Satriyo Bagus Prasojo
Mahasiswa Program Studi S-1 Televisi dan Film, FSRD Institut Seni Indonesia (ISI) Surakarta
Arts Humanities

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GAYA DIRECT CINEMA PADA PENYUTRADARAAN FILM DOKUMENTER DI BALIK DONGENG KANCIL Satriyo Bagus Prasojo; Cito Yasuki R.
Capture : Jurnal Seni Media Rekam Vol 7, No 1 (2015)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3107.413 KB) | DOI: 10.33153/capture.v7i1.1565

Abstract

The documentary film entitled Di Balik Dongeng Si Kancil tells about high dedication and awareness of an artist named Ki Ledjar Subroto in the development of pewayangan (shadow puppet) at once as an environmental conservationist. Wayang Kancilwas used to develop and find out strategies to educate young generation especially children in the way of how to understand the wayang. Wayang Kancil is a kind of wayang which can also be used as education medium in understanding and conserving environment. This creating used concept of “direct cinema” in producing documentary film entitled DiBalik Dongeng Kancil. The film shows wayang medium can be used as learning medium. Film recording emphasized actions spontaneously and naturally to impress proximity between subjects and audiences. Structure and narrative aspects in conveying information in this documentary film expressed using linear pattern through visual dialog of the subjects or informants, while narration by narrator is not emerged. Therefore, the visualization of the subjects in the interview constitutes an important part in describing information in every scene or event in this documentary film about the importance of conserving Indonesian culture.Keywords: Wayangkancil, documentary, film, and direct cinema
Co-Authors Cito Yasuki R.