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All Journal Lingua Cultura
Anton Sutandio
School of Interdisciplinary Arts Ohio University
Languange, Linguistic, Communication & Media

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Monkey Dance Transformation And Displacement: From Traditional Performance To Urban Everydayness Sutandio, Anton
Lingua Cultura Vol 6, No 1 (2012): Lingua Cultura Vol. 6 No. 1
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v6i1.390

Abstract

This research attempts to investigate how the monkey dance, a traditional mobile performance from village to village, transforms and displaces itself into a semi-permanent urban street performance as the effect of modernization and globalization. The research is closely relevant to the theme of the everyday life on the relation between art and the social. Doger monyet (monkey dance) performance has always been regarded as the marginal art/culture. Its place has always been among the mid-lower class of society, thus when it changes its mode and place of performance, questions and curiosity arises. This phenomenon requires a re-examination of the cultural transformation effect to everyday life. This research attempts to answer several issues regarding the phenomena: how the performance negotiates its way to the urban everyday life and its everydayness; how it manages to place itself within the urban space; how it deals with the authority and the urban dwellers, and what its future is going to be like in the new space.
Female Psychology in August Strindberg’s The Stronger Sutandio, Anton; Apriliani, Erica
Lingua Cultura Vol 11, No 2 (2017): Lingua Cultura Vol. 11 No. 2
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i2.1756

Abstract

This research aimed to offer interpretations of August Strindberg’s The Stronger through the lens of female psychology. The Stronger is unique as it seemed very simple yet so intense and powerful with layers of interpretations. Written during 1888-1889, The Stronger, which only had two characters and only one speaking character, had become one of Strindberg’s shortest yet important plays during his career. The female psychology approach used in the analysis would cover the discussion of gender role, women’s self-esteem, competition for males, women’s friendships, ego style, and female psychology. It was an interdisciplinary research that combined structuralist, historical, biographical, and feminist approach to gain a better interpretation on the play. By referring to three different sources on the concept of female psychology, the analysis offered different and interesting interpretations on the nature and dynamics of the two female characters’ relationship. The Stronger has shown an enigmatic attraction in Strindberg’s authorship in which the readers could see the co-existence, collision, conflict, and merge of different paradigms concerning sex, gender, and sexuality.
Cinematic Representation of Chinese-Indonesians’ Trauma in Jason Iskandar The Day The Sky Roared Sutandio, Anton
Lingua Cultura Vol 13, No 4 (2019): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v13i4.6000

Abstract

This research analyzed a contemporary independent Indonesian film entitled The Day the Sky Roared (2015) that was directed by Jason Iskandar. This 10-minute silent film talked about the anxiety of Chinese-Indonesians through the eyes of a mother and her daughter regarding the historical trauma of the May 1998 tragedy. The fact that the film was produced about 17 years after the tragedy suggested the director’s awareness that the trauma remained due to the absence of reconciliation and closure. This research would show how the short film frames the incident and trauma of the Chinese-Indonesians. The research was a combination of trauma studies and film studies that focuses on the visual analysis of the film’s cinematography and mise-en-scene to show the cinematic representation of Chinese-Indonesians’ trauma. The findings show that the portrayal of Chinese-Indonesians still strongly suggests unrelieved psychological discomfort, albeit, at different levels, that is closely related to the traumatic past and the pervasive stereotyping of Chinese-Indonesians. 
Co-Authors Apriliani, Erica