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All Journal Paramasastra: Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya SEMINAR NASIONAL SOSIAL, SAINS, PENDIDIKAN, HUMANIORA
Lusia Kristiasih Dwi Purnomosasi
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Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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THE SOUND OF EVIL: A PERSPECTIVE OF COMPARATIVE LITERATURE Lusia Kristiasih Dwi Purnomosasi
Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Vol. 1 No. 2 (2014): Vol 1 No 2 Bulan September Tahun 2014
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/paramasastra.v1n2.p%p

Abstract

The representation of evil in The Scarlet Letter, Madam Bovary, Anna Karenina, and Lady Chatterleys  Lover  is  a  choice  to  be  compared  by  the  theory  of  comparative literature of Claudio Guillen.It  is  called  thematology.  It  is  based on  the assumption that a theme will be different as  it is accepted by different cultures. Internationality is applied among others. The evil functions as a representation of a sinner in The Scarlet Letter in line with external marital affairs by the main character. It is due to the belief of  witch  that  leads  to  the  special  woman.  The  witch  as  the  representation  of  evil changes  to  the  beggar  in  Madam  Bovary  and  a  railway  station  officer  in  Anna Karenina. Both  reflect  the different  social  stratification as  the effect of materialism. Lady Chatterleys Lover  has  transformed  to an  invisible  representation of evil.  It  is the mentality of capitalism. The  transformation of  those evil  in  the novels  is created from the stereotype towards the cursed by society. It deals with the belief and status.
Crying-Laughing: The Case of Arthur in the Movie of Joker Fania Diah Putri Rosyanti; Yuli Kuswardani; Lusia Kristiasih Dwi Purnomosasi
SEMINAR NASIONAL SOSIAL, SAINS, PENDIDIKAN, HUMANIORA (SENASSDRA) Vol 2, No 2 (2023): Implementasi kurikulum merdeka menuju transformasi pendidikan dalam mempersiapka
Publisher : SEMINAR NASIONAL SOSIAL, SAINS, PENDIDIKAN, HUMANIORA (SENASSDRA)

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Abstract

Arthur’s unresolved problems and many lies make Arthur a psychopathic figure. The purpose of this article is to describe how the main character turns his crying into laughing for expressing madness in Joker movie. The theory used by the researcher in this article is the psychoanalysis theory of Sigmund Freud (1856-1939). The method used is qualitative research with data collection techniques using documentation techniques, then the data is analyzed using 6 steps with Creswell's theory (2009). The result is found that the deeds performed by the main character in the Joker, Arthur Fleck, lead to a defense mechanism, namely Displacement. It reveals the form of causes in traumatic experience in his childhood physically and socially. The trauma lets him respond any triggers by laughing as he kills people, and the symptom shows the reaction of murdering is his own tortured experience imitation to others.
Encanto: A Broken Latino Culture in Popular Literature Tyara Riszky Pratidina; Aris Wuryantoro; Lusia Kristiasih Dwi Purnomosasi
SEMINAR NASIONAL SOSIAL, SAINS, PENDIDIKAN, HUMANIORA (SENASSDRA) Vol 2, No 1 (2023): Implementasi kurikulum merdeka menuju transformasi pendidikan dalam mempersiapka
Publisher : SEMINAR NASIONAL SOSIAL, SAINS, PENDIDIKAN, HUMANIORA (SENASSDRA)

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Abstract

The aim of this article is to analyze Heroine of Encanto who breaks the stereotype of Latino culture. The theory of culture is “The Seven Element of Culture” to find out the element of culture that shows stereotypes of Latino. The methods used in this article is qualitative methods with data condensation, data display, and conclusion drawing or verification. The result shows two aspect culture, there are social organization and custom and traditions, which give evidences of breaking the stereotype of Latino culture. Two of them confirm the female character and the new world view as young generation change the old tradition as the stereotype.
Co-Authors Aris Wuryantoro Fania Diah Putri Rosyanti Tyara Riszky Pratidina Yuli Kuswardani