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KAJIAN PERENCANAAN STAN DAN PANGGUNG PADA KEGIATAN PEMOGAN FESTIVAL DALAM UPAYA PEMBERDAYAAN UMKM Nyoman Sri Rahayu; Kadek Risna Puspita Giri
SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Vol 6, No 3 (2022): September
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jpmb.v6i3.8730

Abstract

ABSTRAKDesa Pemogan kaya akan potensi lokal yang mendukung perekonomian setempat. Diantaranya adalah, potensi alam (sungai), potensi budaya (tari dan upacara keagamaan), potensi kuliner (makanan khas dan olahan mangrove), usaha kreatif (anyaman), serta pengolahan sampah organik menjadi briket dan pupuk. Keragaman potensi ini memerlukan sebuah wadah yang dapat mengakomodasi masing-masing potensi sehingga dapat menjangkau pasaran lebih luas dalam memp  romosikan produknya dan mengembangkan produk baru. Pemogan festival memiliki prospek yang cerah sebagai wadah untuk memperkuat potensi ekonomi setempat, sekaligus sebagai sarana wisata. Melalui tulisan ini, peneliti bertujuan untuk mengkaji perlunya diadakan kegiatan Pemogan Festival, selanjutnya dilakukan perencanaan area stan dan panggung untuk mengakomodasi kegiatan Pemogan Festival. Metode pengumpulan data diperoleh melalui wawancara dan kuisioner, serta metode survey ke lahan yang potensial. Kegiatan ini dimaksimalkan melalui penataan stan-stan usaha lokal dan panggung pertunjukan. Jenis stan dan panggung yang digunakan adalah sistem bongkar pasang, dengan pertimbangan kemudahan saat penempatan dan pemindahan. Penataan stan yang baik dengan variasi warna diharapkan akan lebih atraktif dalam menarik perhatian pengunjung, sehingga usaha lokal di Desa Pemogan lebih dikenal luas. Sedangkan melalui kombinasi penataan stan dan panggung di pinggiran sungai, masyarakat diajak untuk ikut melestarikan tradisi lokal melalui pentas dan lomba sehingga dapat memperkenalkan budaya lokal kepada wisatawan. Kata Kunci: perencanaan; stan; panggung; pemogan festival. ABSTRACTPemogan village is rich in local potential, which supports the local economy. Such as natural potential (rivers), cultural potential (dance and religious ceremonies), culinary potential (typical food and processed mangroves), creative endeavors (woven), and processing organic waste into briquettes and fertilizers. This potential diversity requires a platform that can accommodate each potential to reach a broader market by promoting its products and developing new products. Pemogan festival has bright prospects as a means to strengthen local economic potential, as well as a tourist facility. Through this paper, the researcher aims to examine the need for Pemogan Festival activities to be held, then devise the booth and stage area to accommodate Pemogan Festival activities. The researcher obtains the data through interviews, questionnaires, and field ks. This paper tries to maximize the festival activity by arranging local business booths and stage performances. The type of booth and stage used is a disassembly system, with consideration of ease of placement and transfer. We hope that a good booth arrangement with color variations will be more attractive in attracting visitors' attention so that local businesses in Pemogan Village are more widely known. Meanwhile, through a combination of booth arrangements and stages on the riverbank, the community is invited to participate in preserving local traditions through performances and competitions so that they can introduce local culture to tourists. Keywords: planning; booth; stage; pemogan festival.
OPTIMALISASI LIMBAH PARAS PUTIH MELALUI DIVERSIFIKASI PRODUK INTERIOR Kadek Risna Puspita Giri; I Gusti Ayu Canny Utami; Freddy Hendrawan
Narada : Jurnal Desain dan Seni Vol 10, No 2 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i2.009

Abstract

Saka Bali Arts, as one of the home-based woodcarving industries in Singapadu Village, Gianyar Regency, Bali, has a potential to process white sandstone residue into artworks. Using sandstone as the main base material, Saka Bali  Arts produces 1.4 cubic to 2 tons monthly of sandstone residue. Normally, this is disposed of or used as landfill material for building construction or sent to other vendors to produce artworks like small sculptures and reliefs with simpler shapes, depending on the customer's demand. However, producing processed white sandstone residue received little attention from producers and consumers. This situation resulted in the lack of diversified artwork products displayed on the storefront. The main reasons are the lack of local artisans' skills to produce different kinds of products from sandstone residue and the lack of a marketing development strategy, so the market reach of processed sandstone residue is unexploited. Hence, efforts are needed to develop more specific interior products and a product diversification strategy through product recycling to increase long-term sales. Another way to support this is by optimizing branding and marketing to expand marketing. This study uses the methodology of Murdjito (2022) in the form of stages carried out in the implementation of community service activities. In the long term, we expect Saka Bali Arts to become a model for similar home-based industries in optimizing white parasite stone material residues through increased product innovation, sales, and profitability.
MURAL BUDAYA DI KAWASAN DESA WISATA AIR TERJUN GREMBENGAN, DESA BONGAN, KABUPATEN TABANAN Ni Nyoman Sri Rahayu; Kadek Risna Puspita Giri; Ni Luh Gde Niti Swari
Jurnal Lentera Widya Vol 3 No 1 (2021): Jurnal Lentera Widya Desember 2021
Publisher : LPPM Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/lenterawidya.v3i1.249

Abstract

Mural is well known as a wall design. The community service was carried out by the IDB Bali Lecturer Team in Bongan village, Tabanan. The community service program in the form of community service activities that will be carried out is in the form of mural activities located in the area of the road to Grembengan Waterfall Tourism, Bongan Tabanan Village. The walls to be mural have a length of 40 meters with a height of 2.8 meters and 140.8 meters for the total area. There were moral and social messages in people's lives with a visual approach in the form of displaying local Balinese culture, and containing messages or social criticism, one of which is related to the pandemic. The mural image shows a boy wearing a mask sweeping the yard and the others washing their hands. It is hoped that this image can be informative enough for visitors so that visitors can get used to living clean and healthy. The mural is done using the conventional method, by painting it, so as to bring out the aesthetic side of the mural that is more expressive. This is inseparable from the ability and the results of the paint scratches that are displayed.