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All Journal Cinematology Journal Anthology of Film and Television Studies Jomantara International Journal of Art and Culture
Melsya Firtikasari
Universitas Nusa Putra
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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Ibu Soed’s “Hai Becak” Lyrics and Tone Analysis (An Ethnomusicology Research) Melsya Firtikasari
JOMANTARA Vol 2 No 2 (2022): Vol. 2 No. 2 July 2022
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1045.572 KB) | DOI: 10.23969/jijac.v2i2.5419

Abstract

The background of the writing of this journal is to find out whether the lyrics and songs of Hai Becak from the work of SARIDJAH NIUNG BINTANG SOEDIBJO (IBU SOED) are in accordance with the criteria for the voices of children aged 4-6 years as seen from the structure of the song, melody and range of children's voices. In this research, the writer uses descriptive analysis method by collecting qualitative data by using appropriate research instrument. The various data are classified, validated, and interpreted. The result of this research is that, after the author has researched more deeply, the song by SARIDJAH NIUNG BINTANG SOEDIBJO (IBU SOED) can make a contribution, in every poem he creates a lot of education that can be given to children, be it education. divinity and social education, as well as for the psychological and musical development of children. When viewed from the form of poetry and melody, the song by SARIDJAH NIUNG BINTANG SOEDIBJO (IBU SOED) is suitable to be sung by the voice criteria of children aged 4-6 years.
THE FUNCTION OF REAK ARTS FOR CHILDREN TODAY IN CIBOLERANG VILLAGE, CINUNUK VILLAGE, CILEUNYI, BANDUNG DISTRICT Dinda Andiana; Melsya Firtikasari
Cinematology: Journal Anthology of Film and Television Studies Vol 3, No 1 (2023): Volume 3 - Issue 1 : Cinematology: Journal Anthology of Film and Television Stud
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ftv-upi.v3i1.55788

Abstract

West Java has folk art that has various functions and forms, such as Reak art in Ciborelang Village, Cinunuk Village, Cileunyi District, Bandung Regency. The Reak art has changed its function from ritual, entertainment, to games. Children and adult men in Ciborelang Village, Cinunuk Village, play Reak at certain events, especially for children, Reak art is used as a game. The problem of this research is: What is the function of Reak art being played by children today? This study uses a qualitative approach with descriptive analysis method. Data collection was carried out by means of observation, interviews, and documentation studies and literature studies. The results were analyzed to answer the problems raised in this study. This study concluded that the Reak art played by children functions as a game to fill their free time after coming home from school or on holidays. The number of players is between 10 or 15 children aged around 10-15 years. The form of the show is carried out by helaran or procession using musical instruments, such as: drum, badublag, brung, tilingtit, tong and vocals (cheers). The clothes use everyday clothes, such as: t-shirts (long or short sleeves) and pants (long or short). Reak players wear a large mask property called a barokan made of wood that resembles a crocodile's mouth and can be moved open and closed, the body is covered by a burlap sack. The dance moves are carried out spontaneously with the feet stepping alternately, the body slightly lowered and the arms opened wide similar to the movement of the pencak, the head turns left and right. The Reak show gives meaning to children to express, be creative, work together, respect each other, and learn to organize.
Co-Authors Dinda Andiana