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All Journal Berkala Arkeologi Berkala Arkeologi
Rakai Hino Galeswangi
Tim Ahli Cagar Budaya Kota Malang
Earth & Planetary Sciences Social Sciences

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Kajian arca Agastya bertubuh ramping koleksi Museum Mpu Purwa Kota Malang Rakai Hino Galeswangi
Berkala Arkeologi Vol 41 No 1 (2021)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1088.568 KB) | DOI: 10.30883/jba.v41i1.603

Abstract

This study aims to examine and identify the place of origin of the slender Agastya statue (arca) stored in the Mpu Purwa Museum, Malang. The object of study is the Agastya depicted with a slender stomach, partially curled and partially loose on the back hair-style, and holding the trident weapon from its backrest. The research method is qualitative descriptive, using inductive reasoning with the sense of analytical description. This research uses analysis of iconography, ecology, contextual, and historical approach. The result shows that the slender Agastya is locally made with high quality and influenced by the Gupta-Indian style, which appeared in the VIII to IX centuries in Central Java.  The origin of Agastya statue also known as part of the Karangbesuki temple ruins in Desa Karangbesuki. The Agastya acts as a Hindu temple mandala statue placed in a niche of the south side wall. These result is expected to be useful for further researches.
Arti dan fungsi bejana batu berbentuk lembu di Situs Batu Banteng, Situbondo, Jawa Timur Rakai Hino Galeswangi
Berkala Arkeologi Vol 42 No 1 (2022)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1196.282 KB) | DOI: 10.30883/jba.v42i1.884

Abstract

Bejana batu berbentuk lembu yang terdapat di Situs Batu Banteng, Selobanteng, Banyuglugur, Sitobondo, Jawa Timur memiliki ciri khas berupa prasasti berangka tahun 1325 Śaka  (1403 M). Artikel ini bertujuan untuk menjelaskan arti dan fungsi bejana batu tersebut melalui metode penelitian kualitatif yang meliputi studi pustaka, transliterasi, dan penerjemahan prasasti. Bejana batu di Situs Batu Banteng menunjukkan adanya indikasi pergeseran dari konsep tambragomukha dalam ajaran Buddha Mahayana menjadi sarana penyucian dosa sebelum seseorang memasuki mandala kadewaguruan.
The meaning and function of the ox-shaped stone tub at Batu Banteng Site, Situbondo, East Java : Arti dan fungsi bejana batu berbentuk lembu di Situs Batu Banteng, Situbondo, Jawa Timur Rakai Hino Galeswangi
Berkala Arkeologi Vol. 42 No. 1 (2022)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v42i1.884

Abstract

Bejana batu berbentuk lembu yang terdapat di Situs Batu Banteng, Selobanteng, Banyuglugur, Sitobondo, Jawa Timur memiliki ciri khas berupa prasasti berangka tahun 1325 Śaka (1403 M). Artikel ini bertujuan untuk menjelaskan arti dan fungsi bejana batu tersebut melalui metode penelitian kualitatif yang meliputi studi pustaka, transliterasi, dan penerjemahan prasasti. Bejana batu di Situs Batu Banteng menunjukkan adanya indikasi pergeseran dari konsep tambragomukha dalam ajaran Buddha Mahayana menjadi sarana penyucian dosa sebelum seseorang memasuki mandala kadewaguruan.
The study of slender Agastya statue in the Mpu Purwa Museum collection, Malang City: Kajian arca Agastya bertubuh ramping koleksi Museum Mpu Purwa Kota Malang Rakai Hino Galeswangi
Berkala Arkeologi Vol. 41 No. 1 (2021)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v41i1.603

Abstract

This study aims to examine and identify the place of origin of the slender Agastya statue (arca) stored in the Mpu Purwa Museum Malang. The object of study is the Agastya depicted with a slender stomach, a hair-style partially curled and partially loose on the back, and holding the trident weapon from its backrest. The research method is qualitative descriptive, inductive reasoning with the sense of analytical description. This research uses analysis of iconography, ecology, contextual, and historical approach. The result shows that the slender Agastya is locally made with high quality and influenced by the Gupta-Indian style, which appeared in the VIII to IX centuries in Central Java. The origin of Agastya statue also known as part of the Karangbesuki temple ruins in Desa Karangbesuki. The Agastya acts as a Hindu temple mandala statue placed in a niche of the south side wall. These results are expected to be useful for further researches.
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