Thoriqul Aziz
Universitas Islam Negeri Sayyid Ali Rahmatullah Tulungagung

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MELACAK SEJARAH DAN PENGGUNAAN NAGHAM ARABI DI INDONESIA Salamah Noorhidayati; Hibbi Farihin; Thoriqul Aziz
QOF Vol. 5 No. 1 (2021)
Publisher : Institut Agama Islam Negeri (IAIN) Keiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (560.976 KB) | DOI: 10.30762/qof.v5i1.3592

Abstract

There are two elements of art in the Quran which come from two different sources. First, from the internals of Quran, such as language style, diction, correlation between verses, and others. Second, from the external of the Quran, such as how to read, rhythm (nagham/langgam), and others. This study focusedd on the second part, namely the rhythm (nagham) in Quranic verses and more specifically on the Arabic rhythm of Arab. The history of the existence of the rhythm in Quran verses in the Islamic world has existed since Islam appeared in the world. However, in Indonesia, the history of Arabic rhythm is still confusing. Therefore, this study aimed to trace the early history of the entry and use of the Arabic rhythm in Indonesia. This research used descriptive-historical method. This research found the early history of the emergence of the nagham of Arab in Indonesia which is inseparable from the network of archipelago scholars with the Middle East in the twentieth century. Nagham of Arab has continued to develop since the establishment of Jam'iyyatu al-Qurra’ wa al-Huffa>z (JQH) in the 1950s and the presence of PTIQ and IIQ. Arabic rhythm is used in Indonesia in various occasions, such as being used as a competition (MTQ), reading at the beginning of every event, reading of Quran (tadarus), and Quranic recitation concert.
Dialektika Ideologi Islam Tradisionalis dan Reformis: Analisis Pemahaman Bisri Musthafa dan Hasbi Ash-Shiddieqy Deddy Ilyas; Rahmat Hidayat; Thoriqul Aziz; Abdul Kher
Jurnal Semiotika Quran Vol 4 No 1 (2024): Jurnal Semiotika-Q: Kajian Ilmu al-Quran dan Tafsir
Publisher : Program Magister Ilmu Al-Qur'an dan Tafsir, Fakultas Ushuluddin dan Pemikiran Islam, Universitas Islam Negeri Raden Fatah Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19109/jsq.v4i1.22678

Abstract

Tidak dapat dipungkiri bahwa ideologi yang dianut oleh setiap mufasir tidak dapat dilepaskan dari dalam dirinya etika menafsirkan sebuah ayat al-Qur’an. Studi ini mengkaji tentang dialektika antara ideologi Islam tradisionalis dan reformis yang terdapat dalam tafsir al-Ibriz karya Bisri Musthafa dan tafsir an-Nur karya Hasbi ash-Shiddieqy. Dalam kajian ini, penulis menggunakan studi pustaka (library research) murni dengan menggunakan teori sosiologi pengetahuan dari Karl Mannheim secara deskriptif-komparatif. Dengan demikian, kajian ini menghasilkan bentuk-bentuk dialektika di antara kedua tafsir yang meliputi seputar masalah taqlid, tawassul, dan bid’ah. Dari berbagai masalah tersebut, kedua mufasir memiliki pedapat yang saling bertolak belakang. Bisri sebagai pembela muslim Tradisionalis menerima praktik-praktik tersebut. Sementara Hasbi sebagai pembela Muslim reformis dengan tegas menolaknya.  Dialektika tersebut berdampak pada perkembangan ilmu pengetahuan, pola pikir generasi setelah mufasir tersebut, dan memiliki kontribusi terhadap perkembangan khazanah tafsir al-Qur’an di Indonesia.