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All Journal Devotion: Journal of Research and Community Service Style : Journal of Fashion Design Jurnal Penelitian Pendidikan Indonesia
Yulriawan Dafri
Institut Seni Indonesia Yogyakarta
Arts Education Social Sciences Other

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Konsep Wabi-Sabi Yang Diterapkan Dengan Teknik Sulam Dan Shibori Pada Busana Outerwear Kania Gitaswari; Yulriawan Dafri; Esther Mayliana
Style : Journal of Fashion Design Vol 1, No 1 (2021): Style : Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (359.428 KB) | DOI: 10.26887/style.v1i1.2108

Abstract

The creation of a work with the title "The concept of Wabi-Sabi applied with embroidery and shibori techniques in Outerwear Clothing" is the embodiment of individual ideas or thoughts to achieve inner satisfaction which is processed according to the abilities of the author. This work has character and aesthetic value, using balanced ideas, concepts, and techniques. The creation of the work uses the Japanese concept of wabi-sabi which is applied to outerwear inspired by kimono. Approach methods in the creation of works are aesthetic, ergonomic, and semiotic approaches. There are three creation methods used to search data according to the theme raised, namely data collection, data analysis, design, and embodiment. The technique of embodiment of the work applies shibori and embroidery techniques. The works resulting from this creation are four works of art, each of which has its own uniqueness and characteristics in terms of motifs, colors and pieces of clothing. It is hoped that in making this work useful for art connoisseurs and the community. And can contribute and creative discourse about culture and fashion.
“Guyub Trisno” Fine Art Exhibition: Donation and Recovery of The COVID-19 Pandemic Timbul Raharjo; Suastiwi Triatmodjo; Yulriawan Dafri
Devotion Journal of Community Service Vol. 4 No. 3 (2023): Devotion: Journal of Research and Community Service
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36418/devotion.v4i3.439

Abstract

A pandemic is like a mirror that shows us the realities of life (Teng & Margaret, 2020). This fact of life is the importance of doing for humanity as did the artists of Trisno Guyub’s members. They initiated a joint exhibition for donations and recovery from the Covid-19 pandemic. This exhibition was attended by 118 artists and exhibited around 200 works of art, paintings and sculptures. The first purpose is an effort to share and the second is so that artists can fulfill their artistic expression. This study uses a qualitative method in the form of an explanation of the pandemic condition and how a group of Guyub Tresno conducts exhibition efforts as one of the recovery efforts. The pandemic period in various fields experienced significant social and economic changes in society. Life is relatively difficult and efforts to maintain and develop the arts continue. Artists generally focus on how to create works according to their intuition. Meanwhile the strategy of how the work can be distributed with a certain dowry during the pandemic is also relatively difficult. This also applies to other disadvantaged groups of people, namely orphans of course. Those experiencing the same problem may be more concerned. The limitations of children who have lost their parents as the foundation of life and learning to live are gone. Meanwhile, this happens to artists who are in a state of suspended animation. This exhibition is one of the positive forums for an honorable life and ways to share with others. The aim of this exhibition is recovery (Farah & Nasution, 2020) together with the way artists share with fellow artists and orphans. It is hoped that it can contribute to awakening the creative process of artists and can ease the burden on orphans affected by the Covid-19 Pandemic.
Antique coloring of the burning process to increase the variety of finishing of export commodity pottery products Timbul Raharjo; Yulriawan Dafri; Lutse Lambert Morin; Yulyta Kodrat Prasetyaningsih; Wahyu Tri Atmojo
JPPI (Jurnal Penelitian Pendidikan Indonesia) Vol 9, No 3 (2023): JPPI (Jurnal Penelitian Pendidikan Indonesia)
Publisher : Indonesian Institute for Counseling, Education and Theraphy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/020232175

Abstract

Coloring plays an important role as an artistic consideration in pottery products for the export market. Burning technique coloring is one of the innovative finishing techniques that have an antique impression. The purpose of this paper is to experiment with the finishing of the burnt technique and its application to the surface of the pottery body to make it look antique or ancient. This is an effort to increase the variety of finishing on the products of the Kasongan Yogyakarta pottery industry. Kasongan is the largest pottery industry in Indonesia. Kasongan Yogyakarta pottery has become an international trade commodity. This paper uses a qualitative descriptive method with an explanation of the flow of the experimentation process for the combustion technique of coloring on Kasongan pottery. The experiment resulted in four findings of the burning technique, namely (1) antique green, (2) antique blue, (3) antique brown, and (4) antique earth color. The experimental results were applied to 8 pottery in the form of statues and decorative vases. It is hoped that it can add variations to the coloring of pottery products and increase sales of Kasongan pottery products.
Co-Authors Esther Mayliana Kania Gitaswari Lutse Lambert Morin Suastiwi Triatmodjo Timbul Raharjo Wahyu Tri Atmojo Yulyta Kodrat Prasetyaningsih