Ya-huei Wang
Department of Medical Education, Chung Shan Medical University Hospital

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Trauma, Love, and Identity Development in Rowling’s Harry Potter and the Prisoner of Azkaban You-shuan Shiong; Ya-huei Wang
Journal of Language and Literature Vol 22, No 1 (2022): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1492.689 KB) | DOI: 10.24071/joll.v22i1.3463

Abstract

Persons in the stage of adolescence are eager to know who they are. They are curious about their unique characteristics and identities and how they can start to bring about the self-realization that provides a gateway to adulthood by exploring those characteristics and identities. In this process of self-exploration, adolescents who receive encouragement as they search for an authentic identity, though they sometimes have conflicts with parents and others, are likely to develop a secure ego-identity and a strong sense of independence and self-control. By contrast, adolescents who fail to receive encouragement during the process of identity exploration, for whatever reason, may remain unsure about who they are, and hence feel insecure and confused about themselves as well as their future.  The present study uses the fictional character Harry Potter to explore these issues in greater depth, mainly focusing on his early adolescent years—that is, when he is 11-13 years old. The study demonstrates that Harry Potter can manage to resolve conflicting ideas and thereby lay the foundations for a healthy ego-identity despite difficult circumstances. The study uses Erikson’s and other psychologists’ understanding of the importance of self-exploration in adolescence as an interpretive lens to examine the dynamics of trauma, love, and self-realization in Rowling’s Harry Potter and the Prisoner of Azkaban. More specifically, it considers how family love (or the lack thereof), mentorship, and friendship in adolescence impact Harry’s mental and physical behaviors and influence the development of his identity. 
Using Mythic Structure of Campbell’s Monomyth to Analyze Spirited Away: A Heroine’s Journey Meng-Hsuan Wu; Ya-huei Wang
Metathesis: Journal of English Language, Literature, and Teaching Vol. 6 No. 1 (2022): Metathesis: Journal of English Language, Literature, and Teaching
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/metathesis.v6i1.138

Abstract

This study intends to examine the stages of the hero’s journey based on the mythic structure of Campbell’s monomyth and use the monomyth to analyze how a ten-year-old girl, Chihiro, embarks on a journey to the supernatural world in Spirited Away. The study uses content analysis, a descriptive qualitative method, to analyze the monomyth: a departure–initiation–return journey covering seventeen stages. The monomyth involves metamorphoses and challenges that the heroine Chihiro encounters and explores her evolution during her transition to full autonomy in order to reach transformation and self-individuation. Chihiro, in order to rescue her parents, is destined to take the journey: to sink into darkness, the unconscious, and encounter her natural and primitive essence. By fighting against conflict or opposition, Chihiro, as a mythical heroine, completes her monomyth cycle and attains transformation and regeneration.